Blum, Deborah. Bad Karma: A True Story of Obsession and Murder (1986)*****
Cultural shock at Berkeley, circa 1969
This is a beautifully written, painstakingly researched and organized, fearless exploration of a tragic clash of character and culture. Deborah Blum strove for objectivity and empathy, understanding and identification, and she achieved it. In so far as a true crime story can be a work of art, this is one.
The setting is Berkeley 1969, Telegram Avenue and People's Park, etc. recalled with vivid and nostalgic detail. The two central characters, Prosenjit, an Indian exchange student at the university and Tanya, an American student, begin a flirtation that ends in tragedy. She is a sweet, innocent (or nearly innocent) girl who really only deserved to be loved, but she plays head games and heart games with Prosenjit who loves her passionately, and he is deeply hurt. I guess she couldn't know from her limited experience that in such situations some men can be dangerous. He is an Untouchable, or at least his grandfather was, and a nerd, and she lords it over him with her Caucasian beauty so that gradually he becomes obsessed with her. She grows uncomfortable with his obsession and wants him out of her life. But she calls him back after being dumped by another guy. The reader knows, as in a Greek tragedy, that this calling Prosenjit back reveals her fatal flaw.
Blum includes some photos of Tanya and some of Prosenji and his village in India. Her father is a jealous and controlling alcoholic, a Russian by birth who snoops around her room looking for evidence of liaisons and follows her about and forbids her to date although she is in college. She is a bright pretty girl who lacks in confidence. Prosenjit is a genius or nearly so, who has risen from his lowly birth to be one of the most promising of his generation in India. Interesting is his friend Jal Mehta, a Parsi Indian who knows Prosenjit from school in India and believes in his genius and tries to help him. Jal is confident and charming, articulate and wise in the ways of the world, but Prosenjit is jealous of him and cannot accept his help.
At some point Prosenjit begins to threaten violence, but Tanya continues to taunt him. She gets some satisfaction out of his obsessive love for her, but she hates him because he is such a nerd, and she despises his fawning behavior. Nonetheless, she comes to his room a couple of times a week and lords it over him. He secretly tapes everything, and when she is gone he listens to the tapes over and over again, looking for some sign that she really loves him. He even splices some words together so that he has her saying "I love you." She rewards him sometimes with a tongue kiss on the mouth. Prosenjit, who is a prudish Victorian Indian, is both thrilled and shocked.
This is an excellent portrait of obsession. The clear compliancy of Tanya is notable. It suggests not just carelessness or an adolescent meanness, but something sadder, perhaps a self-destructive wish. Of course we feel sorry for her. We are led to feel sorry for both of them, just as we felt sorry for Romeo and Juliet.
Incidentally Tanya's parents eventually sued UC Berkeley, the shrinks in particular, for not warning them that their daughter was in danger. They won a landmark case that makes it mandatory for mental health care workers to warn potential victims if they think their client is dangerous.
--a review by Dennis Littrell