Although I'm not an actor, I thoroughly enjoyed this book. While it's fun to read literary criticism of Shakespeare, there's really nothing like learning the thoughts and ideas of the people who have to get out there onstage and do it. York and Brine both have plenty of experience, and when they share techniques and methods, it's never abstract; this is practical, sensible advice for making productions clear and effective. If you're into Shakespeare at any level, you'll really enjoy it.
Great perspective and a good companion for any “Shakespeare Nerd” (a loving label), but a bit terse and at times slightly tedious. If you have no experience with Shakespeare, this is a tough place to start. It’s probably more suitable for someone who has at least some basic understanding, has read at least a few of the plays, and seen enough performances (or been in a few) to understand the references and have the motivation and discipline to get though this book.
Read for Shakespeare related courses and in conjunction with my English History studies. Overall, I found this work of immense interest - a good work for the researcher and enthusiast also. An interesting addition for those who have read Michael York's autobiography. I found this work's contents inspiring - number rating relates to the book's contribution to my needs.