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Lost Glen
The Lost Glen vividly portrays a clash of cultures and personalities against a background of a landscape in visible decay. The cultural collision and its effects are explored through Ewan, a young local man recently returned from university in disgrace, and a retired English colonel staying at the village hotel. Both men in a sense are alienated from the community, the younger because of a haunting sense of failure, and the older through an unwillingness to understand the local culture. They have a mutual antipathy.
The Colonel's self-imposed cultural isolation leads to aggressive bullying and an openly lascivious attitude towards local young women. His unworthiness as a representative of Anglo-Saxon culture is largely compensated for by his young niece, who behaves with sensitivity and integrity. She is clearly attracted to Ewan whose sense of failure is complex and does not only concern his enforced withdrawal from university and his involvement in an incident at sea that cost his father his life; it concerns the feeling he has of himself as a spiritual exile - a man who had intended to emigrate but who had remained as an outsider in the land that meant so much to him.
The antipathy between the two main protagonists leads to a physical struggle between them that brings to an end a novel, layered with meanings, that is more a symbolic drama than a novel of realism. One of the earliest novels to appear in the Scottish Literary Renaissance of the 1920s and 1930s, The Lost Glen turns its back on the form of writing that had depicted Scotland as a rural paradise in favour of describing Highland life as it really was at that time.
The Colonel's self-imposed cultural isolation leads to aggressive bullying and an openly lascivious attitude towards local young women. His unworthiness as a representative of Anglo-Saxon culture is largely compensated for by his young niece, who behaves with sensitivity and integrity. She is clearly attracted to Ewan whose sense of failure is complex and does not only concern his enforced withdrawal from university and his involvement in an incident at sea that cost his father his life; it concerns the feeling he has of himself as a spiritual exile - a man who had intended to emigrate but who had remained as an outsider in the land that meant so much to him.
The antipathy between the two main protagonists leads to a physical struggle between them that brings to an end a novel, layered with meanings, that is more a symbolic drama than a novel of realism. One of the earliest novels to appear in the Scottish Literary Renaissance of the 1920s and 1930s, The Lost Glen turns its back on the form of writing that had depicted Scotland as a rural paradise in favour of describing Highland life as it really was at that time.
320 pages, Paperback
First published January 1, 1928
32 people want to read
About the author
Neil M. Gunn
63 books49 followersNeil Gunn, one of Scotland's most prolific and distinguished novelists, wrote over a period that spanned the Recession, the political crises of the 1920's and 1930's, and the Second World War and its aftermath. Although nearly all his 20 novels are set in the Highlands of Scotland, he is not a regional author in the narrow sense of that description; his novels reflect a search for meaning in troubled times, both past and present, a search that leads him into the realms of philosophy, archaeology, folk tradition and metaphysical speculation.
Born in the coastal village of Dunbeath, Caithness, the son of a successful fishing boat skipper, Gunn was educated at the local village primary school and privately in Galloway. In 1911 he entered the Civil Service and spent some time in both London and Edinburgh before returning to the North as a customs and excise officer based (after a short spell in Caithness) in Inverness. Before voluntary retirement from Government service in 1937 to become a full-time writer, he had embarked on a literary career with considerable success.
His first novel, The Grey Coast (1926), a novel in the realist tradition and set in Caithness in the 1920's, occupied an important position in the literary movement known as the Scottish Renaissance. His second novel, Morning Tide (1931), an idyll of a Highland childhood, won a Book Society award and the praise of the well known literary and public figure, John Buchan. The turning point in Gunn's career, however, came in 1937, when he won the prestigious James Tait Black Memorial prize for his deeply thought-provoking Highland River, a quasi autobiographical novel written in the third person, in which the main protagonist's life is made analogous to a Highland river and the search for its source.
In 1941 Gunn's epic novel about the fishing boom of the late 18th and early 19th centuries, The Silver Darlings, was widely acclaimed as a modern classic and considered the finest balance between concrete action and metaphysical speculation achieved by any British writer in the 20th century. It was also the final novel of a trilogy of the history of the Northlands, the other novels being Sun Circle (1933) on the Viking invasions of the 9th century and Butcher's Broom (1934) on the Clearances. In 1944 Gunn wrote his anti-Utopian novel, The Green Isle of the Great Deep, a book that preceded George Orwell's novel on the same theme, Nineteen Eighty-Four, by five years. The novel, using an old man and a young boy from a rural background as characters in a struggle against the pressures of totalitarian state, evoked an enthusiastic response from the famous Swiss psychiatrist Carl Gustav Jung.
Some of Gunn's later books, whilst not ignoring the uglier aspects of the modern world, touch more on metaphysical speculation in a vein that is not without humour. The Well at the Worlds End (1951), in particular, lays emphasis on the more positive aspects of living and the value of that approach in finding meaning and purpose in life. Gunn's spiritual autobiography, The Atom of Delight (1956), which, although similar in many ways to Highland River, incorporates a vein of thought derived from Gunn's interest in Zen Buddhism. The autobiography was Gunn's last major work.
In 1948 Gunn's contribution to literature was recognised by Edinburgh University with an honorary doctorate to the author; in 1972 the Scottish Arts Council created the Neil Gunn Fellowship in his honour, a fellowship that was to include such famous writers as Henrich Boll, Saul Bellow, Ruth Prawar Jhabvala, Nadine Gordimer and Mario Vargas Llosa.
Born in the coastal village of Dunbeath, Caithness, the son of a successful fishing boat skipper, Gunn was educated at the local village primary school and privately in Galloway. In 1911 he entered the Civil Service and spent some time in both London and Edinburgh before returning to the North as a customs and excise officer based (after a short spell in Caithness) in Inverness. Before voluntary retirement from Government service in 1937 to become a full-time writer, he had embarked on a literary career with considerable success.
