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Slaves of Zisaida #1
The Lost Signal
An ancient threat returns to conquer humanity. They ruled the planet once and they will do it again. Humans can't fight this war—not without help.
For years, Dr. Ethan Fawkes has been communicating with a mysterious scientist using an encoded signal, and together, they designed the first spaceship meant for war. But when the government orders Ethan to dismantle it, his collaborator reveals a terrible secret. An army of powerful aliens is about to invade Earth, and humans must rush to prepare a defense or risk losing their freedom forever.
The future looks bleak and it's about to get worse.
Fiona has no memories of her origins, but somehow, she shares half her DNA with the invaders. For this, she lives a life of scorn and shame amongst humans. When the enemy arrives to enslave her village, will she help the humans who hate her or join the aliens who welcome her? The key to victory lies in the depths of her obscure past. Can she remember her true heritage before it's too late?
The Lost Signal is the first book in the Slaves of Zisaida trilogy: a riveting Science Fantasy saga about our galaxy's war for survival against an intergalactic threat. If you're a fan of Stargate, The Atlantis Gene, and Battlestar Galactica, get on this thrill ride. Come for the Space Force, stay for the aliens.
Content Warning:
Suicide, Graphic Violence, Torture and Deaths
For years, Dr. Ethan Fawkes has been communicating with a mysterious scientist using an encoded signal, and together, they designed the first spaceship meant for war. But when the government orders Ethan to dismantle it, his collaborator reveals a terrible secret. An army of powerful aliens is about to invade Earth, and humans must rush to prepare a defense or risk losing their freedom forever.
The future looks bleak and it's about to get worse.
Fiona has no memories of her origins, but somehow, she shares half her DNA with the invaders. For this, she lives a life of scorn and shame amongst humans. When the enemy arrives to enslave her village, will she help the humans who hate her or join the aliens who welcome her? The key to victory lies in the depths of her obscure past. Can she remember her true heritage before it's too late?
The Lost Signal is the first book in the Slaves of Zisaida trilogy: a riveting Science Fantasy saga about our galaxy's war for survival against an intergalactic threat. If you're a fan of Stargate, The Atlantis Gene, and Battlestar Galactica, get on this thrill ride. Come for the Space Force, stay for the aliens.
Content Warning:
Suicide, Graphic Violence, Torture and Deaths
386 pages, Kindle Edition
First published December 28, 2019
66 people are currently reading
557 people want to read
About the author
J.S. Fernandez Morales
4 books29 followersJennifer S. Fernández Morales is a Sci-Fi writer born and raised in Puerto Rico. Even if her heart stayed in the tropics, she now lives within Colorado's frigid embrace. Combining her Bachelor’s degree in psychology with courses in literature and creative writing, Fernández strives to create riveting stories with unexpected plot twists, well-rounded characters, and complex storylines. After years of honing her skills as a writer, she decided to take the plunge and publish the first book in the Slaves of Zisaida trilogy: The Lost Signal.
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Displaying 1 - 30 of 46 reviews
February 1, 2021
The book was fast-paced and intriguing, at least for the majority of it. I was sucked in right from the first chapter. The main plot point is the dynamic between humanity and an alien race, Uruklu, from two very different perspectives, each of these threads providing new context to the story. It was engaging to see the interplay between them as the story progressed.
To some extent, suspense of disbelief was required (especially with how easily characters adapted to unexpected events and information), but it didn't hinder my enjoyment. It was a fun and light read, which made this a truly great experience.
Some of the characters felt a bit underdeveloped and the dialogue between them sometimes felt a touch awkward. My favourite characters, however, were really interesting as there was more to them than met the eyes.
My other problem was an uneven pacing. The book started really promising, but it lost me in the middle as it started dragging a bit. Fortunately, my interest was picked up again towards the end. Another thing in the same vein is that I enjoyed one part of the story much more than the other. While I was drawn to Fiona's narrative and her strange yet alluring dynamic with Kurugar, the side of the crew at the military base was less compelling.
All in all, I think this was an excellent book, despite some flaws, and I'm looking forward to reading the next installments in the trilogy. I'm curious to see any future works from this author as I consider this novel to be a very promising debut.
*I received an advance review copy for free from BookSirens, and I am leaving this review voluntarily.
To some extent, suspense of disbelief was required (especially with how easily characters adapted to unexpected events and information), but it didn't hinder my enjoyment. It was a fun and light read, which made this a truly great experience.
Some of the characters felt a bit underdeveloped and the dialogue between them sometimes felt a touch awkward. My favourite characters, however, were really interesting as there was more to them than met the eyes.
My other problem was an uneven pacing. The book started really promising, but it lost me in the middle as it started dragging a bit. Fortunately, my interest was picked up again towards the end. Another thing in the same vein is that I enjoyed one part of the story much more than the other. While I was drawn to Fiona's narrative and her strange yet alluring dynamic with Kurugar, the side of the crew at the military base was less compelling.
All in all, I think this was an excellent book, despite some flaws, and I'm looking forward to reading the next installments in the trilogy. I'm curious to see any future works from this author as I consider this novel to be a very promising debut.
*I received an advance review copy for free from BookSirens, and I am leaving this review voluntarily.
December 12, 2019
I received a free copy of this novel from the author in exchange for an honest review.
I don’t normally read sci-fi. I don’t hate it, but it’s not one of the genres I gravitate toward. So, I don’t know how this book stacks up to others of its kind. All I do know is that I loved this novel.
All the characters are amazing. I have no complaints whatsoever. They all have distinct voices, and I couldn’t wait to find out the conclusions of their arcs. They play off each other beautifully, especially Fiona and Kurugar (these two! Their dynamic is worth the read alone). The cast is quite large, but I had absolutely no problem keeping dibs on everyone. I did think it was going to be difficult as the book shifts between two points in time, yet there was no need to worry. The author knew exactly what she was doing, and she did it beautifully.
I didn’t expect the plot to go where it did, and that’s not a bad thing. I couldn’t guess the big reveal until it was pretty much smacking me in the face, though looking back there was some decent foreshadowing. I’m surprised it took me so long to figure it out since I’m good at doing that, but I was so interested in what was happening in the two time periods that I didn’t focus too heavily on Fiona’s secrets and how they tied into the greater plot. Good on the author for this. She always kept me on my toes.
I can’t praise this book enough. If I could give it higher than a five-star rating, I would. You would be crazy to pass up this read. I can’t wait for the next book (I hope there’s a next one. I need one!), and I’m going to be keeping my eyes on this author. Anything she writes, I need to get my hands on.
I don’t normally read sci-fi. I don’t hate it, but it’s not one of the genres I gravitate toward. So, I don’t know how this book stacks up to others of its kind. All I do know is that I loved this novel.
All the characters are amazing. I have no complaints whatsoever. They all have distinct voices, and I couldn’t wait to find out the conclusions of their arcs. They play off each other beautifully, especially Fiona and Kurugar (these two! Their dynamic is worth the read alone). The cast is quite large, but I had absolutely no problem keeping dibs on everyone. I did think it was going to be difficult as the book shifts between two points in time, yet there was no need to worry. The author knew exactly what she was doing, and she did it beautifully.
I didn’t expect the plot to go where it did, and that’s not a bad thing. I couldn’t guess the big reveal until it was pretty much smacking me in the face, though looking back there was some decent foreshadowing. I’m surprised it took me so long to figure it out since I’m good at doing that, but I was so interested in what was happening in the two time periods that I didn’t focus too heavily on Fiona’s secrets and how they tied into the greater plot. Good on the author for this. She always kept me on my toes.
I can’t praise this book enough. If I could give it higher than a five-star rating, I would. You would be crazy to pass up this read. I can’t wait for the next book (I hope there’s a next one. I need one!), and I’m going to be keeping my eyes on this author. Anything she writes, I need to get my hands on.
December 16, 2019
I really enjoyed this book. It's a very easy read, and before you know it you'll be on the last page and eagerly wanting the next book. When I first began the book, I wondered how the two storylines would converge. Indeed, they did so in a very clever manner, I had no idea where this was all going and that is so unlike me.
The undercurrents between the characters are very well done e.g. the tension between Fiona (a human/alien hybrid) and Kurugar (an Urukulu leader) burns through the page. However, theirs is a very odd relationship as he calls her hybrid and puts her down. There's more to this than meets the eye. There's always violence involved with Kurugar, particularly when Fiona's so-called 'brother' has anything to do with it, as Kurugar sees how much she's in love with her brother. (It's not incest by the way, nor is there any physical or sexual contact. The story will make sense when you read it, as Fiona has no memory of where she came from.)
It's well-written, well thought-out, very entertaining, and you'll zoom through the pages easily. I would like to know more about the backstory of the Okinawa Six, but I'm sure the author has that in hand. I can't wait to see where this series leads. I look forward to reading a lot more from this author in the future.
I chose this book from a larger selection, which I then voluntarily read and honestly reviewed. All opinions are my own.
The undercurrents between the characters are very well done e.g. the tension between Fiona (a human/alien hybrid) and Kurugar (an Urukulu leader) burns through the page. However, theirs is a very odd relationship as he calls her hybrid and puts her down. There's more to this than meets the eye. There's always violence involved with Kurugar, particularly when Fiona's so-called 'brother' has anything to do with it, as Kurugar sees how much she's in love with her brother. (It's not incest by the way, nor is there any physical or sexual contact. The story will make sense when you read it, as Fiona has no memory of where she came from.)
