A lot, not all but a lot of the current slate of literary fiction novels I've read regarding the harsh reality of life that are nominated for this and that award, never felt authentic. Most of it, if I have hypothesized, has to do with the writer's background, wealthy or middleclass kids that went for a MFA writing programs, disconnected from these harsh realities. Or because of the type of fiction they read, lacking proper genre fiction readings and by that I mean the gnarly pulpy ones, and the results are stiff and overproduced word salads that took the bite out of these misery porn. Susan Straight is none of those. She grew up in a multiracial/cultural neighbourhood in Riverside, California. She is close to these harsh realities herself and being the director of a creative writing program, has talk about a wide range books that aren't strictly "must reads". Thus, her outputs doesn't come across as phoney.
Set in a fictionalized version of Riverside, named Rio Seco, during the 90s, "Highwire Moon is the story of a Serafina Mendez, an undocumented fifteen year old Mixtec working in the US and her daughter, fifteen year old Elvia, 12 years later. The I.N.S (Immigration and Naturalization Service) raid Serafina's workplace but she was saved by a grungy truck driver named Larry Foley. This event would kick off the entirety of the novel's actual plot as Larry is the link between Serafina's story and her daughter's story, 12 years later, pregnant as a fifteen year old like her mom was. It's a road trip story and a harsh one at that.
The characters in this are complex but in a human kind of way. Larry and Serafina are working class people. They're frustrating but Straight captures their essence perfectly. Larry is a volatile mix of gallantry and rage. There a sense of wanting to do good from him but he's prone to bad temper when he's on drugs. Serafina doesn't make it easy for Larry through no fault of her own. She doesn't speak either English or Spanish, only Mixtec. Her language and way of being does drive Larry up the wall he mocked her for it from time to time. Elvia, as a teen, is restless, wary, too smart for her own good, and shaped by a system designed to erase kids like her. Her voice rings with confusion and anger but is always believable thanks to Straight's writing.
Straight tells the story in waves, not strict chapters. The story shifts between Serafina and Elvia but the different POV never felt gimmicky to me. It works because Straight had given them both voices that are distinct. The pacing moves much like our memory, sometimes linear, often time, cyclical. The flashbacks hit like emotional landmines and her structures aren't neat at all. But that's the point. Susan Straight’s prose isn’t ornamental. They're lean but never cold, poetic without being overtly constructed. The sentences aren't product to be beautiful but instead very conversational, very readable. If there's one flaw, I would point to Straight using simile way too often.
I never expected, when picking up this novel to read a road trip novel but it's a heart pounding one, in the realest way possible.