June Hur got my attention with THE RED PALACE, and I've finally got around to reading one of her earlier novels, THE FOREST OF STOLEN GIRLS.
I liked this book a lot, although I don't think it's quite on the same level as RED PALACE, just in terms of craft. But, so much of what I loved about THE RED PALACE is fully on display here: we have a good, old-fashioned detective story set in historical Korea, featuring a determined young heroine, a fascinating slice of Korean historical context, a steadily-simmering plot, and complex, mature themes that examine Korean culture and gender roles. By the end of this book, as by the end of THE RED PALACE, an individual monster has been defeated, but the characters - and the book - still recognise the enormity of systemic injustice that remains.
Unique to this book is the central relationship, which wisely eschews romance in favour of complex familial relationships - sisters, fathers, and daughters are at the centre of this novel in the most poignant and resonant ways. I also loved learning a little more about Jeju Island and also the historical context, in which the Ming Dynasty in China demanded a tribute of beautiful Korean girls for their imperial harems. And, as always, I'm in awe of the ways in which Hur - a westernised, Christian author writing fiction set in a world of Confucianism and shamanism - treads delicately in critiquing what needs to be critiqued while also honouring historical accuracy and the essential humanity and worth of the historical characters she writes.
Splendid fiction, the kind of YA I'd highly recommend for actual young adults, and a vivid window onto historical Korea - long may June Hur reign.