It's well-written, well thought-out, very entertaining, and you'll zoom through the pages easily. I would like to know more about the backstory of the Okinawa Six, but I'm sure the author has that in hand. I can't wait to see where this series leads. I look forward to reading a lot more from this author in the future.
I chose this book from a larger selection, which I then voluntarily read and honestly reviewed. All opinions are my own.
April 8, 2020
A very easy read with unpredictable plot. If you like sci-fi, this book is a must read and have to be on your shelf. I just couldn’t put it down. I like all the characters and somehow Fiona became my favorite of all. Her inner struggle combined with her fight with aliens to protect the Earth keeps you engrossed throughout the story.
The story however, is little dark which I usually avoid but this book kept me going. A great read overall.
The story however, is little dark which I usually avoid but this book kept me going. A great read overall.
January 2, 2020
I received a free ARC from the Discovery platform in exchange for review consideration.
Characterization varies a lot in this book. Some characters are fleshed-out and interesting while some are walking stereotypes, some are idiots but intended to be smart while others are assholes but intended to be heroic. Special mention goes to the Okinawa Six – who believe Bill almost immediately and want to get ready for a war against aliens without a shred of proof that he's telling the truth – and to Ralph – a condescending, selfish jerk who turns on Fiona repeatedly and treats her like crap. These are the kind of characters that make me want to side with the villains.
There are two timelines and the existence of one gives away the end of the other right from the start. The first timeline focuses on an alien establishing contact with US soldiers to convince them that his own species, the Uruklu, is about to invade and that they need the help of the rest of the world. This is not a smart plan as America is the world’s bad guy after committing genocide and nearly wiping out Japan. I know this can sound weird, but there are other countries besides the US as well as other space agencies.
In the other timeline, the human village where Fiona lives is attacked by the aliens, who enslave the humans. Fiona gets the privilege of living with the aliens, which allows her to gather information on them. Despite her efforts to help the humans escape, they routinely mistrust and mistreat her for being part alien. That leads to terrible decisions on both parts that don’t end in disaster because someone always conveniently changes their mind at the last second.
The two timelines are connected. I’m not sure if it’s supposed to be a twist because it’s so obvious.
The world-building is weak and unoriginal. The Uruklu enslaved the humans at the orders of the Creators (another alien species), so they can obtain zisaida, a very valuable element that’s apparently the seed of life, but it’s never explained how it’s used. They use human slave labor to extract it from mines because a species that mastered intergalactic travel somehow doesn’t have robots capable of doing that. It’s inefficient and they only make it worse by constantly killing and beating slaves. It’s like they don’t want to be productive.
The Creators have thin bodies, elongated heads, grey skin, and deep black eyes, so, you know, the grey alien cliché. Both Uruklu and humans were created by them from an ape-like ancestor, but Uruklus aren’t even mammals. However, they’re very human-like and the females have the “general shape of a woman”, which makes no sense in not-mammals. The Uruklu all look pretty much the same: grey skin, grey eyes, and black not-hair. It’s not like humans (as well as other species) have an infinite variety of looks. Despite taking an entire planet, the Uruklu have one single language and culture.
There’s science fail, history fail, and linguistics fail (you expect me to believe people a thousand years apart speak the same English?). It’s careless and half-assed, and it’s an insult to the readers.
The Lost Signal is bland and not particularly entertaining. The few compelling characters don’t make up for the rest of the cast, the basic plot, or the world that didn’t get two minutes of thought.
Characterization varies a lot in this book. Some characters are fleshed-out and interesting while some are walking stereotypes, some are idiots but intended to be smart while others are assholes but intended to be heroic. Special mention goes to the Okinawa Six – who believe Bill almost immediately and want to get ready for a war against aliens without a shred of proof that he's telling the truth – and to Ralph – a condescending, selfish jerk who turns on Fiona repeatedly and treats her like crap. These are the kind of characters that make me want to side with the villains.
There are two timelines and the existence of one gives away the end of the other right from the start. The first timeline focuses on an alien establishing contact with US soldiers to convince them that his own species, the Uruklu, is about to invade and that they need the help of the rest of the world. This is not a smart plan as America is the world’s bad guy after committing genocide and nearly wiping out Japan. I know this can sound weird, but there are other countries besides the US as well as other space agencies.
In the other timeline, the human village where Fiona lives is attacked by the aliens, who enslave the humans. Fiona gets the privilege of living with the aliens, which allows her to gather information on them. Despite her efforts to help the humans escape, they routinely mistrust and mistreat her for being part alien. That leads to terrible decisions on both parts that don’t end in disaster because someone always conveniently changes their mind at the last second.
The two timelines are connected. I’m not sure if it’s supposed to be a twist because it’s so obvious.
The world-building is weak and unoriginal. The Uruklu enslaved the humans at the orders of the Creators (another alien species), so they can obtain zisaida, a very valuable element that’s apparently the seed of life, but it’s never explained how it’s used. They use human slave labor to extract it from mines because a species that mastered intergalactic travel somehow doesn’t have robots capable of doing that. It’s inefficient and they only make it worse by constantly killing and beating slaves. It’s like they don’t want to be productive.
The Creators have thin bodies, elongated heads, grey skin, and deep black eyes, so, you know, the grey alien cliché. Both Uruklu and humans were created by them from an ape-like ancestor, but Uruklus aren’t even mammals. However, they’re very human-like and the females have the “general shape of a woman”, which makes no sense in not-mammals. The Uruklu all look pretty much the same: grey skin, grey eyes, and black not-hair. It’s not like humans (as well as other species) have an infinite variety of looks. Despite taking an entire planet, the Uruklu have one single language and culture.
There’s science fail, history fail, and linguistics fail (you expect me to believe people a thousand years apart speak the same English?). It’s careless and half-assed, and it’s an insult to the readers.
The Lost Signal is bland and not particularly entertaining. The few compelling characters don’t make up for the rest of the cast, the basic plot, or the world that didn’t get two minutes of thought.
May 20, 2020
Lost Signal by J.S. Fernandez Morales is an alien invasion story with some decided twists. The story spans a couple of time periods in which the old because new again.
Long ago, the Creators (basically 'the Greys') in their quest to mine Zsaida on earth, genetically engineer ape precursors into a slave race (humans) and their savage guards, the Uruklu, who are addicted eating recalcitrant humans - or Uruklu for that matter. Eventually, the Uruklu and humans band together to defeat the Creators. The story alternates between two times. In one time, Fiona, a Uruklu-human hybrid lives with a bunch of free humans who barely tolerate her, especially after their village is attacked by Uruklu. In another time, Bill, a freedom loving Uruklu, warns a group of human soldiers dismantling space base in a near-future earth, that the Creators are returning with duped Uruklu to return things to way they were and offers to help earth defend against the Creator’s superior invasion force.
It took me a little while to get into the story, with a lot of facts and situations to get one's head around, especially the somewhat dubious reasons for the (future) war between USA and Japan, and a subsequent military coup replacing democracy, just before the book starts. However, by a third into the book, I was hooked. The antics of the Okinawa Six's, Fawkes & his daughter Arabella, Bill and the General efforts to work with Uruklu technology to defeat the creators was interesting and at times heart-wrenching. The interplay between Fiona and the blood-thirsty but complex 'Monarch', Kurugar & his more compassionate sister, Inanna, and Fiona's adopted family - Ralph and Anya - is gripping (if sometimes somewhat gruesome) reading. It raises interesting questions about nature and nurture, the genesis of evil and the power of choice. In time it becomes clearer who Fiona is and how she got where and when she did and she grows in her understanding and choices. The book comes to a satisfying conclusion, but leaving room for the continuation of the fight against the creators.
Long ago, the Creators (basically 'the Greys') in their quest to mine Zsaida on earth, genetically engineer ape precursors into a slave race (humans) and their savage guards, the Uruklu, who are addicted eating recalcitrant humans - or Uruklu for that matter. Eventually, the Uruklu and humans band together to defeat the Creators. The story alternates between two times. In one time, Fiona, a Uruklu-human hybrid lives with a bunch of free humans who barely tolerate her, especially after their village is attacked by Uruklu. In another time, Bill, a freedom loving Uruklu, warns a group of human soldiers dismantling space base in a near-future earth, that the Creators are returning with duped Uruklu to return things to way they were and offers to help earth defend against the Creator’s superior invasion force.
It took me a little while to get into the story, with a lot of facts and situations to get one's head around, especially the somewhat dubious reasons for the (future) war between USA and Japan, and a subsequent military coup replacing democracy, just before the book starts. However, by a third into the book, I was hooked. The antics of the Okinawa Six's, Fawkes & his daughter Arabella, Bill and the General efforts to work with Uruklu technology to defeat the creators was interesting and at times heart-wrenching. The interplay between Fiona and the blood-thirsty but complex 'Monarch', Kurugar & his more compassionate sister, Inanna, and Fiona's adopted family - Ralph and Anya - is gripping (if sometimes somewhat gruesome) reading. It raises interesting questions about nature and nurture, the genesis of evil and the power of choice. In time it becomes clearer who Fiona is and how she got where and when she did and she grows in her understanding and choices. The book comes to a satisfying conclusion, but leaving room for the continuation of the fight against the creators.
March 21, 2020
( Format : Audiobook )
" Humans are predictable creatures, hybrid. "
The opening chapter of The Lost Signal was sheer delight, introducing the new reader to the Okinawa six, their interaction with each other, a hint of their past and the current situation - the closing down of Space Force. With easy dialogue and natural reactions from the characters, who included a young child, there was immediate promise of an excellent story to come, especially given the arrival on the scene of the mysterious Bill and a materialising pod from Japan. Then all change to another world, also engaging, but very different in terms of technology and human behaviour. For this reader it was initially both a shock and an irritation: more of the first characters please! But all resolved into a fun battle between alien races to rescue humanity from slavery (and being dinner).
