I thought my disappointment from this book steamed from it's misleading premise, but in rereading the jacket I see the confusion was all mine. This is a book about an upperclass woman living in Beijing and Delhi whose husband's job affords her to pay for childcare and other support at home while she writes the same book (still unfinished) for 4+ years. The first part of the book explains how she came to and adapted to this lifestyle and read more like a memoir of a woman adapting to becoming a mother- adjusting to life with a newborn and life without a job (a particularly significant adjustment when you consider that she previously worked as a traveling war reporter). The second part finds her in Delhi with two children and a homelife that is operating more smoothly; it focuses most on the personal dramas of her two domestic workers, and her sporadic but significant involvement in it. The final part is the crux of the book: she turns towards the three women who have worked in her home and asks about their lives and whether she may write about them. Here the jacket embellishes a bit, suggesting she "turns her journalistic eye" on the difficult choices the women in her household have made as working mothers. But there's not much journalism here. Xiao Li, from China, allows Stack an interview but not a peak into her own world (Stack notes the meeting places Xiao Li suggests to be places Stack herself would be comfortable). Mary, from India, spins so many different stories Stack can't be sure which, if any, are true. But rather than investigate she lets them all go when her mother astutely asks, "do you really want to take her stories away from her?"- proving why journalists typically keep a professional distance from their subjects. Only Pooja lets Stack into her life, bringing her to the village in which she grew up and speaking honestly of her current struggles- whether she should marry a man she met online who comes from money but is a recovering drug addict. Stack cannot get around the power dynamic between herself and these women, even when she assures them she wants to. It reminds me of what I tell new managers in regards to "befriending" their employees: you will always be their boss. You may want to and possible even can put that aside yourself but they do not have that luxury and you cannot forget it. That power dynamic will always be in play. It seems that Stack, a fantastic reporter but perhaps never before a boss, learned that here. Or maybe she didn't. Perhaps if she realized that these women wouldn't let her in in the way she wanted she would have also realized there was no book here- no book without glimpses into their true lives. Because of this the portion of the book about these women becomes a book about the women through the perspective of a rich white observer which, what's the point? Do we need another of those?
I guess that, ultimately, I was hoping for more. More research, more generalities, more perspectives, more history, sociology, etc and certainly less specificity about the author's daily routine and the minutia of just three domestic workers. I thought, perhaps, Stack would be investigating this global phenomenon (wealthy women "having it all" by working full time with small children, necessitating the employ of less wealthy women to do their domestic work while leaving their own children, and on and on) rather than writing about its playing out on a small scale in her household. If that's what you, too, are looking for that is not this book. Hopefully it will be written someday. I'd even read it if it was written by Stack, whose accolades attracted me to Women's Work initially (Pulitzer Prize finalist in journalism) and whose writing powerful enough so as not to turn me off from reading another book of hers- many lines in the book were poignant and beautiful.
Some things I liked: Stack is brutally honest of herself, her husband, her help. She documents every unseemly thought, every questionable action. The book could not have been more real or unbiased if written by a third-party observer. Her husband fairs most poorly: she specifically notes that the advancement of women is playing out in distribution of work at home, rather than in the boardroom, but she doesn't rectify this in her own home; her husband doesn't know where diapers or thermometers are kept. She speaks honestly and directly about the challenge of involving partners in the work in this fantastic passage below, but doesn't rise to the challenge. She could perhaps write an entirely different book about involving your husband in domestic labor- despite her decries that this is the answer she does not apply her own advice within. Another reviewer said, "Regardless it was weird to read a book that should have been largely a critique of the patriarchy instead be a woman's justification of her own ways of playing into it." I couldn't agree more.
