Marcel Pagnol’s books and plays were some of the first stories I fell in love with. This man had a gift for storytelling, clever and powerful dialogues, and tender, bittersweet humour. I recently found a copy of “Marius” in excellent condition at a used bookstore, and got my hands on the newest film version (2013), directed by Daniel Auteuil. I know the play by heart at this point, but it never fails to transport me, make me laugh and cry – sometimes both at once!
One characteristic of classics that I particularly love, is the ability to make the seemingly small lives of ordinary people feel epic in scope and timeless. Pagnol is one of those writers, just like Dickens (another favorite of mine) who can show you the events that took place in a tiny working-class neighborhood over the course of a handful of weeks and make them feel as grand and universal as any Shakespeare or classical Greek play. The “Fanny Trilogy” (originally known as the “Trilogie Marseillaise”), of which “Marius” is the first episode, is theatre of that monumental caliber.
The story of “Marius” is about the bond between a father and his son, the violent intensity of first loves and the irresistible urge to get away from home and see the world. Our titular character is twenty-two, lives and works with his father César, owner of the Bar de la Marine, a café in the Old Port of Marseilles in the 1930's. Fanny is eighteen, she runs her mother’s seashell kiosk in front of the bar. She and Marius have loved each other all their lives, but he has never said a thing to her because he is also in love with the sea: the great expanse of blue teasing him from just outside his window, and the wide, unexplored world it promises to him. He lives tortured by the knowledge that he must one day make a choice: leave and break both his father’s and Fanny’s heart, or stay with them and spend the rest of his life longing for adventures beyond the horizon.
Pagnol’s love of his native city transpires through his writing, as usual. His deep affection for the people of Provence, their very peculiar humour and quirks brightens and elevates the story of the daydreaming barman into an ensemble play that makes you feel like these characters are your friends, that you share a part in their story. The cast is colorful and endearing, from the grumpy bar owner César to the hilariously sweet Capitaine Escartefigue, it is impossible not to love every single one of the players in this tragi-comedy. Fanny is an exceptional character: head-strong, passionate and incredibly giving. The sequel is more focused on her character and develops it further, but already in “Marius” we see a young woman with incredible inner strength and resolve that understandably captured Marius’ attention. The dialogue can go from hysterical to tearful in a matter of seconds, and no matter if it is funny or sad, it is always brilliant and touching.
When I visited Marseille, I went to the Bar de la Marine in the Old Port and drank a couple of pastis there: they have an oil painting of the card game scene from the original movie directed by Alexander Korda on the wall. The DVD of that original version is extremely hard to find, but should you come across it, do not hesitate, it is truly a masterpiece. As good as the newest version is, Pierre Fresnay, Orane Desmazi, Raimu and Charpin are simply unforgettable.
Reading “Fanny” immediately after “Marius” is a good idea, as it picks up literally moments after the first play’s conclusion, and it just as good, if not even better than its predecessor.