The text is an undemanding, often amusing, read made even more enjoyable by the excellent performance of narrator, Aaron Parker. His ability to provide totally individualistic and appropriate voicing for all of the numerous characters, both ma!e, female and alien, was impressive and his well paced, elegant delivery of the text made this a very enjoyable listening experience.
My thanks to the rights holder of The Lost Signal, who, at my request freely gifted me with a complimentary copy, via Audiobook Boom. Good characterisations, good fun, and recommended for a light S.F. read. Loved the big baddy - a bit of a softy at heart. Perhapsu!
" Humans are predictable creatures, hybrid. "
The opening chapter of The Lost Signal was sheer delight, introducing the new reader to the Okinawa six, their interaction with each other, a hint of their past and the current situation - the closing down of Space Force. With easy dialogue and natural reactions from the characters, who included a young child, there was immediate promise of an excellent story to come, especially given the arrival on the scene of the mysterious Bill and a materialising pod from Japan. Then all change to another world, also engaging, but very different in terms of technology and human behaviour. For this reader it was initially both a shock and an irritation: more of the first characters please! But all resolved into a fun battle between alien races to rescue humanity from slavery (and being dinner).
The text is an undemanding, often amusing, read made even more enjoyable by the excellent performance of narrator, Aaron Parker. His ability to provide totally individualistic and appropriate voicing for all of the numerous characters, both ma!e, female and alien, was impressive and his well paced, elegant delivery of the text made this a very enjoyable listening experience.
My thanks to the rights holder of The Lost Signal, who, at my request freely gifted me with a complimentary copy, via Audiobook Boom. Good characterisations, good fun, and recommended for a light S.F. read. Loved the big baddy - a bit of a softy at heart. Perhapsu!
January 13, 2021
3.5 stars out of 5.
❝Hybrid? All I see now is a warrior, don't you?❞
It took me a while to get into it but I am really glad I did! Each chapter focused on a different environment. I did end up enjoying Fiona's pov more. The world was well-built and Fiona's story was captivating.
I did find the Okinawa Six being a bit repetitive. They went through a terrible experience but we have no idea what that was. We found out general things, so it isn't fair to be constantly reminded of events that seriously affected them without us having a more detailed idea of those events.
The sequel seems promising, I can't wait to see Fiona and Kurugar again. I really enjoy their dynamic and I am glad we'll see more of it.
[ I received an advance review copy for free, and I am leaving this review voluntarily. ]
❝Hybrid? All I see now is a warrior, don't you?❞
It took me a while to get into it but I am really glad I did! Each chapter focused on a different environment. I did end up enjoying Fiona's pov more. The world was well-built and Fiona's story was captivating.
I did find the Okinawa Six being a bit repetitive. They went through a terrible experience but we have no idea what that was. We found out general things, so it isn't fair to be constantly reminded of events that seriously affected them without us having a more detailed idea of those events.
The sequel seems promising, I can't wait to see Fiona and Kurugar again. I really enjoy their dynamic and I am glad we'll see more of it.
[ I received an advance review copy for free, and I am leaving this review voluntarily. ]
Want to Read
December 26, 2020I won this book from a Goodreads Giveaway. Thank you to the author, publisher, and Goodreads!
January 22, 2020
Couldn’t stop reading
Okay, this is not my normal genre at all. I usually steer clear of sci-fi. But I was glued to my kindle until I finished reading this. I wanted to know what happened next! I’ll admit: the writing itself could use a little work. Subtlety isn’t her strong point. Dialogue was a little ehhhhh. But story telling? Hell yeah! I’m dying for the next book. Great read.
Okay, this is not my normal genre at all. I usually steer clear of sci-fi. But I was glued to my kindle until I finished reading this. I wanted to know what happened next! I’ll admit: the writing itself could use a little work. Subtlety isn’t her strong point. Dialogue was a little ehhhhh. But story telling? Hell yeah! I’m dying for the next book. Great read.
July 25, 2022
There are two story lines in this fascinating book. One is set in the near dystopian future when the nations we know today have fought another world war. A group of ex-military personnel and scientists who have been working on a spaceship designed for war. Dr. Ethan Fawkes had picked up a signal that aliens named Uruklu are planning to attack Earth and conquer it once again, but now the ship builders are being told to dismantle the project. An alien who has been living among the humans has told them this and has agreed to work with them so they can build it in time.
The other story is of Fiona who lives in a medieval-like village. She doesn’t remember her origin or even what she is because she is half alien and has been cared for almost as a pet by two of the young villagers. When the aliens come they take her but don’t enslave her as they do the humans. She befriends Kurugar, the leader of a particular division and his sister Inanna.
Eventually the two stories cross and Fiona discovers who she is. The point then becomes who she will honor since neither aliens or humans have treated her with much respect.
I must say that this story seemed to parallel the writings of Zecheriah Sitchin who claimed to have translated ancient writings from Sumeria detailing a master and creator race called the Annunaki who conquered Earth in antiquity, enslaving the humans to mine gold – a resource they didn’t have. It seemed little coincidence that some of the aliens had names of the ancient gods – so, as some have mentioned, the novel was “Stargate”-ish in that these aliens were returning to reignite the war they lost and enslave us again. Complex characters and great world building here.
A great Sci-fantasy read. I’ll be checking out book 2 soon!
The other story is of Fiona who lives in a medieval-like village. She doesn’t remember her origin or even what she is because she is half alien and has been cared for almost as a pet by two of the young villagers. When the aliens come they take her but don’t enslave her as they do the humans. She befriends Kurugar, the leader of a particular division and his sister Inanna.
Eventually the two stories cross and Fiona discovers who she is. The point then becomes who she will honor since neither aliens or humans have treated her with much respect.
I must say that this story seemed to parallel the writings of Zecheriah Sitchin who claimed to have translated ancient writings from Sumeria detailing a master and creator race called the Annunaki who conquered Earth in antiquity, enslaving the humans to mine gold – a resource they didn’t have. It seemed little coincidence that some of the aliens had names of the ancient gods – so, as some have mentioned, the novel was “Stargate”-ish in that these aliens were returning to reignite the war they lost and enslave us again. Complex characters and great world building here.
A great Sci-fantasy read. I’ll be checking out book 2 soon!
December 10, 2020
I received a free e-book from the author through BookSirens in exchange for an honest review. This was the author's first attempt at a full-length novel, and there were admittedly some rough edges. One thing right off the bat was the whole geopolitical setup in the U.S. with a corrupt war against Japan [not China?] stopped by a rebellion by five [!] Air Force pilots who are retired to the U.S. Space Force Base on the Great Salt Lake, where the one and only Space Carrier has been under construction for years, and is now to be dismantled. This all kind of strains credulity, but you need to play along.
The chief scientist on the spaceship, Dr. Ethan Hawke, has been building the "Concordia" with tips from another scientist known only as "Bill", whom he talks to by encrypted radio signal. Suddenly, Hawke loses the signal, but Bill contacts him in person. It turns out that he is an alien known as an Uruklu, and there are others of his kind on their way to Earth to take it over for its supplies of "Zisaida", a mineral relating to the life force.
This storyline cuts to another storyline involving human slaves, their Uruklu overseers, the "Creators" (who oversee both), and Fiona, a human-Uruklu hybrid. This storyline was by far the more engaging of the two; the characters were more complex and interesting, and the story was more compelling. The world-building, while still very incomplete, was actually better than in the modern Earth story. All of the protagonists in this segment have likable aspects, even the bloodthirsty Monarch, Kurugar, who often acts against his own nature.
Some things could have been improved: the stereotypical barracks repartee for example; or the airman who is clearly an alcoholic, but who is never made to undergo any form of treatment. Also, the nature and function of Zisaida are never adequately explained -- nor where it is found, nor why modern humans never identified it. Also, how humans and Uruklu are related: in one place, they are said to have been created from the same primate DNA; in another place, Uruklu are said not to be mammalian.
Hopefully, the next installments in the trilogy will make good on the promise of the first one.
The chief scientist on the spaceship, Dr. Ethan Hawke, has been building the "Concordia" with tips from another scientist known only as "Bill", whom he talks to by encrypted radio signal. Suddenly, Hawke loses the signal, but Bill contacts him in person. It turns out that he is an alien known as an Uruklu, and there are others of his kind on their way to Earth to take it over for its supplies of "Zisaida", a mineral relating to the life force.
This storyline cuts to another storyline involving human slaves, their Uruklu overseers, the "Creators" (who oversee both), and Fiona, a human-Uruklu hybrid. This storyline was by far the more engaging of the two; the characters were more complex and interesting, and the story was more compelling. The world-building, while still very incomplete, was actually better than in the modern Earth story. All of the protagonists in this segment have likable aspects, even the bloodthirsty Monarch, Kurugar, who often acts against his own nature.
Some things could have been improved: the stereotypical barracks repartee for example; or the airman who is clearly an alcoholic, but who is never made to undergo any form of treatment. Also, the nature and function of Zisaida are never adequately explained -- nor where it is found, nor why modern humans never identified it. Also, how humans and Uruklu are related: in one place, they are said to have been created from the same primate DNA; in another place, Uruklu are said not to be mammalian.
