As a lifelong Trekker, I have eagerly snapped up any Trek related material I could find. Jacobs-Brown publishers, who must've seen me coming from a long way off, emailed me about Walter Koenig's updated biography. And--if Ii ordered by a certain date--I could have an AUTOGRAPHED COPY. I already had Koenig's autograph, but see first line. Order early I did, the volume arrived, and there is Koenig's signature on the title page. As Spock once noted, "Having a thing is not quite as satisfying as wanting it. This is not logical, but it is often true." To tell the truth, I was just as content to own it as I was to plan to read it--but then I gave in.
I think this autobiography should be required reading both at Starfleet Academy and at all university drama departments. Stars like Shatner and Nimoy, and Stewart and Spiner, and Brooks and Mulgrew and Bakula and Martin-Green, have all enjoyed momentous careers that have given them exposure to (and, presumably, lucre from) non-Trek audiences. Walter Koenig's experiences likely mirror those of other marginally successful actors with a lifelong resume of irregular, supporting roles. From his humble upbringing in a suburb of New York City, he writes of a childhood/adolescence riddled with more than his share of insecurity and uncertainty. His difficulties plagued him all the way through college, whee he earned a degree in Psychology but approached the profession with diffidence.
Koenig had some notable moments. Although he gives it only passing mention in the book, his interrogation scene in Star Trek IV was among the brightest highlights in a film loaded with them. His memories of his turn as the sinister Alfred Bester on the sci-fi hit Babylon 5 evoke a warm glow. But the stardom that came so easily to the likes of Shatner eluded Koenig. He tells of promising projects abandoned by indifferent casting directors, producers and distributors, and assurances unfulfilled by agents and executive producers. As a performer, he resigned himself to accepting low-level roles in films that had to scramble for backing and for distribution.
Also, Koenig is an accomplished writer. One can sense his great pride toward his written works--and his equal disappointment, like a father who must watch potential fade away in one or more of his children, that few of his works have ever been published. Speaking of fatherhood, Shatner and Nimoy have written extensively about their respective families. But other than frequent and enthusiastic kudos to Judy, his wife of over fifty years, he pointedly does not discuss family life until the very end, and in little more than a passing mention at that. This is not a criticism; it is a fact. He does address the passing of his son Andrew, but he gives no details, nor is he required to do so. I would like to believe that I do not by nature require salacious details about such a personal matter. I also would like to believe that the devout Trekkers who will serve as the main audience for this book will not require them either.
So why four stars out of five? Why such a high score for a book that sounds so downtrodden in tone? Well...I had once had show business aspirations, and I have enjoyed great success...on a local level. Walter Koenig sounds like a much more successful version of me. He notes with regret his errors in judgment and his prima donna moments. He recounts with relish the high points that he has managed. And he does it all ruthlessly but with shrugging good humor. It has not always been an easy life, but it has been a good one, and he has managed to wring every drop of triumph from his successes. His retelling is honest and disdains self-pity. I have heard Walter Koenig speak at conventions, and he is engaging and self-deprecating without false modesty. He is the same in these pages as he is on stage.
One warning for Trekkers: Other Trek actors have sensed that readers will be hungry for tales from behind the Trek scenes, and they load their autobiographies with anecdotes that many of us have paid thousands of dollars to hear over and over in Las Vegas every early August. Koenig gives such anecdotes their due, but this is NOT a book in which readers will be immersed in little known Trek lore. As the title suggests, this is a tale of life before and after Star Trek, an average American life in an atypical American profession, and it is as good as such a story can be.