What do you think?
Rate this book
Of Blood and Bones: Working with Shadow Magick & the Dark Moon
Shadow magick occupies a critical role in the rich history of witchcraft, and it continues to draw strong interest from contemporary practitioners despite the limited information that is available. This book explores misunderstood topics such as ethically collecting and using animal parts and bones, blood magick, dark moon energy, hexing, scrying, dark deities, graveyard dirt, spells to assist the crossing of a dying loved one, and much more. With a strong focus on ethics, author Kate Freuler provides much-needed information and hands-on techniques to help you strengthen your life, connect to nature, protect yourself (and your kith and kin), and know yourself in a deep way.
312 pages, Paperback
Published July 8, 2020
314 people are currently reading
3105 people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 103 reviews
November 7, 2021
I was unfortunately disappointed in this book. It would have been fine if not for some issues that I find are rather large. First if you’re vegan and picking up a book with this title, I just don’t know what you’re planning on getting out of it outside of general curiosity, but in my opinion you cannot replace blood with beet juice; the two are not energetically the same. The author also says you can spiritually cleanse bones with methods that are known to degrade them and make them brittle which is irresponsible for the spirits residing inside. Another major issue for me is that the author presents workings from folk practices such as hoodoo but doesn’t tell you that’s where they are from. She’s either ill informed on the topic or willfully leaving out information. The constant renaming of practices also makes it hard for new practitioners to find other sources on the topic. This leads me to the ignorance regarding shadow work, she mentions it in the first chapter as a “spiritual practice” but the only real information you can find about it is in the foreword written by a different author. In my opinion, if you want to learn about the uses of bones and bodily fluids check out books on folk magic. For animals you can check out “Fang and Fur, Blood and Bones” by Lupa, but that can also be found in books on folk practices.
January 9, 2024
Large number of spell recipes, offers little that cannot be explained on the internet, cultural appropriation, pop psychology as feel-good witchcraft, poor occult ritual structure. (To be fair, this could be said about a LOT of books!)
This book is best suited for:
- People who are practicing but still beginners and have read at least one basic general book
- People who are really interested in the current dark aesthetic of witchcraft, for people who prefer to refer spells out of books rather than make their own from scratch.
- People already working within this type of spellcraft who can refer to the book for inspiration
So many people have written positive reviews about this book, so I'm clearly in the minority and have different expectations from what I read about magic. I find it tough to keep my biases from affecting my reviews, after all, magic is kind of a personal subject for us all! I'm just going to try to be upfront about them in case people like me are considering picking this book up.
One critisism I have is that I found the author contradicted herself often with her explanations and ritual recommendations. The "Dark" is described as this transformative process, but all the spells are about controlling, avoiding or getting over difficult life stages. You can't embrace the "negative" while fighting the "negative". This fundamentally flawed approach to the Dark Moon got in the way of me enjoying this book.
There are omissions that really disadvantage a beginner undertaking these practices.
For example, the author doesn't distinguish between dark moon energies and saturnian or martial energies. I find this omission to be a hugely unfortunate one. Perhaps the one thing I'm grateful to this book for is giving me the opportunity to reflect on what those differences are and really appreciate the dark moon as an independent force but also part of a great process.
This book seems to have what I can only call "bad occultism", presenting ideas without the context of where they came from or why they're done that way, which I feel cheats the reader. The rituals focus loosely on circles and elemental quarters which makes them Wicca-based or inspired, which is something authors should consider disclosing or clarifying, especially if you're not explaining why there is a circle or why elements are being called upon. The assumption is problematic.
The athame or black handled knife of Solomonic magic is half explained - it cuts energies, but it creates them too (the Work of Creation requires extraordinary boundaries.) Neither are to ever cut a physically manifest thing. This is also a tool of Solomonic magic integrated into Traditional Wicca.
This circle casting method involves no purifying and consecrating, no cleansing of the casters mind and body before invoking destructive forces, which is considered a dangerous omission in ritual magic - especially one that involves summoning destructiv forces into a circle.
(From another viewpoint, I would argue that a circle is arguably not even necessary - there are only elemental invocations, and we are never seperate from the elements. Still - either viewpoint ought to be clarified.)