Hopefully, the next installments in the trilogy will make good on the promise of the first one.
September 13, 2020
Alien Conquest Before & After
3.5 stars rounded up. The Lost Signal is a well-constructed narrative that brings two parallel stories together in a satisfying if predictable way. The structure of alternating chapters set in two different time periods works to keep the reader interested, although I personally found Fiona's story more compelling (and, strangely, more believable) than the Okinawa Six's story. The backstory for the latter group feels like it could be a novel itself, so much so that I checked to see if there was some related work preceding this novel (there isn't). Unfortunately their heroic history has little-to-no connection to the events of this book. Some of the characters seem shoehorned in, yet serve no purpose whatsoever (I'm looking at you, Haru). The characters in Fiona's story are much better developed (with the exception of Ralph, who is a complete dud). But Fiona, Inanna, and Kurugar are all well-drawn characters with complex motivations. I was invested to keep reading to find out what the resolution of their conflicts would be. I liked the setting of this storyline and enjoyed the sense of disorientation in trying to determine the relative time and place of Area 85. My biggest complaint, though, is the dialogue. All of the characters in both stories (even aliens who have explored other galaxies) seem to speak the same variation of contemporary colloquial English. This is not just unbelievable, it is also a huge missed opportunity in a story that depicts an alien culture. Otherwise, the prose is clean and reads easily. I would recommend it to anyone who might enjoy an original spin on alien invasion stories.
3.5 stars rounded up. The Lost Signal is a well-constructed narrative that brings two parallel stories together in a satisfying if predictable way. The structure of alternating chapters set in two different time periods works to keep the reader interested, although I personally found Fiona's story more compelling (and, strangely, more believable) than the Okinawa Six's story. The backstory for the latter group feels like it could be a novel itself, so much so that I checked to see if there was some related work preceding this novel (there isn't). Unfortunately their heroic history has little-to-no connection to the events of this book. Some of the characters seem shoehorned in, yet serve no purpose whatsoever (I'm looking at you, Haru). The characters in Fiona's story are much better developed (with the exception of Ralph, who is a complete dud). But Fiona, Inanna, and Kurugar are all well-drawn characters with complex motivations. I was invested to keep reading to find out what the resolution of their conflicts would be. I liked the setting of this storyline and enjoyed the sense of disorientation in trying to determine the relative time and place of Area 85. My biggest complaint, though, is the dialogue. All of the characters in both stories (even aliens who have explored other galaxies) seem to speak the same variation of contemporary colloquial English. This is not just unbelievable, it is also a huge missed opportunity in a story that depicts an alien culture. Otherwise, the prose is clean and reads easily. I would recommend it to anyone who might enjoy an original spin on alien invasion stories.
July 23, 2020
The Lost Signal is a sci-fi story that shows an alien invasion of earth in a unique and interesting way. There are a lot of things about this novel I liked - it has a strong story at the heart of it that was meticulously planned by the author - but at every turn the book focused on details I personally didn't care about and ignored or skipped over the things I would have wanted to see, having them take place off-screen only to be briefly mentioned. This made for kind of a weird reading experience for me where I simultaneously loved it and didn't care about the scenes that were being told so well before my eyes. Hence the 3 start rating, although if I could give half stars I would give it 3.5 stars. But don't let the star rating influence you too much, it's honestly more a product of my weird and very particular tastes when it comes to sci-fi. Hopefully my lengthy review will help you determine if it's the book for you.
Anyway, The Lost Signal tells the story of an alien invasion using two timelines that eventually converge. The first one focuses on a group of soldiers in the just-eliminated US Space Force as they are in the process of clearing out their base. They are contacted by an alien from a species called the Urukulu who claims that his people, led and tricked by another species called the Creators, are on their way to Earth to enslave humanity. He offers technology and inside knowledge and a couple of hundred Urukulu - mostly scientists - who await permission to come to Earth and help the humans fight for their freedom. Right away, you can tell this is an interesting premise.
The problem with this timeline for me was that it focused on all the characters remembering the same past event and on unrealistic "banter" between a bunch of soldiers that I wasn't really allowed to get to know better. Instead of showing us the reaction of the entire world, the potentially interesting interactions between the humans from different countries coming together to try and fight this invasion, or any of the other interesting things I would expect to see when an alien invasion is involved it was literally scene after scene of "banter" conversations in which they casually revealed the progress of their attempt to convince humanity that the alien threat was real.
The second timeline was extremely different from the first. It follows humans and a weird human/urukulu hybrid girl who are living very primitive lives and attempting to evade capture and enslavement by the Urukulu. At first it's not clear if this timeline is in the past (we had been led to believe that the Urukulu used to be part of humanity's ancient past and had enslaved humans thousands of years ago) or a future in which the efforts of the characters from the first timeline failed. Either way, this timeline also features some pretty interesting ideas, but largely ignores them as it focuses on the thoughts of the Hybrid girl, Fiona, and her love for Ralph, the human that she grew up with. We get to see what society looks like when the Creators use their Urukulu puppets to enslave the humans, making them mine some metal called Zisaida in terrible conditions.
Instead of focusing on the lives of the slaves and their bids for freedom, or on the thoughts of the sympathetic Urukulu, Inanna who questions the status quo we are forced to follow around Fiona as she spends her time thinking about how much she wants to save Ralph and his wife Anya (the only humans she cares about) and how she can't do it. It's not really her fault, she's literally being kept away from any interesting action taking place and can only dwell on her insecurities and inability to help - and when she does get a chance to do stuff she does it - it's just that for a multi-POV book I feel like I really missed out on seeing the interesting parts of this timeline by being restricted to Fiona's perspective for so long.
Again, lots of interesting things, just none of them were focused on properly.
Also, there's a twist that comes into play about 3/4 of the way through the novel. Unfortunately for me, I guessed it much, much earlier so instead of being surprised and delighted by it I was left just waiting to see how the author was going to reveal it. I actually really enjoyed this section of the book where I started seeing the hints dropping and wondered exactly how it would play out, so that's another pro in this book's favour, but I suspect that if the book was written in a more linear fashion by separating the two timelines I probably would have enjoyed this aspect much more when it was eventually revealed.
Finally, another personal preference for me when it comes to Sci-Fi is for the book to kind of say something about the human condition or modern civilization or whatever. This book tries to say things about war and obeying commands vs. doing the right thing, but (again, because of the focus of all the scenes) it ends up not saying it with much force at all. Just kind of a vague idea that's presented in the background and doesn't properly grow from the character's experiences. The majority of the characters have already figured out the right thing before the start of the story (which doesn't help them feel like realistic, distinct people, to be honest). Again, this made it so that one character's journey and questioning of the status quo could have been much more powerful, but we didn't get any POV scenes with this character until the very end!
Overall, this novel is a good sci-fi novel with a lot of interesting ideas but - for me personally - the focus of a lot of the scenes prevented it from being as gripping and powerful as it could have been. You may enjoy it more than I did, so I highly encourage you to check it out. I also look forward to reading more by this author because I think this story - and by extension - the author has a lot of potential!
Anyway, The Lost Signal tells the story of an alien invasion using two timelines that eventually converge. The first one focuses on a group of soldiers in the just-eliminated US Space Force as they are in the process of clearing out their base. They are contacted by an alien from a species called the Urukulu who claims that his people, led and tricked by another species called the Creators, are on their way to Earth to enslave humanity. He offers technology and inside knowledge and a couple of hundred Urukulu - mostly scientists - who await permission to come to Earth and help the humans fight for their freedom. Right away, you can tell this is an interesting premise.
The problem with this timeline for me was that it focused on all the characters remembering the same past event and on unrealistic "banter" between a bunch of soldiers that I wasn't really allowed to get to know better. Instead of showing us the reaction of the entire world, the potentially interesting interactions between the humans from different countries coming together to try and fight this invasion, or any of the other interesting things I would expect to see when an alien invasion is involved it was literally scene after scene of "banter" conversations in which they casually revealed the progress of their attempt to convince humanity that the alien threat was real.
The second timeline was extremely different from the first. It follows humans and a weird human/urukulu hybrid girl who are living very primitive lives and attempting to evade capture and enslavement by the Urukulu. At first it's not clear if this timeline is in the past (we had been led to believe that the Urukulu used to be part of humanity's ancient past and had enslaved humans thousands of years ago) or a future in which the efforts of the characters from the first timeline failed. Either way, this timeline also features some pretty interesting ideas, but largely ignores them as it focuses on the thoughts of the Hybrid girl, Fiona, and her love for Ralph, the human that she grew up with. We get to see what society looks like when the Creators use their Urukulu puppets to enslave the humans, making them mine some metal called Zisaida in terrible conditions.
Instead of focusing on the lives of the slaves and their bids for freedom, or on the thoughts of the sympathetic Urukulu, Inanna who questions the status quo we are forced to follow around Fiona as she spends her time thinking about how much she wants to save Ralph and his wife Anya (the only humans she cares about) and how she can't do it. It's not really her fault, she's literally being kept away from any interesting action taking place and can only dwell on her insecurities and inability to help - and when she does get a chance to do stuff she does it - it's just that for a multi-POV book I feel like I really missed out on seeing the interesting parts of this timeline by being restricted to Fiona's perspective for so long.
Again, lots of interesting things, just none of them were focused on properly.
