Thanks to the author, @emilygallo, for giving me the oppourtunity to read and review this novel.
“The Last Resort”, by Emily Gallo, is certainly an appropriate name. A collection of “lost souls” (an ex-con, a prostitute, a mob boss, a junkie, just to name a few) find safety, solace and a reason for being working and living on a pot farm run by Dutch, a musician from the sixties who finds peace helping others.
I enjoyed the family dynamic this novel provided, taking a group of society’s “lower” denizens and forming them into a tight-knit band of friends and family in an unusual place. Gallo’s characters are unique in that they are the types usually overlooked in other novels. Her characters are the ones we would pass judgment on if we walked by them on the street, and Gallo’s ability to bring them into the light and force the reader to view them as compassionate, contributing members of society deserving of respect and love was certainly unexpected. However, there is an awful lot of characters in the novel, and it took some sorting through to keep up.
The plot itself was choppy, as it did not seem to have a consistent flow. Initially, we see the collective gathering at the pot farm, from different backgrounds, being put to work and forming their family. Then, we move on to the specifics of farm life, including growing marijuana, and using various psychotropic meds as treatments for Parkinson’s disease. Of course, there is a music festival (which really doesn’t connect to any of the plot lines) and a love triangle (which serves to get rid of one character, although his story is not complete) . Although on their own, the plot lines are intriguing, neither of them seemed to be completely flushed out. I wanted to know more about some plot lines that seemed abandoned, and less about plot points that seemed to be the main focus.
Gallo’s writing is also unique. It does not have the poetic prose and descriptive structure that we see in more mainstream novels. Gallo writes the novel almost like a screen play, the entire story written almost entirely through conversation between characters. There is very little description of settings or characters. I don’t know if this was intentional, but it certainly was a new format for me. I am not sure if I enjoyed this style of writing or not, as it is not something I have a lot of experience with. Readers who enjoy more character-driven stories with little focus on setting and descriptive nouns may find what they need in this style.
Overall, Gallo’s “The Last Resort” is unique and creative, with a character-driven storyline that, although disjointed and choppy, still pulled me in enough to want to see how it ends. With some fine-tuning, Gallo could be the writer to watch.