His first novel, The Grey Coast (1926), a novel in the realist tradition and set in Caithness in the 1920's, occupied an important position in the literary movement known as the Scottish Renaissance. His second novel, Morning Tide (1931), an idyll of a Highland childhood, won a Book Society award and the praise of the well known literary and public figure, John Buchan. The turning point in Gunn's career, however, came in 1937, when he won the prestigious James Tait Black Memorial prize for his deeply thought-provoking Highland River, a quasi autobiographical novel written in the third person, in which the main protagonist's life is made analogous to a Highland river and the search for its source.
In 1941 Gunn's epic novel about the fishing boom of the late 18th and early 19th centuries, The Silver Darlings, was widely acclaimed as a modern classic and considered the finest balance between concrete action and metaphysical speculation achieved by any British writer in the 20th century. It was also the final novel of a trilogy of the history of the Northlands, the other novels being Sun Circle (1933) on the Viking invasions of the 9th century and Butcher's Broom (1934) on the Clearances. In 1944 Gunn wrote his anti-Utopian novel, The Green Isle of the Great Deep, a book that preceded George Orwell's novel on the same theme, Nineteen Eighty-Four, by five years. The novel, using an old man and a young boy from a rural background as characters in a struggle against the pressures of totalitarian state, evoked an enthusiastic response from the famous Swiss psychiatrist Carl Gustav Jung.
Some of Gunn's later books, whilst not ignoring the uglier aspects of the modern world, touch more on metaphysical speculation in a vein that is not without humour. The Well at the Worlds End (1951), in particular, lays emphasis on the more positive aspects of living and the value of that approach in finding meaning and purpose in life. Gunn's spiritual autobiography, The Atom of Delight (1956), which, although similar in many ways to Highland River, incorporates a vein of thought derived from Gunn's interest in Zen Buddhism. The autobiography was Gunn's last major work.
In 1948 Gunn's contribution to literature was recognised by Edinburgh University with an honorary doctorate to the author; in 1972 the Scottish Arts Council created the Neil Gunn Fellowship in his honour, a fellowship that was to include such famous writers as Henrich Boll, Saul Bellow, Ruth Prawar Jhabvala, Nadine Gordimer and Mario Vargas Llosa.
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Displaying 1 - 2 of 2 reviews
November 30, 2024
Nach einem eher harmlosen Zwischenfall muß Ewan sein Studium abbrechen und in sein Dorf zurückkehren. Von den Dorfbewohnern wird er von da an als derjenige der aus dem Priesterseminar geflogen ist angesehen. Auch seine Mutter zeigt deutlich, wie enttäuscht sie von ihm ist. Nur sein Vater ist freundlich wie immer zu ihm. Beim gemeinsamen Fischen in einer stürmischen Nacht ertrinkt er und auch wenn es keiner offen ausspricht gibt man doch Ewan die Schuld, denn der vater war viel zu erfahren um bei diesem Wetter auszufahren.
Auch wenn sich die Menschen Ewan gegenüber weiterhin freundlich verhalten ist er doch ein Aussenseiter, der auch keinen Zugang zu seinen alten Freunden mehr findet. So ist es kein Wunder, dass er sich immer mehr mit Menschen, die ihn nicht von früher kennnen abgibt. Bei seiner Arbeit freundet er sich mit Marianne, der Nichte des Colonels und seines Arbeitgebers an. Die beiden Männer sind sich von Anfang an unsympatisch und steigern sich immer mehr in ihre Gefühle hinein bis es zur Katastrophe kommt.
Auch wenn das Grundthema in vielen Romanen von Neil M. Gunn vorkommt, sticht dieses Werk doch hervor. Hier geht es um Ewan, der sich um ein normales Leben bemühlt und immer wieder Rückschläge hinnehmen muß. Ein Teil davon ist seine Schuld. Das ständige Vorhalten seiner Vergangenheit macht es ihm aber auch nicht leicht und so trifft er oft Entscheidungen, die im Gegensatz zu dem stehen, was er eigentlich will.
Auch wenn sich die Menschen Ewan gegenüber weiterhin freundlich verhalten ist er doch ein Aussenseiter, der auch keinen Zugang zu seinen alten Freunden mehr findet. So ist es kein Wunder, dass er sich immer mehr mit Menschen, die ihn nicht von früher kennnen abgibt. Bei seiner Arbeit freundet er sich mit Marianne, der Nichte des Colonels und seines Arbeitgebers an. Die beiden Männer sind sich von Anfang an unsympatisch und steigern sich immer mehr in ihre Gefühle hinein bis es zur Katastrophe kommt.
Auch wenn das Grundthema in vielen Romanen von Neil M. Gunn vorkommt, sticht dieses Werk doch hervor. Hier geht es um Ewan, der sich um ein normales Leben bemühlt und immer wieder Rückschläge hinnehmen muß. Ein Teil davon ist seine Schuld. Das ständige Vorhalten seiner Vergangenheit macht es ihm aber auch nicht leicht und so trifft er oft Entscheidungen, die im Gegensatz zu dem stehen, was er eigentlich will.
November 7, 2024
"The Lost Glen" is the story of Ewan who returns from university in disgrace and needs time to both process and reconnect with his family and community. I liked how Gaelic was used and how the Colonel and his daughter were used to contrast different approaches to inclusion. Overall I found the novel a bit tedious and the characters a bit stereotypical. 3 stars
Displaying 1 - 2 of 2 reviews