Also, there's a twist that comes into play about 3/4 of the way through the novel. Unfortunately for me, I guessed it much, much earlier so instead of being surprised and delighted by it I was left just waiting to see how the author was going to reveal it. I actually really enjoyed this section of the book where I started seeing the hints dropping and wondered exactly how it would play out, so that's another pro in this book's favour, but I suspect that if the book was written in a more linear fashion by separating the two timelines I probably would have enjoyed this aspect much more when it was eventually revealed.
Finally, another personal preference for me when it comes to Sci-Fi is for the book to kind of say something about the human condition or modern civilization or whatever. This book tries to say things about war and obeying commands vs. doing the right thing, but (again, because of the focus of all the scenes) it ends up not saying it with much force at all. Just kind of a vague idea that's presented in the background and doesn't properly grow from the character's experiences. The majority of the characters have already figured out the right thing before the start of the story (which doesn't help them feel like realistic, distinct people, to be honest). Again, this made it so that one character's journey and questioning of the status quo could have been much more powerful, but we didn't get any POV scenes with this character until the very end!
Overall, this novel is a good sci-fi novel with a lot of interesting ideas but - for me personally - the focus of a lot of the scenes prevented it from being as gripping and powerful as it could have been. You may enjoy it more than I did, so I highly encourage you to check it out. I also look forward to reading more by this author because I think this story - and by extension - the author has a lot of potential!
March 5, 2021
I received this book as part of a a Goodread's giveaway. And I tried to like it, I really did. But a lot of it just didn't work for me and I found myself struggling to finish so I could write the necessary review. Here's the breakdown.
Lets start with the positives: First, can we talk about how awesomely beautiful that cover is? It's pretty much the reason I took a chance on this giveaway. Looking at it in hindsight it doesn't really connect with the feel or setting of most of the book, but it's still pretty.
Also, I think the premise of this book was interesting. It felt like a fresh take on the alien invasion story we all know. But the execution didn't do it justice.
One major struggle I had is that the dual timeline's didn't obviously have any bearing on each other until almost 75% of the way through the book. I tend to dislike dual storylines anyway, but not having them seemingly connected for so long just made the back and forth transition jarring. If they had been broken up into two smaller stories, or one made one into a prequel, it would have worked.
Another struggle I had is that there was seemingly no set up for important events, so they'd come out of left field and therefore without the emotional impact they could have had.
There was also the issue that the aliens didn't feel very alien. We are told at various times that they are A: Made from the same DNA, but also later that B: Not related and are not mammals. But it kinda boiled down only to looks and strength anyway, because they talked and walked and behaved like humans. And it wasn't so much that they spoke English, but that they'd joke that something was an HR complaint waiting to happen, or other very Cultural phrases that instantly jerked me out of the narrative.
Also, the attempt at framing certain characters in a morally grey zone where they're obviously evil is just, not great
And finally, in quick, spoiler riddled randomness:
I think other reviews show that some people can really enjoy this book and it's creativity with the storyline, but I struggled to much with lack of character development and execution to get into it.
Lets start with the positives: First, can we talk about how awesomely beautiful that cover is? It's pretty much the reason I took a chance on this giveaway. Looking at it in hindsight it doesn't really connect with the feel or setting of most of the book, but it's still pretty.
Also, I think the premise of this book was interesting. It felt like a fresh take on the alien invasion story we all know. But the execution didn't do it justice.
One major struggle I had is that the dual timeline's didn't obviously have any bearing on each other until almost 75% of the way through the book. I tend to dislike dual storylines anyway, but not having them seemingly connected for so long just made the back and forth transition jarring. If they had been broken up into two smaller stories, or one made one into a prequel, it would have worked.
Another struggle I had is that there was seemingly no set up for important events, so they'd come out of left field and therefore without the emotional impact they could have had.
There was also the issue that the aliens didn't feel very alien. We are told at various times that they are A: Made from the same DNA, but also later that B: Not related and are not mammals. But it kinda boiled down only to looks and strength anyway, because they talked and walked and behaved like humans. And it wasn't so much that they spoke English, but that they'd joke that something was an HR complaint waiting to happen, or other very Cultural phrases that instantly jerked me out of the narrative.
Also, the attempt at framing certain characters in a morally grey zone where they're obviously evil is just, not great
And finally, in quick, spoiler riddled randomness:
I think other reviews show that some people can really enjoy this book and it's creativity with the storyline, but I struggled to much with lack of character development and execution to get into it.
February 20, 2026
When Earth is visited by an advanced extraterrestrial species warning of an ancient force bent on annihilation, humanity is thrust into an impossible position. Do they take their message at face value? Do they trust the very beings who arrive uninvited, or do they even have a choice?
At a secured military base, a small group of leaders must decide whether to align themselves with these visitors in preparation for a war that could end everything. Their decision becomes more personal when it’s revealed that Dr. Ethan Fawkes has unknowingly been guided toward this moment for years, communicating through a protected system with one of the aliens long before first contact was ever public. What once felt theoretical suddenly becomes urgent as they brace for an enemy whose abilities stretch far beyond human comprehension.
Meanwhile, in a seemingly distant world, the narrative shifts to a quiet village facing a similar looming threat. Among them is Fiona who has never quite belonged—her skin a different shade, her blood a different color, her very biology unlike those around her. With no memory of her origins, she lives in the space between acceptance and isolation. But when the enemy descends upon her world, it becomes clear that they recognize something in her that she cannot yet understand herself.
As both storylines unfold, the question of trust, identity, and survival intertwine. Is the approaching force truly the same enemy threatening Earth? And if violence is all these beings seem to bring, how does one choose peace without becoming complicit in destruction? For Fiona especially, the threat may also be the key to unlocking the truth of who she is, and why she was placed in the middle of a war that feels both cosmic and deeply personal.
The Lost Signal exudes creativity in its concept, characters, and expansive world-building. From the very beginning, it is clear that this is a story built on a solid foundation, thoughtfully structured and intentionally paced. The narrative feels purposeful, leading readers toward a plot twist that is both thrilling and inventive without feeling forced. Morales succeeds in crafting a world that feels grounded in enough familiarity to anchor the reader, while still exploring its themes in unexpected and imaginative ways. The balance between the known and the unknown makes the unfolding events feel immersive rather than overwhelming.
What truly strengthens the novel, however, is its character development. Each character feels authentic, layered with clear motivations and emotional depth. Even the perceived enemy is written with nuance. The reader is never allowed to fully hate them, because woven into their storyline are threads of trauma, loss, and lived experience that feel strikingly human. That complexity creates an emotional tension that lingers—how do we reconcile empathy with the violence they inflict? It’s this moral gray space that elevates the story beyond a simple battle of good versus evil.
Emotionally, the novel delivers. It carried me through a genuine rollercoaster — tension, heartbreak, frustration, hope—all woven seamlessly into the larger narrative arc. Morales’ storytelling itself is clean, fluid, and fast-paced. The prose moves naturally, with minimal grammatical or structural distractions. Sentence construction flows smoothly, allowing the momentum of the story to remain intact. Dialogue is purposeful and appropriate for its intended audience, adding clarity and depth rather than unnecessary filler.
Overall, The Lost Signal is an impressively well-crafted and imaginative entry into the science fiction genre. From its layered world-building and morally complex characters to its emotional depth and inventive plot twist, this story demonstrates thoughtful structure and intentional storytelling. Morales does not simply present a battle between opposing forces, but challenges readers to consider identity, empathy, loyalty, and the blurred lines between enemy and ally.
For its creativity, execution, and emotional impact, Turning Another Page proudly awards this novel four stars. It is a strong and memorable first installment that leaves readers invested in what comes next. I received a complimentary paperback copy of this book from the author. The gifting of this book did not influence my opinion in any way.
At a secured military base, a small group of leaders must decide whether to align themselves with these visitors in preparation for a war that could end everything. Their decision becomes more personal when it’s revealed that Dr. Ethan Fawkes has unknowingly been guided toward this moment for years, communicating through a protected system with one of the aliens long before first contact was ever public. What once felt theoretical suddenly becomes urgent as they brace for an enemy whose abilities stretch far beyond human comprehension.
Meanwhile, in a seemingly distant world, the narrative shifts to a quiet village facing a similar looming threat. Among them is Fiona who has never quite belonged—her skin a different shade, her blood a different color, her very biology unlike those around her. With no memory of her origins, she lives in the space between acceptance and isolation. But when the enemy descends upon her world, it becomes clear that they recognize something in her that she cannot yet understand herself.
As both storylines unfold, the question of trust, identity, and survival intertwine. Is the approaching force truly the same enemy threatening Earth? And if violence is all these beings seem to bring, how does one choose peace without becoming complicit in destruction? For Fiona especially, the threat may also be the key to unlocking the truth of who she is, and why she was placed in the middle of a war that feels both cosmic and deeply personal.
The Lost Signal exudes creativity in its concept, characters, and expansive world-building. From the very beginning, it is clear that this is a story built on a solid foundation, thoughtfully structured and intentionally paced. The narrative feels purposeful, leading readers toward a plot twist that is both thrilling and inventive without feeling forced. Morales succeeds in crafting a world that feels grounded in enough familiarity to anchor the reader, while still exploring its themes in unexpected and imaginative ways. The balance between the known and the unknown makes the unfolding events feel immersive rather than overwhelming.
What truly strengthens the novel, however, is its character development. Each character feels authentic, layered with clear motivations and emotional depth. Even the perceived enemy is written with nuance. The reader is never allowed to fully hate them, because woven into their storyline are threads of trauma, loss, and lived experience that feel strikingly human. That complexity creates an emotional tension that lingers—how do we reconcile empathy with the violence they inflict? It’s this moral gray space that elevates the story beyond a simple battle of good versus evil.
