Sass and Steam is the perfect title for Catherine Stein's historical fantasy romance series, double entendre included. That said, this book isn't only a "kissing book" (okay, much MORE than kissing) but also a mystery and adventure caper, with clues and snooping and spying and chases and close quartered combat and clever outmanuevering and close calls, and I was riveted.
I think people who love Dr. Temperance Brennan from the TV series Bones will love Eden in all her glory: awkwardly frank, passionately geeky, affectionate without being sentimental, and uninhibited about sex (though she does start the story a virgin mostly for social mores reasons).
In Eden's Voice the sparks fly not only in the University of Michigan's Automechanology & Teletics (AM&T) lab where eccentric 23-year-old Ann Arbor native Eden and her professor parents build mechanical wonders, but between Eden and the earnest, nosy visiting reporter Bruce Caldwell from Boston.
Very deliberately the clothing and setting details are on point for 1904, while the technology borders on magic, and I enjoyed it that way--especially with those devices being essential to character development and plot. Eden was born deaf and Bruce had a leg amputated--and in present day she has a beloved, uniquely advanced mechanical "pet" dragon Vox that doubles as a mobile hearing aid while he has a biomechanical leg.
She's self-conscious about her hard earned vocal skills and her vulnerability when people come up behind her and dependency on Vox, whose abilities are a closely guarded secret she suspects Bruce (and one other suitor) may be tempted to exploit (in his case for a "scoop" story). She doesn't let her sense of vulnerability or protectiveness of Vox stop her from walking home alone frequently though, one of her many "un-ladylike" habits.
Bruce regrets his diminished (but not gone) athleticism and curtailed sports career and is self-conscious about people seeing his metal prosthesis. There's a very sweet scene where they share their special devices with a trust and intimacy they've never known before each other, and throughout the story they look out for each other without coddling or condescending (and protect each other's privacy).
I liked these leads individually first and as a couple second, both vulnerable and strong in their own ways, so Stein excels at that yet again (this being my third of her works and me now being a collector). Eden I liked for her fierce independence, inventor brilliance, enthusiasm, close relationships with her parents and best friend Lilah and platonic friend Joey, protectiveness toward those she loved, introvert awkwardness at parties as the odd one out, scorn for unfair double standards between men and women, and nerdiness even beyond her activities (e.g., I related too well to her trying to find romantic advice in novels).
Bruce I liked for his gentlemanliness and honor, his open fondness and romanticism, his devotion to fairness and to speaking truth to power and exposing corruption even at his own risk, his persistence, his self-reflection and willingness to apologize and forgive and move forward, his supportiveness of Eden's feminism, his love of reading, and his sense of humor.
Their romance is flirty and swoony and heady, banter-filled, helped along by keen shared interests in literature and sports (including football games where tackling gives way to lip locking), and born of genuine supportive friendship and mutual admiration for the whole individual, and not primarily motivated by chemistry though there's definitely heaps of that, so I found it nearly ideal. They argue sometimes or disappoint each other, but eventually they talk it through and each admit their role in it, it's very authentic and healthy and refreshing.
The catch is that Bruce falls harder faster and yearns for long-term before headstrong Eden, whose personal history and goals gives her good reason to mistrust how marriage could up-end her life.
And then there's Evan Tagget coming between them, competing for Eden's affections (unless of course he's just after her one-of-a-kind steam powered dragon Vox--is he?). More theatrical than charming (to me) and rakish (infamous for it) the wealthy industrialist makes Bruce miserable with jealousy when, in spite of her literary education in Jane Austen and Jane Eyre that might've tipped her off Bruce would feel replaced, Eden consents to several outings with Evan to concert and theater halls.
[MILD SPOILER: Unbeknownst to Bruce (and perhaps Evan too, you be the judge!), to Eden her dates with Evan are all for larks and, er, field research into romantic pursuits--but in her defense, she's not being selfish or careless on purpose, she's very innocent and up front about it all, it's just Eden being her independent, perhaps too rational self.]
Bruce grows desperate to prove Evan is behind the mysterious sabotage and patent theft at U of Michigan's AM&T labs and plotting to do worse, and won't let Eden dissuade him. But whether Evan is pulling the strings or not, the reporter soon finds himself entangled with thugs and more trouble and occasionally needs help from a certain unconventional, irresistible lady inventor.
Overall many bonus points to Stein for how it plays out with Bruce and Eden rescuing and supporting each other (even just emotionally, and talking out their problems), no damsel in distress or hapless hunk in the lurch either!
Final note of praise, even if one character is keener to marry (or neither is), in Stein's work you'll feel the characters falling in love before it gets physical, and you can be sure they won't go all the way without mutual enthusiastic consent, both of which are strong preferences for me.
WHEN A NOVEL HAS YOU FALLING FOR THE CHARACTERS BEFORE THEY FALL FOR EACH OTHER, SPEAK UP--BOOST THE SIGNAL!