This is a harrowing and thought provoking novel, presumably inspired by the notorious murder of two year old James Bulger by two young boys, in 1993. That was the year I finished uni and started work, so I was studying and then working all hours, and barely watched any TV, but even in those days before instant and 24 hour news, I remember the saturation coverage and the tabloids’ fascination with the killers, which continues to this day, so while the premise seems at first unbelievable, on reflection it is plausible and therefore all the more horrifying.
In 1997 on a summers day in a small English town, two young sisters abduct a toddler from a playground while her heavily pregnant mother chats with friends. The girl’s body is found, horrifically beaten and tortured, and 10 year old Laurel, and 6 year old Rosie, dubbed the Flower Girls by the media, are soon arrested for the crime, but only Laurel is convicted as Rosie is deemed too young to understand the consequences of her actions.
Twenty years later, Rosie, now known as Hazel, visits a seaside hotel with her boyfriend to celebrate her birthday and New Years Eve. When a 5 year old disappears, Hazel is terrified that her secret will be revealed and that she will be blamed for the crime, but a predatory ex-journalist, who scents a major story, persuades her to confess to the police, and all her fears come to pass. Meanwhile Laurel is half-heartedly making another attempt at parole, but having never admitted her guilt or expressed remorse, the victims family, and many of the public, are adamantly opposed to this.
Written by a human rights lawyer, with some believably awful characters and a compelling plot, this posed lots of questions and would make a great book club pick. How long should a guilty child be punished for? Can children be truly evil? Should the press have the right to stalk people never convicted of a crime? When should family members accept that all their campaigning will never bring their loved ones back, and move on with their lives? (The latter question being particularly pertinent in New Zealand.)
The writing was stunning, with lyrical turns of phrase and an amazing sense of place. Unfortunately it was spoiled for me by the bizarre misuse of capitals in the ARC I received, many being missing, especially at the start of sentences, meaning you often had to read them twice, but also turning acronyms into weird looking words, and then capitals turning up in the middle of other words. I had assumed this was accidental and a gremlin in the typeface software, which would be fixed before publication, but then at the end, specific mention was made of the font, making me question whether in fact this is deliberate. If this is something that would bother you, I suggest taking a peek inside before you buy, but no other reviewer has mentioned it so maybe it’s just mine?
The other reason for downgrading this to 3 stars is the ending, which other reviewers have complained about. The solution to the mystery is well sign-posted as the plot progresses, and flashbacks reveal progressively more about the girls’ past, but then a bizarre double twist is thrown in that makes little sense and leaves a slightly bad taste. It’s not that I necessarily need a happy ending, but I like a definite resolution and for some sense of right prevailing. 3.5 rounded down.
My thanks to NetGalley for the ARC in exchange for an honest review. The Flower Girls is published on 24th January 2019.