Emotionally, the novel delivers. It carried me through a genuine rollercoaster — tension, heartbreak, frustration, hope—all woven seamlessly into the larger narrative arc. Morales’ storytelling itself is clean, fluid, and fast-paced. The prose moves naturally, with minimal grammatical or structural distractions. Sentence construction flows smoothly, allowing the momentum of the story to remain intact. Dialogue is purposeful and appropriate for its intended audience, adding clarity and depth rather than unnecessary filler.
Overall, The Lost Signal is an impressively well-crafted and imaginative entry into the science fiction genre. From its layered world-building and morally complex characters to its emotional depth and inventive plot twist, this story demonstrates thoughtful structure and intentional storytelling. Morales does not simply present a battle between opposing forces, but challenges readers to consider identity, empathy, loyalty, and the blurred lines between enemy and ally.
For its creativity, execution, and emotional impact, Turning Another Page proudly awards this novel four stars. It is a strong and memorable first installment that leaves readers invested in what comes next. I received a complimentary paperback copy of this book from the author. The gifting of this book did not influence my opinion in any way.
November 7, 2020
The initial book in this series was alright, but the worldbuilding that went into it pushed an otherwise three-star story into four-star territory. I normally like a linear story, but I accepted the dual timelines. The convergence of characters became apparent around the 52% mark, but was mostly satisfying. I would have liked more action. It was mostly glossed over with a "fade to black" approach with any fighting. This will be good for some readers, but it took away a large part of my enjoyment for this type of story (freeing Earth from aliens). This book was like the first episodes in a slow burn TV series. You need them for the setup, but what comes next is the true reward. I suspect book 2 will be amazing with so much consideration into crafting a galaxy. The rest of my review will contain spoilers.
The Good.
I enjoyed the history linking Humans, Uruklus, and Creators. Especially since a form of cannibalism can be argued.
The way and reason Fiona's chief was executed. He had it comin' (I'm singing Chicago now), and it was so satisfying.
The preparing for an invasion reminded me of Robotech/Macross. I loved that show, so this fed my nostalgia nicely.
Fiona being forced to drag chained children onto a spaceship in front of her tribe. It was a lose-lose situation.
The Okinawa Six having a bet on pilot pairing. The result with Monica was obvious and annoying, but the banter was top shelf.
The Bad.
I don't like love triangles. Fiona, Ralph, and Anya thankfully resolved everything early for a series.
The characters were often too stoic and their dialogue reflected this. Aliens, time travel, and basically coming back from the dead shouldn't be resolved in a few sentences. These are major events that never got to shine.
The soldiers were undisciplined. They kept shooting at Bill simply for his appearance. I expected some form of genetic coding to be the reason, but really it was sloppy soldiers, ahem, airmen. As a soldier, this was mildly offensive.
Fiona was never truly bothered by Ina's actions. The woman ate people. She ate them next to Fiona as she ate. This isn't easily ignored; I don't care how hungry you are. Imagine this scenario: "You're my best friend, Ina, but your brother Adolf is so annoying when he teases people from another religion. Thankfully, we are still buddies." If this sounds unrealistic, I ask if you could enjoy your hamburger while your friend ate a person you previously knew in life.
People got tortured often, but remained aware enough to develop complex plans. Doesn't anyone have any PTSD?
The ranks were all over the place. In real life, Air Force ranks have lieutenants, then captains, then majors, then lieutenant colonel, colonel, general. The ranks were out of order and included commander (a navy rank similar to lieutenant colonel). It was jarring trying to keep up with which characters outranked each other.
I didn't like Annabelle. I especially hated her getting shot in the head (at age seven) and surviving for her big reveal. Seven-year-olds have small bodies that bullets easily shred.
JADAR seemed like an HK-47 ripoff from Knights of the Old Republic. A cool character in Star Wars, a copy anywhere else.
The Technical.
There is violence and profanity in this book.
There is cannibalism in this book.
There is a lot of passive voice in this book.
The story in nonlinear.
There were some large editing areas at a few spots (not to be confused with numerous errors in the book). For instance, the phrase "so you don't poop, you don't pee . . ." is repeated next to itself. Once in quotes (because spoken) and the other must be a typo.
The Good.
I enjoyed the history linking Humans, Uruklus, and Creators. Especially since a form of cannibalism can be argued.
The way and reason Fiona's chief was executed. He had it comin' (I'm singing Chicago now), and it was so satisfying.
The preparing for an invasion reminded me of Robotech/Macross. I loved that show, so this fed my nostalgia nicely.
Fiona being forced to drag chained children onto a spaceship in front of her tribe. It was a lose-lose situation.
The Okinawa Six having a bet on pilot pairing. The result with Monica was obvious and annoying, but the banter was top shelf.
The Bad.
I don't like love triangles. Fiona, Ralph, and Anya thankfully resolved everything early for a series.
The characters were often too stoic and their dialogue reflected this. Aliens, time travel, and basically coming back from the dead shouldn't be resolved in a few sentences. These are major events that never got to shine.
The soldiers were undisciplined. They kept shooting at Bill simply for his appearance. I expected some form of genetic coding to be the reason, but really it was sloppy soldiers, ahem, airmen. As a soldier, this was mildly offensive.
Fiona was never truly bothered by Ina's actions. The woman ate people. She ate them next to Fiona as she ate. This isn't easily ignored; I don't care how hungry you are. Imagine this scenario: "You're my best friend, Ina, but your brother Adolf is so annoying when he teases people from another religion. Thankfully, we are still buddies." If this sounds unrealistic, I ask if you could enjoy your hamburger while your friend ate a person you previously knew in life.
People got tortured often, but remained aware enough to develop complex plans. Doesn't anyone have any PTSD?
The ranks were all over the place. In real life, Air Force ranks have lieutenants, then captains, then majors, then lieutenant colonel, colonel, general. The ranks were out of order and included commander (a navy rank similar to lieutenant colonel). It was jarring trying to keep up with which characters outranked each other.
I didn't like Annabelle. I especially hated her getting shot in the head (at age seven) and surviving for her big reveal. Seven-year-olds have small bodies that bullets easily shred.
JADAR seemed like an HK-47 ripoff from Knights of the Old Republic. A cool character in Star Wars, a copy anywhere else.
The Technical.
There is violence and profanity in this book.
There is cannibalism in this book.
There is a lot of passive voice in this book.
The story in nonlinear.
There were some large editing areas at a few spots (not to be confused with numerous errors in the book). For instance, the phrase "so you don't poop, you don't pee . . ." is repeated next to itself. Once in quotes (because spoken) and the other must be a typo.
January 4, 2021
I am baffled by the many positive reviews, as this is more a 2- 2.5 star for me
I am a huge SF fan, and had such high hopes and really, really tried to like the story, but struggled finishing this.
It starts off well, with a dual story line, - of which I immediately loved the second part, with Fiona, Ralph and Anya, that is, until the Uruklu - the grey devils - interfere - and things get messy. Literally.
Fiona is not like the others in her tribe, and she is sad Ralph is marrying Anya. She plans to leave her people after the wedding.
When she runs into this (invisible) Uruklu she promises not to tell her tribe of an upcoming attack, and in return they promise no harm will be done to him.
On the other side of the galaxy, a hooded stranger joins up with a team of humans, trying to keep them save from an attack from the Uruklu. He tells them long ago an alien race came to the galaxy, - the Creators - to Earth to harvest, including a pure form of living energy. This lot created both the Uruklu and the human race, in which the humans would function as slaves and the Uruklu as their guardians. The Uruklu eventually drove the Creators away and closed down the wormhole passages, except for one.
I absolutely loved the story concept, but struggled with the awkward dialogues, ('he, psst, don't tell anything, and we'll promise to kill off the whole tribe, except for the one who love ??!! -
And what about 'I am Bill and will save the human race, because you lot have achieved nothing?'and we are part of a Space Federation ?!)
It may be a cultural thing, but I was also taken aback and put off by the (regular) use of the F-word ('Fucking Utah when a missing collegue reappears?) the graphic use of violence (human parts ripped off..) and the swearing in the novel.
Summarizing, good conept, poorly executed, and in need of at least a bit of editing.
I received an advance review copy for free, and I am leaving this review voluntarily.
I am a huge SF fan, and had such high hopes and really, really tried to like the story, but struggled finishing this.
It starts off well, with a dual story line, - of which I immediately loved the second part, with Fiona, Ralph and Anya, that is, until the Uruklu - the grey devils - interfere - and things get messy. Literally.
Fiona is not like the others in her tribe, and she is sad Ralph is marrying Anya. She plans to leave her people after the wedding.
When she runs into this (invisible) Uruklu she promises not to tell her tribe of an upcoming attack, and in return they promise no harm will be done to him.
On the other side of the galaxy, a hooded stranger joins up with a team of humans, trying to keep them save from an attack from the Uruklu. He tells them long ago an alien race came to the galaxy, - the Creators - to Earth to harvest, including a pure form of living energy. This lot created both the Uruklu and the human race, in which the humans would function as slaves and the Uruklu as their guardians. The Uruklu eventually drove the Creators away and closed down the wormhole passages, except for one.
I absolutely loved the story concept, but struggled with the awkward dialogues, ('he, psst, don't tell anything, and we'll promise to kill off the whole tribe, except for the one who love ??!! -
And what about 'I am Bill and will save the human race, because you lot have achieved nothing?'and we are part of a Space Federation ?!)
