So the curse of the second volume comes back to haunt the authors again, no? I think there are two main reasons that lead to an author's failure to produce his post-start volume.... The first is the most obvious, anxiety and the fear of repressing himself, since it is in the first 3 volumes that the reader normally feel what the work plans to convey, so they are of paramount importance. The second is the big problem with the publisher, as it is very common to demand more work from new magazines that may have the potential to become famous or at least make a quick profit.
Hakomaria was another one of those affected and given how much the quality has dropped, I can really predict a double attack from these two sides...
First the quality of the writing... It's still decent, but the amount of metaphors drops drastically and it becomes a lot more boring conversation with a little logic, but almost no poetic license. Fortunately, when some visions and narratives are exchanged, especially between the heroes and villains, a poetry to walk sideways with human complexity is given to us and to close we have some wordplays in conjunction with such narratives, where they seek to make a certain joke. between lies and truths
In the end, the walk on this literary road was a little rough around the edges, but it served its purpose of guiding its reader without too many setbacks.
Oh, and the narrative... Damn, as much as it can benefit from the little game of "who is really the bad guy" that likes to oscillate between lies and truths and could really make a good complex game, but dude, this is rotten !
So, as if I were to be the fan that will throw this disgusting and greasy air, I will start throwing them to you in order to let the air around me ventilate in my favor.....
This very narrative between "heroes vs. villains" is flawed. The lies are extremely obvious and unfortunately they were not purposely put there, as a parody to show ridicule. It has reached a point where 90% of the revelations are almost all predicted by the reader. It was such a ridiculous level that I was able to figure out who was responsible (I believe almost everyone predicted it) in less than 50 pages of reading. This means that the author puts the reader in a level of knowledge MUCH higher than the characters and he seems to underestimate us so much that it works similar to the cliché shounen story of the villain (author!?) underestimating the protagonist (Wait... READER!?) even that we pulled his foot off his pedestal...! And you know what annoys me the most!? That this should NEVER happen and it seems as unrealistic as fire putting out water, but guess what, this theoretical piece fits perfectly into this runaway volume, like trying to shove a square into the place of a circumference only to find it was so misconfigured that they fit together. , even though they shouldn't!
The interesting thing about volume 1 was how much he could take a cliché concept and expand it infinitely until he got the number he needed and sometimes even managed to get rid of the number bubble of complexity, like the fight between real and complex numbers
But in this volume, as much as it has some creative aspects, nothing can overcome how erroneous its script and narrative is.
And now I feel I've pushed that putrid air away a little, I can breathe the oxygen better and get my mind to work... So I close my fan and put it to my lips, like an elegant lady with her seductive voice giving her verdict manipulator. I say this because do you remember how I said that the author expands the infinite concept until he reaches the result he seeks? Well, it seems that he managed to achieve something, even if he took other undesirable numbers with him, such as pulling a specific garment from the pile and ending up lifting other undesirable ones on the way, most likely because of his haste (As I said before, anxiety or would it be the publishers?)
The narrative revealed to us the complexity of the villains and their motives amidst several obvious lies.... See how the author can use good poetry again in the midst of despair or how to generate a good feeling of empathy, really made me happy, even though the real characters were weak
Oh, and it looks like I'll have to go back with my fan..... This rotten smell could only be eliminated with a strong detergent, but I'm a stubborn person, so I'll keep expelling this nasty air as I go along.
And the characters... Talking about them, it would be nice to also talk about how much the script forces them to become idiots. Don't get me wrong, I'm pretty dumb, but Hoshino is a yellow monkey that escaped from the zoo and is heading towards extinction driven by his own idiocy.
You see, the script tries to force a kind of interesting tension that touches on several limitations, but poorly realized, since the problems could be solved much more easily, even in the midst of despair. In the same way that the heroes, or rather Hoshino, forgot simple things and reasoned like a naked ass orangutan, certain villains of this arc had the complete ability to prevent certain actions or events, but they don't.... I understand that many works like to do this, but the question in particular pissed me off here as I was deeply annoyed about how much they pushed the bar for the script to proceed.
In the end, we had more negatives than positives and the ending was too disappointing. To sum it up without spoilers, the author subtly builds on the invigorating power of "everyday" and makes some settings for it and he really tries to take a deep path to it, urging the reader on the depth of the problem, but.... IT IS SOLVED FROM A COMIC AND TOUGH WAY!? This is cruel, so cruel that it seems to laugh at everything Hoshino was protecting! I understand that here he was an idiot, but this is still cruel and pointless! The author decides to solve his seriousness with a harem!? HAHAHAHAH! I am getting crazy!!!!!!! It is as if an extremely melancholy end of a dramatic play turns out to actually be a dream of the protagonist!!!!!!! RIDICULOUS!
That said, I still don't think it's a bad volume, even if it has the aesthetics of one, because...... I could appreciate SOME logical decisions in the script and the kind of mystery developing with ongoing illustration work in relation to the narrative and decent writing. And surprisingly I really liked the philosophy here and the setting..............
After all, what defines who you are? Your actions? The people around you or your heart? If it's a paradoxical question, what conflicting resolutions does it cause?... It's as if you were Schrodinger's cat, the observed. The box delimits its carcass, the observer is those who don't know anything but still try to guess its state from the inside, even without any scientific basis. You are the experiment, the greatest scientific basis of the paradoxical theory, but that does not demarcate any fact, you only open the possibility of speculation, since you will never be able to get rid of the box, no matter how hard you try.
The most significant affirmation comes not from the world, but from yourself. You can be right or wrong, this is the paradox of a box that will never open, but that will still try to provoke the people around you to notice your state.
The author doesn't come to any conclusions here, but still shows his work as a questioner by presenting common terms in our day to day used in a more somber way, which seems to resonate well with Hoshino's "everyday" aspect.
EXTRA COMMENT... In this volume the author did not know how to coordinate the beast of literature. It was like a beast tamer putting on his show at a circus...... He underestimated the enemy and sinned by showing his fear and insignificance in the midst, proving to be easy prey. He was caught by the creature and had his arm ripped off... Now it is the author's duty to pick up the brush in order to fix his mistakes, even if he has lost a part of himself and the respect of the audience