A fairly inconclusive conclusion to Spider-Gwen's last solo series to date, or at least I think it was, because who could keep track of Marvel relaunches even before the various Event-induced hiatuses? Sure, it leaves us with reasons she might be lying low for a bit, both in her home world and on the main Marvel Earth, but neither is particularly satisfying, both amounting to one or another flavour of letting the gits win, which isn't really what superhero comics are for unless they're consciously playing against type in a way this never feels like it is. And that's before we get into the various teases of a character from yet another timeline, Ultimate Reed Richards, foreshadowing something which never seems to arrive. There are some lovely bits along the way, even if they don't always bear too much thinking about – it's taking the casualisation of interdimensional travel to new levels to have Gwen and friends hopping worlds just to see alternate versions of bands they like, but Nightmare! At The Nightclub and Anxiety! At The Art Studio still amused me*. And there's definitely a solid emotional core, with Gwen and her dad, both characters we know to be long dead on Earth-616, each worrying about the other's safety in dangerous jobs, even as they clearly respect each other. Albeit with a certain degree of intergenerational confusion in the mix too, exacerbated by the whole interdimensional superhero weirdness: "Sometimes if I think too hard about your life, I can't form thoughts anymore." But as I've said before, I think the thing I most miss in this run is the gorgeously toxic look Earth-65 had in Gwen's first solo series, which had they built on it, could have reflected off another parallel world Peter Parker love interest and been the foundation for Marvel's answer to Euphoria.
*I did pause for a moment at these exact names, given Panic! At The Disco doesn't alliterate, but superhero worlds were always heavier on alliteration than ours, so I reckon it's plausible variance.