Honestly, if I had encountered Kate Saunders' 2010 school story Beswitched as a child (in other words, if she had written this novel decades earlier when I was a child), I am almost one hundred percent certain that I would have simply and massively adored it, and that it would have received a glowing five star (and favourite) designation from me, considering that Beswitched contains so many of my favourite pleasure reading themes (a British boarding school story set not only in the present but actually mostly in the past, time-travel, historical/cultural information) and topped off with an ending that is in my humble opinion simply and utterly divine. And indeed, even for me as an older adult, Beswitched has been an entertaining, amusing as well as at times very much enlightening reading experience, a generally delightful romp, not perfect perhaps, and hence just three stars, but still totally enjoyable and highly recommended not only to and for older children (and especially for girls from about the ages of nine to twelve), but also for adults who enjoy traditional themed British based school-stories as a genre.
Now indeed spoiled and perhaps at the beginning of Beswitched even more than a trifle annoying, Flora Fox's magical switch to a 1930s archetypal British boarding school (where she then actually meets her own grandmother as a student and an indeed equally and in many ways even considerably more problematically entitled individual than herself) is readable, fun and definitely an interesting depiction of a typical United Kingdom boarding school of the 1930s (although personally, I also have found at least some of the descriptions of school life a trifle too negative, almost as though the author, as though Kate Saunders actively wants to show rather too many negatives with regard to the past). And I especially have enjoyed how Flora's sojourn in the past not only has the often ubiquitous and standard positive consequences for and in the present (or rather from a 1930s perspective, the future) that is often part and parcel to time-travel or time-slip novels, but also that the events experienced by Flora in the past are actively remembered not only by her when she returns to the present (the future), but that the students with whom she had been rooming during her time at St. Winifred's (her grandmother, Pogo and Dulcie, who are of course by now all elderly) actually also remember Flora as much as she remembers them (so delightfully different from many time-travel types of novels involving especially the not so distant past, where once the main protagonist returns to the present, he or she is often the only one to remember his or her time in the past, and in particular what happened in the past to change the future, to change the present).
But while Beswitched is of course in many ways simply a rather standard school type story, with stock character types, stock scenarios and presented events, it is actually and indeed not this but a few very much specific annoyances with the novel's plot and themes themselves that as an adult and generally rather critical older reader makes me shake my head a bit and only consider three stars as a ranking. For example, Kate Saunders uses the tried and true plot device that the longer Flora remains in the past, the less she remembers the specifics of the present (her present), including history (and in 1935, which is the time into which Flora has been catapulted in Beswitched, that of course also means Adolf Hitler, the Third Reich, the future WWII, the Holocaust). And although it might indeed be interesting and exciting plot-wise for Flora to no longer actively remember the historical legacy and horror of Adolf Hitler and Naziism (and in 1935, while Hitler was of course already in power, the Holocaust itself had not really yet started) and thus only have a vague feeling of dread and worry with regard to one of the students (Patricia) who is Jewish and is supposed to return to her parents' home in Vienna at the end of the school year, the fact that when Flora is interviewed (is quizzed) by one of the boarding school teachers (who herself had been a time traveller in her youth) about the late 20th century and seems to remember almost everything BUT WWII and the rise of the Nazis, this really does feel more than a bit artificial, lame and unbelievable (at least it has done so to and for older adult me).
Furthermore, and although this is not really such a huge deal, but still a bit annoying for me on a personal level, considering that the main protagonist of Beswitched, that Flora Fox basically ends up magically changing places with another Flora Fox (who then ends up in the late 20th century boarding school that the main protagonist was actually supposed to be attending while her parents were taking care of the ailing grandmother in Italy), I for one have certainly rather missed not also reading about her experiences, as the other Flora would of course have had the same (if not even more) of a cultural and educational shock suddenly attending an ultra modern boarding school that main protagonist Flora had attending a 1930s school. And indeed I did keep hoping to find out more information on and about the other Flora, but aside from as few minor mentions, there has really never been any much detail provided (an authorial oversight that I do find rather disappointing, as a bit of a back and forth between both Floras, showing how they are both adjusting, how they are both dealing with suddenly being magically switched would in my opinion much improve Beswitched, would give the novel a more nuanced level of storytelling, and would also render the ending, after the two Floras have been transported back more poignant and make the other Flora's sad and disappointed expression of "Bollocks" at suddenly being back in the 1930s after obviously having settled in and enjoyed her time in the present, as the scenario is related by the elderly Pete, Pogo and Dulcie to the main protagonist upon their meeting Flora after her return to the present time, more understandable and fathomable).
And finally, I also (and sadly) really really do NOT AT ALL like the book cover image for this here specific paperback edition of Beswitched, as it seems to give the strange impression that the novel is somehow an uncanny ghost or horror story, when it is truly nothing of the sort, when it is for all intents and purposes totally and utterly a time-travel imbued school story (maybe fantastical, maybe a bit fairy tale like in places, but certainly never horrifying or in any manner ghostly).