💬”We all arrive carrying our flame with us. There are those who use that flame to light up the darkness, and there are those who use it to set fire to trees and people.”
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This slim novella is a haunting, lyrical tale that explores grief, belonging, and the persistence of memory. Narrated by a young Palestinian girl, Philistia, the novella artfully blends the magical with the real, depicting how those left behind continue to live inside us amid longing and loss.
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Philistia is a university student in the occupied West Bank who works part time in an Ottoman-era hammam in Nablus where she learned to wash women’s bodies, in life and also in death, from her most beloved deceased Grandma Zahia. In her spare time she writes to her father who is indefinitely detained in an Israeli prison. To cope with the grief of loss, absence, and the continuous destruction and uprooting of the trees and land around her, she dreams, while awake and while sleeping. In her dreams, she walks and talks with, Bayrakdar, a man from her Grandma’s time. In this dream-space, she finds the courage to discuss her innermost thoughts, fears, and wishes - words she is unable to speak in real life. She strives to process the generational trauma endured by her family and all the Palestinian people living under occupation and find ways to preserve their memories.
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Bsharat’s prose is poetic and delicate, gently transporting you between the real and magical worlds. The dead and absent loved ones may be gone and yet are ever present in Philistia’s daily life. The trees act as symbols of memory, renewal, and roots, offering solace in a world marked by instability. If you loved Piranesi or the works of Gabriel Garcia Marquez, then I highly recommend this slim yet powerful read.
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“People live inside their stories—inside themselves. We are all trees growing in the soil of the past.”
“Even the wind remembers the ones who are no longer here.”