"But of course these stories are not only about women-they also scream the reality of men who manage to duck not only the labor itself, but the surrounding guilt and recrimination. All those well-meaning men who say progressive things in public then retreat into private to coast blissfully on the disproportionate toil of women./ In the end, the answer is the men. They have to do the work. They have to do the damn work! Why do we tie ourselves in knots to avoid saying this one simple truth? It's a daily and repetitive and eternal truth, and it's a dangerous truth, because if we press this point we can blow our households to pieces, we can take our families apart, we can spoil our great love affairs. This demand is enough to destroy almost everything we hold dear. So we shut up and do the work./ No single task is ever worth the argument. Scrub a toilet, wash a few dishes, respond to the notes from the teacher, talk to another mother, buy the supplies. Don't make a big deal out of everything. Don't make a big deal out of anything. Never mind that, writ large, all these minor chores are the reason we remain stuck in this depressing hole of pointless conversations and stifled accomplishment. Never mind that we are still, after all these waves of feminism and intramural arguments among the various strains of womanhood, treated like a natural resource that can be guiltless plundered. Never mind that the kids are watching. If you mind you might go crazy./ Cooking and cleaning and childcare are everything. They are the ultimate truth. They underpin and enable everything we do. The perpetual allocation of this most crucial and inevitable work along gender lines sets up women for failure and men for success. It saps the energy and burdens the brains of half the population./ And yet honest discussion of housework is still treated as taboo." On her husband's return to work after 2 weeks paternity leave: "Where did [he] think he was going? I had no reason to be surprised. ...we needed his job. Our domestic existence was balanced on his job. Who knew better than me? Yet, there I was, holding the baby among the dirty breakfast dishes in a domestic vignette straight out of the 1950s. It was atavistic, but it was happening. There we were, the son of a single mother and the feminist daughter of a feminist mother, re-creating the same old scene."And this, in the prologue: "...housework is seldom considered as a serious subject for study, or even discussion./ This is an injustice on a grand scale, for housework is everything. It's a ubiquitous physical demand that has hamstrung and silenced women for most of human history. I'd love to believe the struggle for women's equality is concentrated in offices and manufacturing plants, but I've become convinced that this battle takes place, first and most crushingly, at home./ When we are saddled with disproportionate work at home-and studies show that virtually all of us women are, particularly during child-rearing years-we are too embarrassed to say so out loud. We don't want to complain. We don't want to tax our romantic partnerships. And, in the end, we stand to be blamed. The fact of this disproportionate labor is further evidence of our incompetence. We didn't chose the right partner (we are foolish), we didn't stand up for ourselves (we are weak), we were outmaneuvered in our own homes (we lack tactical skills). It is proof that we are not sufficiently devoted to our children or our careers, depending upon who's doing the judging. It is proof-and there is ever more proof-that we ourselves are not sufficient." (In re-typing this I wish that Stack had written a concise op-ed instead of a book).
Which brings me to one of my biggest criticisms, one of the things I struggled with most here. Is she trying to be a writer or is she trying to be a full time mother? The majority of this memoir (and that is what it is- not a book about domestic work but a memoir) can be defined by the adage that "the man who chases two rabbits catches none". If she wants to write, if she identifies as a writer, if she has an agent and needs to actually get a draft in her agent's hands then she needs to get out of the house for a significant period of time each day and put words on paper. Instead she tries to write in snippets of time carved out at home- hoping a caretaker will take her child out of the house or that her child will magically forget she's in the next room. If she wants to work she needs to carve out time to work and explain to her husband that she is working, that she cannot be responsible for household tasks from 9-5. This is where I found her privilege to be most obvious and annoying: she admits to her privilege of hiring help (even to cook and clean- for the majority of the book she employs two domestic workers simultaneously) but she ignores her privilege of not actually having to work, while pretending to (if you make no significant progress on a book for which you have an agent for years at a time, are you a writer?).
Another piece of this I didn't like was how she describes the issue in such isolation. There are women like her who are upper middle class expats in poor countries and therefore can afford cheap labor and there are upper class women in the US who can afford the more expensive labor of nannies there. She seems to suggest this is it as far as domestic labor in your home. What about the middle class women in the US who participate in nanny shares? Or all the households in the US who employ part-time domestic work, such as cleaning or meal prep services? Where do daycares classify? What about the middle class families in poor nations who employ domestic help (I'm thinking of my husband's family in Peru) because it is part of the culture. She acts as if this is new: women working so other women can go to work, and perhaps it is for upper class white women or modern society in which we move nuclear families away from vast familial networks but, for many ethnicity and income levels the idea of needing help for your kids so that you may do the work required to feed them is nothing new.
And so we read on- and I did, because it was compelling enough. It had enough strong and honest passages that hit home. I too, am expecting a baby and walking away from a career- with the plan to return but who knows? I am at a crossroads and can create for myself a new identity, as Stack did. Must create for myself a new identity, as my life will radically change and society will create one for me if I don't for myself. As I work from home I, too, am struggling to balance chores with my husband: yes, I am home and have more flexibility, no commute, but no I cannot be the sole homemaker as I am still employed. And if I wasn't, how much should I take on? Where do you draw the line? How do you distinguish between this being a temporary division of labor based on where we are in our lives at this time or these are the habits that will shape our entire existence from hereon out? But I am projecting. I would have liked to read that book too, a reckoning between Stack and her husband, but that is not this book.
This book is a memoir as one woman learns to transition to motherhood as a stay-at-home, work-at-home mom. Who uses cheap domestic labor to do so. Who has to learn to become a boss in her own home. Who eventually wonders about the women she is spending so much time with. Then it becomes a bit of a memoir about them as well.