The trilogy of books that comprise Lark Rise to Candleford take us through a period of British history in which a world of seemingly endless continuity was in fact on the cusp of a period of more radical change than had occurred in any earlier part of history.
Flora Thompson’s three books nicely capture this transition. We begin with Lark Rise, appropriately a hamlet, the smallest urban arrangement, a small number of houses, as if to show the very constricted (but by no means unhappy) world of the 1880s.
Next comes Over to Candleford. The second book is still set in Lark Rise, but this time the Timmins family pay occasional villages to the village of Candleford. It is only a village, but much bigger and more sophisticated than Lark Rise, and the trilogy’s central character Laura Timmins (a thinly veiled self-portrait of Flora Thompson (née Timms) is introduced to a wider world than the one she has known, albeit one that still seems small to us.
Finally the trilogy ends with Candleford Green. Laura has left home to live in the village, where she works in a post office for Miss Lane a friend of her mother’s. Though more progressive than Lark Rise, Candleford Green is still quite old-fashioned at the beginning of the book, but the changes are starting to be felt.
Miss Lane is an appropriate guide for the young Laura here. She is a strong woman in control of her world, used to benevolently ordering her employees around, and happier reading Darwin than going to church. She would also have made a good blacksmith.
Laura is herself part of the new modern way of thinking, though the older Laura has one eye indulgently on her past life. Laura adopts the new fashions, and shares her parents support for the Liberals. Later she will be interested in socialism too.
Unlike Miss Lane, Laura will get married, but that lies outside the events in this book. She shows a little interest in males for the first time, but does not fall in love with any. In this she shares her mentor’s love of independence. Laura will also take on jobs that are not considered feminine such as delivering mail herself.
After all it is not only Candleford that is changing. Laura is maturing herself and becoming a young woman. She wishes to read her own books, even those considered shocking. She will eventually take a job somewhere else, rather than follow in Miss Lane’s position.
It will be a long time before women get full rights, but little things such as the proliferation of bicycles will give women more freedom to be out of the house. No wonder men originally opposed the idea of women riding bicycles.
Meanwhile Candleford is starting to change from being a village to being part of a small town. The traditional industries and activities are dying out. There will be fewer specialist workers, and no more spending almost an entire day making a jelly. Soon it will be a world of cars and urbanisation and modern warfare.
As with other books in the trilogy, Candleford Green is sometimes referred to as a novel. While Laura is a fictionalised version of Flora, and the locations are composites of areas local to Thompson’s upbringing rather than real places, I think it would make more sense to view the books as non-fiction.
Indeed viewers of the television series may find the books disappointing. There is no storyline here. It is merely a description of a way of life in late Victorian Britain. Few events happen, because very little did happen in such communities.
The pleasure for the modern reader is somewhat hard to place since nobody who was brought up in the world of Thompson’s childhood is alive today, so the books do not have nostalgic view.
They may appeal to people with conservative or reactionary values who think that this is how life should be today, but this is ironic since Thompson had more progressive opinions, and views the old-fashioned values with affectionate irony.
For me, the appeal of Candleford Green lies in the quality of Thompson’s writing, and her ability to lovingly evoke a world that may be lost forever and rightly so, but which had many good qualities too.