In the golden summer of 1914, Thomasine and Daniel, children of the village of Drakesden, are brought together with Nicholas and Lally Blythe of Drakesden Abbey. Together the four explore the magical grounds and gardens of Drakesden Abbey, until the disappearance of a Blythe family heirloom suddenly breaks the spell of the summer, triggering a chain of events that will have far-lasting consequences. Though the onset of war will alter all their lives and change the landscape of the entire nation; it seems that the bonds of that summer are not to be forgotten, passions and resentments continuing to simmer, intertwining together the lives of all four.
I'm a huge fan of Lennox, and The Secret Years is probably one of my favourites of hers that I have read so far. I loved the setting of the Fens, the harsh reality of life described for the villagers, the initial magic and allure, and the later slow decline of the Abbey in the aftermath of the war. Lennox always does a wonderful job of capturing a sense of time and place; and in The Secret Years, she really succeeded I thought in portraying a changing society. From the very proper Edwardian era before the war, to the roaring twenties, with the Bright Young Things, as well as the political and industrial changes, including the General Strike of 1926.
I really liked some of the characterisation in the novel too, especially the four central characters, all of whom were complex individuals, whom despite some of the things they did, you could still sympathise with. Nicholas, in particular, was such a tragically painted character; the war taking away all the promise of that generous seventeen year old before the war. I thought Lennox handled the difficult subject of his neurasthenia really well; and I also liked how she attributed so many of Nicholas' and Lally's later problems in life to a childhood devoid of true affection and governed instead by rules and formality, something we see later in danger of having been repeated with young William.
The relationships too were well conveyed, and I liked that things weren't painted in black and white. Rather than painting one character in a relationship as a villain, Lennox highlighted the essential incompatibility between certain characters, mistakes made on both sides, and external influences. Indeed perhaps the only really villainous character was Lady Blythe; and yet for me, she encapsulated a woman desperately holding on to past ideals and a way of life that was all too quickly disappearing.
A completely engrossing read.