I’m obsessed with the world of Percy Jackson and his fellow demigods, and even though I only went there a moment ago, I would love to visit Greece again in the near future. Yeah, it’s safe to say I’m invested into Greek mythology, and when I saw this book appearing everywhere on Instagram, I just had to get it. Didn’t you see the cover? One-woman show Andrea Blythe Liebman clearly knows less is more.
Olivia is recovering from a break-up with her former boyfriend and best friend, leaving her a shut in outcast at college. On her 18th birthday, she decides to make a change and start living again. Suddenly, she seems to notice things that were hidden before, and she gets caught in undesired attention of strangers. Even people she knows, like said ex-boyfriend Hayden, turn up again. After a disastrous murder attempt, Liv gets thrown into Puerdios University, where the descendants of ancient Greek gods prepare for their future. Hayden appears to be the Prince of Gods, who unwillingly made her a pawn in a war of politics between Pure and Dark Gods. In a realm of prophecies, constantly changing loyalties and unknown archaic powers, it’s up to Liv to decide who she wants to be in this conflict. The world might depend on it.
Even though the book consisted of multiple long sentences, Liebman used a simple, fluent writing style. It was easy to follow along, especially when the action kicked in after around fifty pages. The wording was whimsical nonetheless, and makes you feel as if you’re actually living in a myth. For a debut, it was obvious there had been a great amount of time devoted to assembles the world and its godly culture. I specifically loved the serene and medieval descriptions of Puerdios University, as if it could be a sister building to our beloved Hogwarts. Especially clothing was clearly an important part of the atmosphere. It was fun, and made me wish these type of magnificent dresses were available anywhere else than on Pinterest.
Granted, the plot rushes by really fast, making it sometimes difficult to understand the division of power and the magic system. For starters, I would have liked to see an extra informational part at the end describing all the Pillars and their powers. However, thanks to its unique and mature plot line, it’s different than any other YA book I’ve ever read. Unlike other mythology books, Young Power doesn’t merely focus on the most famous myths, but also on the minor characters and the less known versions of these tales. Liebman structured revelations very well, with small hints all lining up eventually. Briefly said, the theme and power system definitely had potential.
While the characters are relatively predictable, I fell in love with them immediately. They were obviously distinguished, each having their own identity. Olivia was an amusing heroine. She refuses to be seen as vulnerable or weak, and sees equal value in all of her friends. The book turns her into a critical thinker, which is necessary in this matter of political sides. One could say she struggles with insecurity and social anxiety, especially at the beginning. Andrea handled this nearly perfectly, and I could easily relate to her. Her character adds an interesting aspect to the war, since she wants to do good for the humans as well as the gods. Love interest Hayden felt rather flat to me until the ending of the book, which is why he’s one of the characters I liked the least. As always, I was drawn more to the minor characters: reckless party animal Peyton, asocial snarky Rei and geeky kind Piper. Hopefully we get to see more of Joss in the sequel, because I loved her too.
Due to Hayden’s character, the romance felt too cheesy to me, which is why I only rated the book 3.5 stars. Yet, if you’re a fan of Percy Jackson like me, don’t hesitate to pick up this book. It has the same godly vibes, but the storyline is more directed towards mature readers. Yes, it could have used more twists and turns, but what I found most interesting is that Liebman managed to give this war a morally grey area. Pure Gods have a cruel and unfair hierarchy, while less radical Dark Gods can have reasonable motivations. Most authors forget about this, so it’s amazing that Andrea dares to go against political principles. And yeah, there were some spelling mistakes, but I refuse to be snarky about that. Andrea did a wonderful job, all by herself, and we should all give her the recognition she deserves. Can you believe she created a whole world, including aesthetics and chapter playlists, all based on one Halsey song? In-cre-di-ble!