This biography of the great star of American Musical Motion Pictures from the mid-Twentieth century is a definitive biography of a man who shaped and perfected the art form while working at MGM in the 1940s and 1950s. Written with the cooperation of Gene Kelly and his family and friends and originally published in 1974 and updated in 1984, Clive Hirschhorn’s biography of Gene Kelly starts off with an account of Kelly’s childhood in Pennsylvania where he learned to dance and, with his family, established himself as a teacher of dance and operated a dancing school. From there he got into other aspects of performance like choreography before dropping out of law school and moving to New York City, where he became a prominent performer on Broadway. It was there that he attracted the attention of Hollywood and was soon living in the Hollywood Hills and under contract to the studios (Selznick International at first, then MGM, and others).
In Hollywood, Kelly lived a charmed life, working and socializing with the likes of Charlie Chaplin, Louis B. Mayer, Marilyn Monroe, Debbie Reynolds, Busby Berkeley, Barbra Streisand, Judy Garland, and many others. This biography walks through his career movie by movie and it is full of insider gossip and behind the scenes information about casting, scripts, location filming, and studio politics. Hirschhorn is light on analysis but he does chronicle Kelly’s development as a dancer, actor, director, and script writer. I did not realize how many different roles Kelly had in the many films that he made, and there are many fascinating stories about projects that might-have-been but didn’t pan out for one reason or another. (Kelly nearly had a cameo role in ‘Lawrence of Arabia’, Jean-Luc Godard wanted to make a film with him, and Kelly was sought out as a director for ‘Cabaret’.)
The highlight of this book is the highlight of Kelly’s career - the making of ‘Singin’ in the Rain’ - and it does not disappoint as far as behind-the-scenes making-of information. Hirschhorn interviewed many participants in that film, from Kelly to Reynolds to Donald O’Connor, and the story of the film's conception and making is almost as fascinating and wonderful as the film itself. While that film was the highpoint of the book and Kelly’s life, there were still many films to come, and while it is sad the way that the tremendous resources the studios made available for musicals dried up not long after that 1952 film, Kelly continued to work in films where he did less dancing and more acting and directing, including directing ‘Hello, Dolly!’ in 1969.
I wanted to read this book to learn more about Gene Kelly and the films he made, but I was surprised and impressed that it covered so much Hollywood history from the 1940s through the 1970s. It goes beyond Kelly and beyond musicals to give a rich account of the film industry beginning at a time when it held a prominent position in the entertainment industry, through the post-war years when the rise of television made competing for the entertainment dollar a life-or-death struggle for the movie studios. Kelly lived through it all and this biography puts his life into the context of the business changes that allowed him to reach his full potential and make a perfect film.