I received a free copy in exchange for an honest review.
4.5 stars.
Despite my best efforts, I still am not a fan of time-travel stories, but like to read outside my usual tastes once in a while, especially when fairy tale retellings are involved. But, in this case, the tale retold is one that, like time-travel, has never been one I cared much about.
With these big hits against, you'd think I wouldn't enjoy Rachel Huffmire's Spinning Briar. Surprisingly, I did, and all thanks to the original plot premise and handling of it. In the Mirror Chronicles series, of which this is the second installment (of hopefully many to follow), the overarching story arc is that, in the near future, time-travel is possible and would be as common and effortless as booking a flight to the Caribbean and hopping onto a plane that lands you there in a bit, if it weren't highly surveilled and under the iron grip of the International Time Travel Agency (ITTA), an agency in charge of exploiting the perks of time travel for entertainment & money value as well as acting as a police force to hunt down rogue travellers going through history on unauthorised trips for reasons of their own that don't necessarily match ITTA's goals. The most elusive and dangerous of these rogues is The Mirror, introduced in Shattered Snow as the villain.
Or is he? Charul Shazad, the son of ITTA's director, newly disgraced for his actions in the previous book, is going to find out all he thought was true is far more complicated than he expected. Desperate to restore his reputation and be allowed to time-travel again, he illegally takes a trip to the past to catch The Mirror and bring him to justice, only to end up stranded in a creepy forest in 12th century France, in the middle of which he'll find Château de Benoit, the castle of Sleeping Beauty, and is forced to play Prince Charming to throw a wrench in The Mirror's plans for the duke's daughter living in a time-altered dimension.
I loved the ways Huffmire found to match the original fairy tale's elements with reinterpreted versions of them, like the faeris as equivalents of the fairy godmothers, a renegade programmer as the grumpy fairy who utters the curse, a time-altering device as the spinning wheel, kudzu as the forest of thorns protecting the castle, and more that I can't describe without serious spoilers. And I also liked that The Mirror's plans aren't the villainous schemes everyone at ITTA thinks but are instead complex and have ethical questions behind; they're not entirely right, but have nuances that makes you think, specifically the question: do you leave people from the past to die horrible deaths just because the law says you mustn't alter the timeline? If you have the means to save them by altering their fate through time-travel and time-manipulation, do you use those means or turn your back on them knowing they'll die? Not easy questions to answer, as Charul has to grapple with in order to find his way out of the mess.
The fairy tale nerd in me also appreciated the explanations they came up with in-world for how fairy tales came to exist in this world, linking them to time-travel, and the inclusion of famous tellers like Jacob Grimm, Charles Perrault, and Dorothea Wild (Wilhelm Grimm's wife) in different yet not quite that much different roles.
As an aspect to note for improvement, I'd mention that the use of French here isn't always correct; there's mishaps with the gender of pronouns. And a bit of more thorough editing, too, because some things seem to have escaped the editor. Otherwise, the writing is well-paced and the storytelling is tight. I'm now looking forward to future installments, and crossing my fingers that next tale Huffmire retells will be Beauty and the Beast, my favourite.