Hoooo boy this book made me angry and when books make me angry my reviews get long, so strap in, it’s gonna be a bumpy ride. Minor spoilers included because I don’t know how else to write this review. It’s complicated.
I was first apprehensive because Wicca and Witchcraft are two different things, so calling this series with Wiccan Chronicles and then diving into witchcraft made me uneasy about what I was getting into. This is briefly touched upon by the end of the book, but still, weird choice.
By 15%, I’d decided this might be the singular most misogynistic book I’ve ever read.
By 20%, I saw the potential to pull off an incredible twist that would completely change my mind about it. Flip the script and reframe everything I’d just read as the setup for a fantastic story of facing the past and pursuing a violent redemption. I’d forgive the statutory rape framed as romance and the absolute failure of a Bechdel test - complimenting dresses does not count as conversation - in favor of bloody vengeance. We see Camille touched by the “madness” only after being provoked by a man, first here and again later while training with Tirin, and I was fully ready for the story to reverse course: she realizes the havoc wreaked by her murderous, witch ancestors was caused by the men that provoked and consequently eradicated them, and takes it upon herself to burn the patriarchy down.
By 45%, it was spelled out (presumably for readers like me who’d gone this far with severe ick about it) that sixteen is totally legal age “in most states” to be married (though she was pregnant at 15 but we will ignore that I guess) and that “people don’t take kindly to underage girls marrying full-grown men” so it needed to be kept “out of the public eye” and woooof I needed to take a break. I checked because I’m neurotic: in Louisiana the age of consent is 17 and has been since 1987, and Camille shacked up with the Gerard family in ‘88.
And then, finally, it was spelled out who the villains are and where our leading man really stands on their policies. That they were at least going to ATTEMPT that script flip that I was so hoping for.
By 50%, Camille has been holding a magical illusory facade for over a year and despite the fact that magic is supposed to have a cost, we have no check in to see if or how it’s impacting her. Time skips keep us far from what could have been valuable insight into what the family’s everyday life might look like. Secrets are still being kept from Camille, presumably to keep her safe, even though everyone says how strong she is. Her husband, though supposedly one of the most powerful warlocks in existence, has still done literally nothing, and continues to do literally nothing for the entirety of the book. Also by this point the babies have been physically, emotionally, and verbally abused, all in the name of keeping them safe as well. Now I’m rooting for tiny baby Dani to grow up and kill everyone, instead of Camille. Maybe that’s what the latter two books are. We can only hope.
I almost didn’t finish The Bewitching of Camille because for most of it I was waiting for someone, ANYONE, to stand up and yell “CAN WE PLEASE TALK ABOUT WHAT THE HELL IS GOING ON?” The fact that Julien was told point blank that his wife and future daughter would be MURDERED and he did NOT A GODDAMN THING ABOUT IT for MONTHS made me want to throw my kindle against the wall. He didn’t even seem to flinch until the babies were born and he showed an ounce of backbone, and again when there was paperwork involved. The timeskips gloss entirely over any opportunity for him to show any concern or affection for his very pregnant, very endangered wife. This monstrous paradigm was played so deadpan and so straight that I seriously thought that no one would ever call out how deeply messed up it all was. There was zero indication from anyone but Tirin that even a single soul on earth was a teensy bit concerned about this nearly three hundred year standard - and on that subject, did no one notice this heavily pregnant woman fighting a goddamn werewolf? Look, I get that it’s a “secluded clearing” or whatever but if I’m a pregnant lady in a plantation house crawling with servants and family then somebody’s got to notice I’m missing at some point. But then Tirin turns out to not be really on her side anyway, so, I’m still rather confused about that.
The first two thirds of the book could have been condensed to half its length. Age Camilla up to eliminate the need for the ridiculous time skips to get her closer to age 21, and for the love of god show us some of the romance between her and Julian. There is next to no romance in this book, period. Katie gets a sweet little love story and that’s probably my favorite part of the whole thing, but there is zero chemistry between the two leads.
What confuses me the most is at the end, a character actually calls out Julien point blank for doing nothing, meaning this was a choice on the author’s part - he was aware of how utterly useless of a character this man was for the entirety of the book.
One last thing: there’s a really beautiful trans allegory in here, a child who knows she’s a girl, wants to be a girl, but must remain seen as a boy for her safety. All the more reason I want sweet Dani to go on a murder spree in the later books.
Sorry one more one last thing, I'm editing this review to add a minor pet peeve that I was going to let go but I just saw the same thing in another book and it irked me so much I decided to come back and add it to this review as well as the other one: only birds have talons. Period. Werewolves (yes, I know they're made up, but assuming they are mammals) have claws.