After reading the blurb to this book, I was immediately drawn into Shannon Condon’s narrative. The tale of a young girl, tragically orphaned and far away from home. Only one friend, the sole person in her life whom she can truly rely on. What’s not to like? More importantly, I couldn’t wait to see where the story would build from here. What struck me most was Condon’s decision to incorporate these events into the first few pages. With over three hundred and fifty left, I couldn’t help but worry about where the story would take me. Oh, how very wrong I was.
It was only a matter of time before I was immersed in the life of Condon’s central protagonist, Magdalena Curran. It is absolutely crucial for any author to foreground an engaging, but above all else interesting character right at the beginning of a plot. To my utmost pleasure, this was executed perfectly. Following the hopeless, innocent young girl transform into something much greater than herself is exactly what I expected to see.
Above everything else: I couldn’t help but find myself constantly asking the same question – where is the story building to? Yet I knew something was coming, through expertly placed tensions interwoven in scenes of peace and serenity. Like a Harlan Coben novel, the twists began hitting me left, right and centre. What started out as a simple boarding school romantic tale, morphed into a gripping espionage thriller. This change from one genre to the next was seamless, embedded behind a wealth of side plots and meaningful characters.
So, from the outset we have a great protagonist, Maggie. But any protagonist is only as good as the characters around them, defining the person they become and altering the narrative course for better or worse. Her best friend/boyfriend Graham, her confidante/roommate Sarah, and the psychopathic Eric are just a few of the characters intertwined in Maggie’s life. Each of the aforementioned personalities, alongside the later additions of her cousin Felipe and love interest Mateo, influenced and changed Maggie’s experiences, opening up new avenues for storytelling along the way.
However, whilst Condon’s narrative is, for the most part fast paced and well-constructed, certain plot points became lackadaisically abandoned in the pursuit of newer tales. Maggie’s best friend, Sarah, became a critical part of her development as the novel progressed; for Sarah, Maggie was the sister she never had. Because of this, it’s so unfortunate to see her suddenly disappear from the narrative. For a character as prominent as Sarah I couldn’t help but wonder why she was no longer needed in the story, seen as she had been such a critical figure in Maggie’s school life.
Nevertheless, despite its rare, clumsy moments of haphazard characterisation, Condon’s novel remains a hit from start to finish. Her dialogue is natural and fluid, whilst her descriptions never overstay their welcome. But it’s this unwavering willingness to retain pace and momentum at every possible moment, which kept me turning pages for hours on end.
I received this book as a member of an ARC book pool, free of charge. Everything written above is my pure, unfiltered and unbiased opinion.