Here we go again, another jump in to the world of The Terrifics. It's kind of cool, keeping in mind that it's a straight up Fantastic Four homage? Parody? Slavish copy? I don't know. They don't try to hide it here either, with the introduction of the main secret villain who bears no small resemblance to Doctor Doom. Yeah, having Tom Strong come into the story is awesome sauce. Those characters are aces and should be used by Alan Moore more. -sighs- Alas, he's done with superheroes and likely comics forever. No use mourning what we've lost, let's be glad for what he left us.
But back again with The Terrifics. The artwork IS NOT all by Dale Eagelsham as they'd have you know on the cover. Neither does Tom Strong join the team permanently. Dale does two issues, which are awesome, and Viktor Bodganovic whose art style is very similar to Batman artist Greg Capullo does a few too. Then they get Jose Luis and Joe Bennett. Of them all Bennett's work is the weakest in my opinion. There's a few things slightly off about it, but it tries very hard to be like Eagelsham's style and it fits in with the book, it's a few panels here and there that show how weak it is and maybe some of the compositions and all of how Phantom Girl looks. Sorry. So artwise the book doesn't suffer really. All of these artists are competent and they show the story well.
It is however, when we get into the story that we delve into why this was a good, interesting run, and not something more dynamic and great. For one, we deal with the whole Tom Strong thing way too quickly, and easily. The villain is a surprise character, but again he quickly devolves into a parody of Doctor Doom, which takes away all his menace. Then there's the whole, out of nowhere the reason we're stuck together disappears. That was just dropped for no reason, when it could have come in handy as a way to keep them together. Yes, it serves in the story to show that they aren't artificially "BOUND" together but that they can be together if they want but really, this could have waited until later in the run. Then there's the whole Rex Mason is cured, again out of nowhere with no cost and for no reason and here we go. Then having gotten what he wanted Rex realizes it's not what he wants. Seriously? I mean . . . wtf? You didn't have to give up being an adventurer just because you lost your powers? Hell he could have gone on a mad quest to find new powers or just tried to be an action hero with no powers. But no. At the first sign of happiness he runs back to being a freak hero. Annoying, and didn't see that one coming -yawn-.
Jeff Lemire is a good writer, he really is. He could possibly be one of the greater ones, but not with work like this. It just seems phoned in. What possible reason is there for the whole Fantastic Four whatever it is, if isn't to a purpose? Marvel already did it better. Does it better, so why? Thankfully by the end of the book there are new members and this is done with. What with Dreadful being sent away. But here again, more wasted opportunities. Tesla cameos in the last arc, and there's a page of the House of Heroes. If this was going to be such a multiversal book, why not more interaction with the House of Heroes? Strong Bunny and Captain Carrot should have met. There were so many wasted/missed opportunities. Especially in a book not beholden to Batman and the continuity of the general DCU. So either Lemire phoned it in, or editorial were just a bunch of party poopers. The stories are good, but they lack anything we've seen in comics, or any new way of doing the same old things which sadly just makes them good when they might have been great.