Ravens and wolves and cheerleading unicorns, oh my.
Also, I called it, again.
Nate Temple's latest foray into madness starts with exactly that, delving into his own madness and clawing his way back to the surface in the lengthy aftermath of rigorous training to tame his split personas and the two drastically different forms of magic they command. All while start to realize that killing a god comes with long term changes, though whether as reward or consequence remains to be seen. It is the sort of visceral introspection and deep seated feeling of self that Silvers usually reserves for the more mentally and emotionally mindful Callie Penrose, possibly in a way to show how the characters continue to influence and develop eachother as much as themselves, though in this case Silvers uses it to put a book-end to the multi-installment spanning struggle Nate has endured in reclaiming his Wylde past.
The tone of the book is clipped to the now usual frantic pace that the back-end of the current roster of overall books have kept to, though again we see a case where the book's length both does and doesn't do favors for the plot as a result. A keen focus is put on the way time is being stretched and bloated between realms, working both to the service of the plot at hand and to tie together a few of the more scattered points in the time-line between the overlapping book series, many of which have jumped back and forth of late in both time and perspective to the garnering of some minor confusion. This overall works well to highlight the stakes of the story and commits realistic pressure to the events at hand, but it does feel like another few secondary plot threads could have been woven in without disrupting the pacing, even to the extent that there are a few places where one might expect to see them but find them absent instead.
Silvers has long shown he has a firm grasp on his narrative pacing however, and has yet to make any of his usual twists or revelations fall flat, so its entirely possible he still has larger picture views on how some plot threads need to lie. It does seem a bit of a turn to some of his earlier books though, usually rife with lesser hints and subtle tell-tale nods to greater implications down the road. Instead the focus seems to be on what feels like a closing arc for a few significant issues and characters, a sense of cleaning house and dragging everyone back onto a properly balanced schedule and time table, so to speak.
There are of course said revelations and twists themselves, though for this round Silvers seemed to have indulgent, gritty splendor in mind for the theming. The battles are punchy and colorful as ever, but there's a distinct sense of a shifting in the scales, levels of grandeur that once were more strained and frantic now being pushed with a feeling of righteous boldness. Not quite a deja vu or callback to previous books and the moods therein, rather a sort of breaking of new ground after scrambling to find proper footing. There is still justifiable urgency and gravitas being given, all of it properly fitting to some of the more important fights and character engagements. But there is no longer the sense that Nate Temple is hammering away at some dark, crooked corner of an unseen whole, more and more of the playing field is coming into view and his actions and reactions are starting to evolve accordingly.
Most importantly though, the pacing does not overly highlight the fighting and grand revelations to the detriment of the character development, with more than a few significant notes hitting for Nate himself as well as some of his longest running supporting cast coming further into their own. Callie Penrose has an entire section of her sixth installment Black Sheep given center stage to bring new perspective and details to light, much to some indulgent and development for her and Nate's tied progression and a few more in-jokes and winking nods to the dramatic upheavals in her own books. It is not the first time Silvers has recanted an entire scene from a different perspective and shown it jarringly different in where and how it falls in the scheme of things, and he continues to do it well and to the service of the narrative both past and present.
Several heavy details on the over-arching plot of the series and the universe at large are dropped into the bottom half of the tale, fan-fare forgone in exchange for another boisterous, steamrolling climax that slams the door closed on a satisfying and victorious note. Also puppies are involved, sheerly for maximum endorphin exploitation. Silvers manages to give the break-neck pacing just the slightest enough room needed to breathe to make this arc conclusion feeling proper, and does another grand reshuffling of game pieces to set the board for the next bout.
Overall the book straddles the line between a hard, rapidly escalating drama and a heavy, thorough delving into character values and motivations that emphasis how much has changed for them and the world around them, for good and for bad, and how is has and hasn't prepared them to face what comes next. Long-time readers and newcomers alike will find plenty to love and plenty more to question, where as always I look forward to what Silvers drags into play next time.