Expanding on the story of Colene, the suicidal teen from Earth, who falls in love with Darius, the Cyng of Hlahtar from another reality, and accompanies Seqiro, the telepathic horse from yet another reality, along with Provos, the woman from a reality where people only “remember” the future as opposed to the past, Fractal Mode is a work of “imaginative fiction” that is far more worthy of note than the attention it has garnered thus far. At first, I had thought that I was ignorant of the series but that other Piers Anthony fans would be in the know. Then, I had a copy of Fractal Mode sitting beside my computer bag in my faculty office and a colleague muttered, “I thought I’d read everything by him, but I never heard of this one.” See, I’m not the only one!
But why is this story worthy of note? I believe it is important because it offers strong female protagonists who don’t initially seem like they would be strong. The first novel introduced Colene, an early teen who struggled with emotional neglect from her parents and a dark secret of rape that caused her for feel dirty and suicidal. Fractal Mode introduces us to a beautiful, intelligent, artistic, and curious woman named Nona, who symbolizes the struggle between animus and anima in the most Jungian sense, as well as another young girl with every reason to give up because of suffering physical, emotional, and sexual abuse from her stepfather.
In a very unsubtle way, Anthony seems to be using this series to rage against the stereotypical male-dominant conquest versus female nurture paradigm. To be sure, the female protagonists have nurturing capacity, but they also have the ability to act boldly, take risks, and reassess their attitudes. This isn’t your typical fantasy novel set-up. Perhaps, that’s why my male colleague and I hadn’t heard of the series before. Then, again, maybe it’s because the covers for this series look like paintings left over from a “My Little Pony” advertising campaign.
Frankly, even though I comment about the childish, feminine nature of the cover art, there is nothing childish about the books. There are adult discussions and situations. These are not YA novels. These are well-hewn sculptures of social possibilities, some of which are downright insidious if they were implemented. This series is not designed as a female Harry Potter.
Fractal Mode explores the idea of the multiverse as a series of sets within a Mandelbrot Set. Anthony admits he was inspired by James Glueck’s wonderful non-fiction work, Chaos, and I was delighted because I found that book (as the newer The Information) to be incredibly insightful and useful. Indeed, much of the story seems to be a new assertion of the truism that things are necessarily what they seem. To illustrate that theme, consider Colene’s testimony about her encounter with one of Van Ghogh’s Arles prints. “I mean, I’m no painter, but I could do as well as that. I saw the guy had just spread bands of color sideways across the canvas, and then dabbed splotches of color on to represent flowers. He didn’t even try to shape them; they were just blobs. …I figured he spent maybe ten minutes on the whole thing.” (p. 217) And then, she confesses that, after looking at the painting a lot, her perception changed. “I caught a glimpse of it from afar, those splotches really did look like flowers: my imagination filled them in the way I thought they should be and it was better than meticulous detail would have been. …Maybe a critic would see only the quickly clumsy brush strokes and the places where bare canvas showed through, but a real person can see the garden and just about smell the flowers.” (p. 218) That little anecdote could just about reflect the theme of the entire book.
Fractal Mode is full of imaginative life-forms, strange cultures, and intriguing possibilities, but Anthony doesn’t sacrifice his characters or his story on the altar of world-building. Fractal Mode is a compelling enough story that I’m actively seeking the third novel, Chaos Mode. I just can’t believe this one slipped past my awareness until now.