I loved this book. I’m a real sucker for sagas and stories that follow a group of characters over the years, and this trilogy promises to do just that. The first of the three books, The Light Within Us, has got the trilogy off to a brilliant start.
Set in beautiful Cornwall, a group of artist friends, who’d studied together at The Slade, and each of whom had a reason not to want to live in their home, come together to form a community in Spindrift House, a large house with tremendous potential, which had recently been left to Benedict Fairchild by his late aunt Hester.
The novel opens in the early 1890s, shortly before Benedict’s marriage to Edith. After their wedding, they go to France on their honeymoon. Travelling with them are some of their friends from the Slade. This is one of the many interesting things that I learned from the novel – in Victorian times, it wasn’t uncommon for a couple to go on their honeymoon accompanied by their friends.
By the time that the friends return from France, where they’d stayed with Pascal, a cousin of Wilfred, one of the friends travelling with Benedict and Edith, they had decided to live together in Spindrift House, in what would be a community of artists.
But also, by the time they return, Edith has been devasted by something she’d learned about her husband, and she’d done something that would haunt her throughout the novel.
The story revolves around Benedict and Edith and the difficulties in their marriage, and around the friends who comprise the artists' community, particularly Clarissa and Dora. Each of the friends has his or her own particular talent. Both Benedict and Edith are painters, Dora is to become a illustrator of children stories, and Clarissa is drawn into jewellery design by the beautiful sea glass she finds on the beaches near Spindrift House. Pascal, who later joins them, is a painter of considerable talent, and Julian, another late arrival, is a photographer. The glimpse into the lives of these varied artists is fascinating.
With a character as volatile as Benedict, who is both lazy and envious of his wife’s greater talent, life in Spindrift House was never going to be easy. But it’s made even more difficult by the open hostility of the neighbouring Penrose family. Hugh Penrose firmly believes in his right to Penrose House, and is determined to make life for the artists as uncomfortable as possible, first of all by setting the residents of the nearby town against the community. Rumour spreads fast in a small town, and Edith and her friends soon find themselves ostracised by a number of the shopkeepers and residents.
Other characters are gradually introduced, each one drawn with a care that makes them step off the pages. Their interaction is one of the elements that propel the novel.
The novel is meticulously researched, but the research never gets in the way of the story. It makes one very glad to be born in the 21st century, and not in Victorian times, where women had no rights of their own and were seen as their husbands’ chattels. Divorce in those days was open only to wealthy men. Woman had no such recourse, but would suffer from the social stigma. Furthermore, in the case of divorce, the children would be given to the husband, not the wife. This gives Benedict a hold over Edith, who falls pregnant early in their marriage. There are signs in the novel, however, that women are beginning to assert their independence.
The Light Within Us is a real page-turner, and I’m very much looking forward to reading the next stage of the journey through the lives of those who inhabit Spindrift House. Highly recommended.