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'Parry knocks it out of the park . . . Just plain wonderful' Kirkus
'A joyous adventure through all the tales you've ever loved. Funny, charming, clever and heartfelt, you're absolutely going to adore The Unlikely Escape of Uriah Heep' Tasha Suri, author of Empire of Sand
For his entire life, Charley Sutherland has concealed a magical ability he can't quite control: he can bring characters from books into the real world. His older brother, Rob - a young lawyer with an utterly normal life - hopes that this strange family secret will disappear with disuse, and he will be discharged from his duty of protecting Charley and the real world from each other.
But then, literary characters start causing trouble in their city, making threats about destroying the world, and for once, it isn't Charley's doing. There's someone else out there who shares his powers and it's up to Charley and a reluctant Rob to stop them - before anyone gets to The End.
496 pages, Kindle Edition
First published July 23, 2019
It’s.
Not.
Fair.
I know that life isn’t.
But stories are. Or if they’re not fair, they’re not fair with purpose.
I wish I could tell better where stories end and life begins.
“That’s the danger of stories… They bring things into the world, and they can’t be put away again.”
“If you’re wanting some sort of theory about what we’re made of, old thing, that’s the best I can do. We’re half words, and half thought.”
“The point where language and interpretation meet…”
“…you know when you read a book, sometimes, and you suddenly realize that you’ve been missing something your whole life, and you weren’t even aware, and all at once you’ve found it and are just a little bit more whole?”
“This street is complicated, isn’t it?”
“Thousands of years of the written word, filtered through countless readerships… How can it not be?”
“Truth, at least complete truth, isn’t held in words. But there can be no truth at all without them. It lies behind them and lurks around them and shines through them, in glimpses of metaphor, and connotation, and story.”

"That's how the story works, the way the sentence and metaphor and reference feeds into the other to illuminate something important. That explosion of discovery, of understanding, is the most intoxicating moment there is. Emotional, intellectual, aesthetic. Just for a moment, a perfect moment, a small piece of the world makes perfect sense. And it's beautiful. It's a moment of pure joy, the kind that brings pleasure like pain."
"The opening lines of David Copperfield may be the most perfect in the history of literature; certainly they are among the most well-known, and the most well-loved. Because they are all our opening lines. They are how our stories all begin.
"Chapter One. I am Born. Whether I shall turn out to be hero of my own life, or whether that station will be held by anybody else, these pages must show.""
"I don't really do living or daylight," Dorian said. "I'm a Gothic masterpiece."
“That doesn’t make any sense.”
“It doesn’t have too,” I said. “It’s a story.” (p426)