It may be a cultural thing, but I was also taken aback and put off by the (regular) use of the F-word ('Fucking Utah when a missing collegue reappears?) the graphic use of violence (human parts ripped off..) and the swearing in the novel.
Summarizing, good conept, poorly executed, and in need of at least a bit of editing.
I received an advance review copy for free, and I am leaving this review voluntarily.
February 3, 2021
I received a copy of this book from the author. I had the opportunity to review or not.
This book grabbed me from the start. Filled with the adventures of a group called the Okinawa Six, Humans and Uruklu. Monarchs, Creators and war.
Unrelenting war.
The government charges a group of scientist and engineers with building a spaceship, but as usual when governments change, programs change. Suddenly the need for a spaceship no longer exists. That is until an alien intercedes. Against governmental orders, the spaceship program is reanimated. Millions of lives are at stake.
The story goes back and forth between two groups of beings. Humans on earth and humans on a distant planet that are used for forced labor and food. The Uruklu control human’s lives, while the Uruklu are controlled by Monarchs, who are in turn controlled by the Creators.
As the Uruklu spread out to gather slaves from Earth, the Earthmen and the Alien are preparing for war with them. They are building the spaceship to fight for their lives.
In the meantime, a young girl, a hybrid between the earthlings and the Uruklus is captured by the Uruklus, made into a pet, and forced into a life neither free, nor slave. But Fiona is not a pet. She is a clever hybrid who is determined to help her earthling friends and free them from the forced life of slaves.
The tale is exciting, filled with strong characters, vivid worlds and an intriguing twist. It is worth your time to read this novel, you will not regret it. In fact, you will look forward to more. The psychological interaction among the protagonists is worth reading. I recommend this book for lots of reasons, but mostly because it is creative, thought provoking and fun.
This book grabbed me from the start. Filled with the adventures of a group called the Okinawa Six, Humans and Uruklu. Monarchs, Creators and war.
Unrelenting war.
The government charges a group of scientist and engineers with building a spaceship, but as usual when governments change, programs change. Suddenly the need for a spaceship no longer exists. That is until an alien intercedes. Against governmental orders, the spaceship program is reanimated. Millions of lives are at stake.
The story goes back and forth between two groups of beings. Humans on earth and humans on a distant planet that are used for forced labor and food. The Uruklu control human’s lives, while the Uruklu are controlled by Monarchs, who are in turn controlled by the Creators.
As the Uruklu spread out to gather slaves from Earth, the Earthmen and the Alien are preparing for war with them. They are building the spaceship to fight for their lives.
In the meantime, a young girl, a hybrid between the earthlings and the Uruklus is captured by the Uruklus, made into a pet, and forced into a life neither free, nor slave. But Fiona is not a pet. She is a clever hybrid who is determined to help her earthling friends and free them from the forced life of slaves.
The tale is exciting, filled with strong characters, vivid worlds and an intriguing twist. It is worth your time to read this novel, you will not regret it. In fact, you will look forward to more. The psychological interaction among the protagonists is worth reading. I recommend this book for lots of reasons, but mostly because it is creative, thought provoking and fun.
November 29, 2020
THE LOST SIGNAL promises to be a riveting science fiction saga about our galaxy's war for survival against an intergalactic threat. Refreshingly, it appears that it may very well live up to this tagline and promise.
We begin with a depleted, bleak America -- a nation that "only needed to be protected from itself" (feels timelier than ever!) -- that built (and abandoned) the first spaceship for warfare. People are confined to a base, for a while longer. An unusual power outage leads to a spontaneous food run, which leads to an even more unusual meeting... and things just get darkly and deliciously curiouser and curiouser.
Fernandez Morales has a lovely way of visualizing characters and settings for the reader, and she immersed me in her setting before making me care about the narrative and fate of its people. The conversations are natural, the interactions believable, the characters are faulty and endearing (side note: I LOVE the description of Fiona, especially in contrast to Anya -- the trick with her eyes reminds me a bit of The Moodchild, which I adored), the pacing is quick (sometimes almost too quick, leaving me shaking my head and trying to fit in puzzle pieces together as many more puzzle pieces tumble around me, for there are backstories -- like a Japanese Holocaust!? -- that are barely spoken of), and the suspense is there.
It's one of the best edited, best flowing books I've read by an indie author in quite some time, with a great storyline and interesting characters, and for me that's an automatic 5 stars. Luckily, there's a sequel.
We begin with a depleted, bleak America -- a nation that "only needed to be protected from itself" (feels timelier than ever!) -- that built (and abandoned) the first spaceship for warfare. People are confined to a base, for a while longer. An unusual power outage leads to a spontaneous food run, which leads to an even more unusual meeting... and things just get darkly and deliciously curiouser and curiouser.
Fernandez Morales has a lovely way of visualizing characters and settings for the reader, and she immersed me in her setting before making me care about the narrative and fate of its people. The conversations are natural, the interactions believable, the characters are faulty and endearing (side note: I LOVE the description of Fiona, especially in contrast to Anya -- the trick with her eyes reminds me a bit of The Moodchild, which I adored), the pacing is quick (sometimes almost too quick, leaving me shaking my head and trying to fit in puzzle pieces together as many more puzzle pieces tumble around me, for there are backstories -- like a Japanese Holocaust!? -- that are barely spoken of), and the suspense is there.
It's one of the best edited, best flowing books I've read by an indie author in quite some time, with a great storyline and interesting characters, and for me that's an automatic 5 stars. Luckily, there's a sequel.
November 21, 2020
This was a well-written enjoyable read. Having said that, it was also not without its problems. There are some continuity errors - Fiona is tied up to a tree and then walking around without it being clear how that happened, and it is completely unclear ho w a young child gets to be running around a military case, for instance. The book also makes constant references to some events in Japan which occurred shortly before the beginning of the narrative. That didn't really work for me. It felt like the book wasn't the first in a series but the second and it really wasn't clear exactly what happened in Japan and why. I could see what the author was trying to do, but I guess it needed just a little more coherence and detail. There is one other point which was a little disappointing. Slavery is a strong theme throughout the book, and at one point it looked like we would get some emotional insights into what it was like to be made a slave. However, the point passed and the chance to provide understanding on how that trauma still affects communities hundreds of years later was missed. A key power of SciFi as a genre is enabling us to stand to one side and take a good look at our own society with a fresh pair of eyes, and good science fiction always manages to do that effectively.
Nevertheless, despite those reservations, I do want to say that it was a well-told and enjoyable story. Which in the end is what it is all about.
Disclosure: This review is based on a free advance copy of the book from BookSirens, in return for an honest review.
Nevertheless, despite those reservations, I do want to say that it was a well-told and enjoyable story. Which in the end is what it is all about.
Disclosure: This review is based on a free advance copy of the book from BookSirens, in return for an honest review.
July 28, 2020
Actual Rating 3.5.
Told in a dual narrative, one in the years leading to an alien invasion and the other set an ambiguous length of time after, does a good job of exploring human interaction with an alien culture and various complex character interactions, but it's efforts are often diminished by awkward or heavy-handed characterization (the author bluntly telling us what the character's feel.)
I particularly enjoyed the history and society of the Urukulu and how they interacted with the humans and their creators. There was an evident amount of thought into the development of their interactions from humans having an inbred fear of them because Urukulu were originally designed to perform as their slave master (an inherent dynamic Urukulu also suffer to some extent) to reason and logic behind Urukulu Monarchs going insane. This complex social interaction was the part I enjoyed most about the book.
The pose, excluding the awkward characterization, is mostly decent and the plot, although consistently pleasant, can go long stretches without something immensely exciting occurring. Very little of true importance or conflict occurs in the past narrative, and while more important/exciting things happen in the present narrative they're rarely affected by out MC, a hybrid named Fiona. It's not that she doesn't take risks or preform actions, it's that the narrative really does focus on the interaction themes more than the action ones.
Told in a dual narrative, one in the years leading to an alien invasion and the other set an ambiguous length of time after, does a good job of exploring human interaction with an alien culture and various complex character interactions, but it's efforts are often diminished by awkward or heavy-handed characterization (the author bluntly telling us what the character's feel.)
I particularly enjoyed the history and society of the Urukulu and how they interacted with the humans and their creators. There was an evident amount of thought into the development of their interactions from humans having an inbred fear of them because Urukulu were originally designed to perform as their slave master (an inherent dynamic Urukulu also suffer to some extent) to reason and logic behind Urukulu Monarchs going insane. This complex social interaction was the part I enjoyed most about the book.
The pose, excluding the awkward characterization, is mostly decent and the plot, although consistently pleasant, can go long stretches without something immensely exciting occurring. Very little of true importance or conflict occurs in the past narrative, and while more important/exciting things happen in the present narrative they're rarely affected by out MC, a hybrid named Fiona. It's not that she doesn't take risks or preform actions, it's that the narrative really does focus on the interaction themes more than the action ones.
November 30, 2020
In the future we have the Okinawa Six, a ragtag group of veterans leftover from a war between Japan and America. In the distant past, we have Fiona, a survivor in her own right. But she’s more than that, too. She’s a special orphan girl struggling to come to terms with her own existence.
The narrative weaved by the author flows between the two timelines with ease, using words to paint a unique and vivid picture for each point of view. And though elements cross over, they are most definitely unique tales with unique styles—one a slow burn centered around military-political intrigue and the other a gripping and gruesome tale of survival.
