Howard Bryant has been a thoughtful, incisive writer and commentator on sports and American culture for years. Journalist and author, Bryant may be best known for offering incisive, no-holds-barred takes at the end of ESPN's old talking heads show, "The Sports Reporters." With "Full Dissidence," Bryant returns to book form with a collection of essays and observations about America as revealed in the world of sports and also by the election of Donald Trump to the White House.
As one might expect from a thoughtful Black sportswriter in a book subtitled, "Notes from an Uneven Playing Field," Bryant has a lot to say about race in "Full Dissidence." As a product of Boston's heavily segregated neighborhoods, Bryant has seen racism in action his whole life but America in 2020 offers a lot of food for sharp thoughts. Bryant sees an America still at war against Black Americans, where White Americans are the "owners" and racial minorities are "renters" (and he extends this to White women who are often treated as renters by White men, but who in turn can also treat minorities as renters.
In this collection of essays, Bryant brings a lot of factual evidence to support his claims. And like all collections of essays, some are more persuasive than others. I particularly enjoyed his indictment of America's hero culture, where we fawn over celebrities like Lebron James, Bono, and Jay-Z for acts of impressive philanthropy. The problem with this is not the heroes, but with our willingness to have a culture where these acts of heroism are necessary. Instead of cheering a rich celebrity who gives a car to a teacher, why don't we pay all teachers enough so they can afford to buy a car?
Others are less successful. Bryant goes to some length in his critique of tennis player Madison Keys, who at the ripe old age of twenty told The New York Times that she didn't want to identify as either Black or White (she is biracial), but instead, "I'm just me. I'm Madison." Bryant extrapolates a lot from this statement along with Tiger Woods' identification as mixed race but, as far as I can tell, he does not appear to have interviewed Madison Keys herself. It seems to me that if an elite athlete who is not yet old enough to buy a beer but is striving to become one of the best in the world at her craft (Keys is ranked in the Top 25 in the world consistently) would rather avoid the stress of waging into America's unwinnable racial debates, that's fine. Bryant is a writer - his job is to write and think - so we should expect him to deal with the big issues of the day. Keys, at 20, is entitled to a little more leeway than Bryant appears to grant her.
But this is a blip in an otherwise sterling book - Bryant is angry but it is a calm anger, one that (for the most part) focuses his pen and makes you appreciate his sentences that so often use just the right word at the right time. Highly recommended.