Louis Cha, GBM, OBE (born 6 February 1924), better known by his pen name Jin Yong (金庸, sometimes read and/or written as "Chin Yung"), is a modern Chinese-language novelist. Having co-founded the Hong Kong daily Ming Pao in 1959, he was the paper's first editor-in-chief.
Cha's fiction, which is of the wuxia ("martial arts and chivalry") genre, has a widespread following in Chinese-speaking areas, including mainland China, Hong Kong, Taiwan, Southeast Asia, and the United States. His 15 works written between 1955 and 1972 earned him a reputation as one of the finest wuxia writers ever. He is currently the best-selling Chinese author alive; over 100 million copies of his works have been sold worldwide (not including unknown number of bootleg copies).
Cha's works have been translated into English, French, Korean, Japanese, Vietnamese, Thai, Burmese, Malay and Indonesian. He has many fans abroad as well, owing to the numerous adaptations of his works into films, television series, comics and video games.
金庸,大紫荊勳賢,OBE(英語:Louis Cha Leung-yung,1924年3月10日-2018年10月30日),本名查良鏞,浙江海寧人,祖籍江西婺源,1948年移居香港。自1950年代起,以筆名「金庸」創作多部膾炙人口的武俠小說,包括《射鵰英雄傳》、《神鵰俠侶》、《鹿鼎記》等,歷年來金庸筆下的著作屢次改編為電視劇、電影等,對華人影視文化可謂貢獻重大,亦奠定其成為華人知名作家的基礎。金庸早年於香港創辦《明報》系列報刊,他亦被稱為「香港四大才子」之一。
Likes 1. Twists -- always surprises me ; there are so many twists and turns that one can never guess all of them correctly 2. Language -- he mastered the chinese language well, writing in both prose and verse 3. Martial Arts -- so real at times that I'm quite tempted to take up martial arts 4. (bonus) -- he referenced a historical story which is moving. It also brings back childhood memories of how I felt when I first read that story -- anger, hatred, an impulse to demand justice for the victims. This is exactly what the protagonist feels and I think it helps make the plot more relatable to and believable for the reader. I particularly like it that he actually went to visit the monument where that historical event happened, to find out the details to that story. He explained in the footnote that the names and particulars of the event have been lost in time, so that the names, etc he used in the book is fiction. His efforts in paying the monument a visit and his frankness in admitting the particulars is fiction are pleasing. 5. Plot -- complexity of the plot is fascinating. His narrative is not straightforward. He always leave something out in each chapter, to be revealed in future chapters. Yet each chapter is self-sufficient, in the sense that each is capable of, and does, consist(ing) a full story. 6. Setting and characterisation / world building -- as if you are transported back into ancient China ; the way people talk, the way they dress, the way they move about tending to their daily affairs, the architecture, the food, and even the names of the people and places, and so on ; all of them are there, and this constitutes great world building, and believable characters
Dislike (Sorry, this is more of a thing with all of the author's martial arts books.) As always, the male protagonist is fancied by all the girls his age. And as always, the male protagonist fancies them too.