This book is enthralling and refreshing at times, and at others becomes bogged down in exposition. For reference, my personal taste lies more towards more dialogue than narrative, unless we’re talking about an action sequence. Unfortunately, this book really struggles when it comes to the former. The conversations can be clunky, and the characters often accept explanations without question, almost as if everyone in this universe has never come across a lie before.
The only other gripe I had with the story was the military-political aspect. As others have mentioned, you sometimes find yourself rolling your eyes even though you know it’s coming. Luckily, the story is interesting enough that they continue all the way around and latch back onto the page.
The narrative weaved by the author flows between the two timelines with ease, using words to paint a unique and vivid picture for each point of view. And though elements cross over, they are most definitely unique tales with unique styles—one a slow burn centered around military-political intrigue and the other a gripping and gruesome tale of survival.
This book is enthralling and refreshing at times, and at others becomes bogged down in exposition. For reference, my personal taste lies more towards more dialogue than narrative, unless we’re talking about an action sequence. Unfortunately, this book really struggles when it comes to the former. The conversations can be clunky, and the characters often accept explanations without question, almost as if everyone in this universe has never come across a lie before.
The only other gripe I had with the story was the military-political aspect. As others have mentioned, you sometimes find yourself rolling your eyes even though you know it’s coming. Luckily, the story is interesting enough that they continue all the way around and latch back onto the page.
April 1, 2020
This book is almost 400 pages, and every word was worth the read. This sci-fi adventure was a great story. For ¾ of the book, there are two alternating, unconnected narratives. One storyline follows the efforts of a group of Earthlings who are preparing for an alien invasion aided by a renegade alien named Bill (named so for convenience).
The other storyline is told primarily from Fiona’s point of view. She’s an alien/human hybrid who’s lived her whole life with humans and feels compelled to protect them when aliens descend on their village and enslave them. The stories begin to overlap at the 75% mark and it’s a very cool twist.
Fiona’s story has a persistent undercurrent of tension as she navigates the alien environment. The villain that she’s connected to is consistently brutal and unpredictable while also oddly vulnerable. I love complex villains like this. He’s horrifying and redeemable. The Earthlings’ story isn’t quite as action-packed, but it is fascinating, particularly Bill’s role. And there are a couple of shocking moments.
Characters throughout the book are unique and plausible and emotionally rich, and I’d say that they stole the show, except the plot is also very cool. A great blend that makes for a great read. Sci-fi readers who enjoy alien stories, action and adventure, and great characters will love this. Worth every word.
The other storyline is told primarily from Fiona’s point of view. She’s an alien/human hybrid who’s lived her whole life with humans and feels compelled to protect them when aliens descend on their village and enslave them. The stories begin to overlap at the 75% mark and it’s a very cool twist.
Fiona’s story has a persistent undercurrent of tension as she navigates the alien environment. The villain that she’s connected to is consistently brutal and unpredictable while also oddly vulnerable. I love complex villains like this. He’s horrifying and redeemable. The Earthlings’ story isn’t quite as action-packed, but it is fascinating, particularly Bill’s role. And there are a couple of shocking moments.
Characters throughout the book are unique and plausible and emotionally rich, and I’d say that they stole the show, except the plot is also very cool. A great blend that makes for a great read. Sci-fi readers who enjoy alien stories, action and adventure, and great characters will love this. Worth every word.
August 10, 2020
Complex Sci Fi Read
The Lost Signal has two strong storylines that don't cross paths until about three-fourths of the way into the story. The stories take place in different time periods—different goals, different political situations, different villains but in the end, the same inherent threat.
Basic story background: In the beginning, the Creators genetically engineered a slave race on earth to mine Zsaida. These slaves were humans. The Uruklu were also created as guards to control the human slaves. To make them more savage, they craved human flesh. Eventually, these two groups are forced to form an alliance to fight their creators.
The novel's overall plot is complex and requires a bit of effort and patience to become totally engaged in the fantastical world. (Took 150 pages for me.) Personally I immediately identified with the storyline unveiled through the eyes of Fiona, a human-alien raised by humans. I found myself less interested in the other storyline about a group on earth preparing to fight off an alien invasion.
It's well written and worth the read. A fresh Sci Fi concept.
The Lost Signal has two strong storylines that don't cross paths until about three-fourths of the way into the story. The stories take place in different time periods—different goals, different political situations, different villains but in the end, the same inherent threat.
Basic story background: In the beginning, the Creators genetically engineered a slave race on earth to mine Zsaida. These slaves were humans. The Uruklu were also created as guards to control the human slaves. To make them more savage, they craved human flesh. Eventually, these two groups are forced to form an alliance to fight their creators.
The novel's overall plot is complex and requires a bit of effort and patience to become totally engaged in the fantastical world. (Took 150 pages for me.) Personally I immediately identified with the storyline unveiled through the eyes of Fiona, a human-alien raised by humans. I found myself less interested in the other storyline about a group on earth preparing to fight off an alien invasion.
It's well written and worth the read. A fresh Sci Fi concept.
December 7, 2020
Received a copy from BookSirens - thanks!
The premise was interesting and some of the characters were pretty fun to read (Bill was my favourite), but the story felt glacial until the last 30%, where things finally picked up.
I was glad I stuck with it though! Ending was worth the slog.
The premise was interesting and some of the characters were pretty fun to read (Bill was my favourite), but the story felt glacial until the last 30%, where things finally picked up.
I was glad I stuck with it though! Ending was worth the slog.
March 3, 2026
I started The Lost Signal during a week when I honestly just wanted an escape. Work had been overwhelming, and I needed something immersive enough to pull me out of my own head. I didn’t expect this story to feel so uncomfortably relevant.
The idea of an encoded signal and a hidden threat creeping closer felt less like distant science fiction and more like a metaphor for how we ignore problems until they’re at our doorstep. Dr. Ethan Fawkes’ quiet urgency really stayed with me, but it was Fiona’s story that hit harder. Feeling like you don’t fully belong anywhere is something I’ve wrestled with in my own way, and her internal conflict, torn between two sides that both define and reject her, felt painfully human.
What I appreciated most was that beneath the alien invasion and space warfare, the book is really about identity, loyalty, and survival. It’s intense, sometimes brutal, but emotionally grounded in a way that surprised me.
I came for the sci-fi premise, but I stayed for the characters.
The idea of an encoded signal and a hidden threat creeping closer felt less like distant science fiction and more like a metaphor for how we ignore problems until they’re at our doorstep. Dr. Ethan Fawkes’ quiet urgency really stayed with me, but it was Fiona’s story that hit harder. Feeling like you don’t fully belong anywhere is something I’ve wrestled with in my own way, and her internal conflict, torn between two sides that both define and reject her, felt painfully human.
What I appreciated most was that beneath the alien invasion and space warfare, the book is really about identity, loyalty, and survival. It’s intense, sometimes brutal, but emotionally grounded in a way that surprised me.
I came for the sci-fi premise, but I stayed for the characters.
October 25, 2020
The setup here is that the story is told in two parts, alternating for perhaps 70% of the book until they come together. I much preferred the plot line of the alien-human hybrid Fiona. The mystery of her origin is well handled – I guessed at it early on – but I wasn’t entirely sure. This main protagonist is a terrific literary creation. She is a being torn between 2 races and not belonging to either – nor, for the most part really accepted by either. The writing style isn’t really my thing, but the characters are memorable and the story telling is great.
For me the strongest part of the novel is the complicated interactions of the main characters. The three’s-a-crowd relationships between Fiona her adoptive brother and Anya is complex and interesting. Likewise the relationship between the Monarch Kurugar and his sister, and the way those two interact with Fiona is another complex, always fluid situation.
For me the strongest part of the novel is the complicated interactions of the main characters. The three’s-a-crowd relationships between Fiona her adoptive brother and Anya is complex and interesting. Likewise the relationship between the Monarch Kurugar and his sister, and the way those two interact with Fiona is another complex, always fluid situation.
May 2, 2020
In this sci-fi thriller, we see two different plotlines converge. The first is that of a group of military personnel who are trying to prepare Earth for an oncoming alien invasion. The other point of view is that of a little girl who is half human and half alien. When the aliens finally do invade, she finds herself at a crossroads of which side to defend.
This was a good, suspenseful book. Plenty of action and suspense to keep me sucked in. Characterization was done pretty well, especially with Fiona. The worldbuilding was also done particularly well.
Narration was okay for the most part though there were some background noises and other audio issues.
This book was given to me for free at my request and I provided this voluntary review.
This was a good, suspenseful book. Plenty of action and suspense to keep me sucked in. Characterization was done pretty well, especially with Fiona. The worldbuilding was also done particularly well.
Narration was okay for the most part though there were some background noises and other audio issues.
This book was given to me for free at my request and I provided this voluntary review.
May 7, 2020
This book has some flaws, but I'm giving it 5 stars because there's so much it does right that I rarely see in science fiction. The aliens are in The Lost Signal are not humans with wrinkles on their forehead, but terrifying predators that consume human flesh. Even so, the Uruklu are not the bad guys, and this is a book about finding common ground.
This book shows a willingness to explore horrible outcomes without ever regressing into horror. It focuses on character relationships and manages some fascinating psychological analyses. It's not hard sci-fi by any means, but its premises feel rational and it offers a pretty good adventure. I was stunned by the reveal near the end. Will be reading the sequel when it releases.
This book shows a willingness to explore horrible outcomes without ever regressing into horror. It focuses on character relationships and manages some fascinating psychological analyses. It's not hard sci-fi by any means, but its premises feel rational and it offers a pretty good adventure. I was stunned by the reveal near the end. Will be reading the sequel when it releases.
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