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The Ruins Lesson: Meaning and Material in Western Culture

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How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms.Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.

402 pages, Kindle Edition

Published May 31, 2024

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About the author

Susan Stewart

90 books69 followers
Susan Stewart (born 1952) is an American poet, university professor and literary critic.

Professor Stewart holds degrees from Dickinson College (B.A. in English and Anthropology), the Johns Hopkins University (M.F.A. in Poetics) and the University of Pennsylvania (Ph.D. in Folklore). She teaches the history of poetry, aesthetics, and the philosophy of literature, most recently at Princeton University.

Her poems have appeared in many journals including: The American Poetry Review, The Paris Review, Poetry, Tri-Quarterly, Gettysburg Review, Harper's, Georgia Review, Ploughshares, and Beloit Poetry Journal.

In the late 2000s she collaborated with composer James Primosch on a song cycle commissioned by the Chicago Symphony that premiered in the fall of 2009. She has served on the judging panel of the Wallace Stevens Award on six occasions.

In 2005 Professor Stewart was elected a Chancellor of the Academy of American Poets and a member of the American Academy of Arts and Sciences.

About her work, the poet and critic Allen Grossman has written, "Stewart has built a poetic syntax capable of conveying an utterly singular account of consciousness, by the light of which it is possible to see the structure of the human world with a new clarity and an unforeseen precision, possible only in her presence and by means of her art."

(from Wikipedia)

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