The author presents working with the elements in their own most destructive order. Funnily, this matches the "creative"/universe forming order of the elements in the Hermetic Qabalah. Wicca is undeniably informed by the Hermetic Qabalah and Solomonic Magic via the Golden Dawn and Thelema. Calling the order "destructive" is oversimplifying and misrepresenting the system as something different and new, which it isn't. Also: The destructiveness of an element is highly subjective. People in tornado country probably worry less about forest fires; City dwellers worry about fires, but those who have them also know their sprinkler systems are far more likely to cause terrible damage.
Dark Moon Water doesn't make sense from a technical magic perspective. For lack of a better analogy, it's a double negative.
One ritual involves visualizing a dark circle at the heart. If a person is using this practice as a psychological self-help technique, it could be fine. From a different perspective, for anyone actively working with an a energetic body practice like Chakras or Tattwas or the Middle Pillar, this practice is arguably dangerous! Please don't do this one if you believe magic is more than just psychology or placebo effect.
Should a beginner book have to explain all these things? Do you need to know how a car works before you drive it? A little, yes, and the more, the better.
This book inspired me to develop some more personal practices, though I won't be using any from this book.
It wasn't all bad - I really liked the mind- mapping explanation as well as the explanation about what scrying can be like.
The one thing I can really get behind is that the dark moon, and its transition into the new moon, is an excellent time to be alone, and turn inward in one's spiritual work. One thing I'm grateful to this book for is giving me the opportunity to reflect on what those differences are and really appreciate the dark moon as an valuable part of a greater process.
This book is best suited for:
- People who are practicing but still beginners and have read at least one basic general book
- People who are really interested in the current dark aesthetic of witchcraft, for people who prefer to refer spells out of books rather than make their own from scratch.
- People already working within this type of spellcraft who can refer to the book for inspiration
So many people have written positive reviews about this book, so I'm clearly in the minority and have different expectations from what I read about magic. I find it tough to keep my biases from affecting my reviews, after all, magic is kind of a personal subject for us all! I'm just going to try to be upfront about them in case people like me are considering picking this book up.
One critisism I have is that I found the author contradicted herself often with her explanations and ritual recommendations. The "Dark" is described as this transformative process, but all the spells are about controlling, avoiding or getting over difficult life stages. You can't embrace the "negative" while fighting the "negative". This fundamentally flawed approach to the Dark Moon got in the way of me enjoying this book.
There are omissions that really disadvantage a beginner undertaking these practices.
For example, the author doesn't distinguish between dark moon energies and saturnian or martial energies. I find this omission to be a hugely unfortunate one. Perhaps the one thing I'm grateful to this book for is giving me the opportunity to reflect on what those differences are and really appreciate the dark moon as an independent force but also part of a great process.
This book seems to have what I can only call "bad occultism", presenting ideas without the context of where they came from or why they're done that way, which I feel cheats the reader. The rituals focus loosely on circles and elemental quarters which makes them Wicca-based or inspired, which is something authors should consider disclosing or clarifying, especially if you're not explaining why there is a circle or why elements are being called upon. The assumption is problematic.
The athame or black handled knife of Solomonic magic is half explained - it cuts energies, but it creates them too (the Work of Creation requires extraordinary boundaries.) Neither are to ever cut a physically manifest thing. This is also a tool of Solomonic magic integrated into Traditional Wicca.
This circle casting method involves no purifying and consecrating, no cleansing of the casters mind and body before invoking destructive forces, which is considered a dangerous omission in ritual magic - especially one that involves summoning destructiv forces into a circle.
(From another viewpoint, I would argue that a circle is arguably not even necessary - there are only elemental invocations, and we are never seperate from the elements. Still - either viewpoint ought to be clarified.)
The author presents working with the elements in their own most destructive order. Funnily, this matches the "creative"/universe forming order of the elements in the Hermetic Qabalah. Wicca is undeniably informed by the Hermetic Qabalah and Solomonic Magic via the Golden Dawn and Thelema. Calling the order "destructive" is oversimplifying and misrepresenting the system as something different and new, which it isn't. Also: The destructiveness of an element is highly subjective. People in tornado country probably worry less about forest fires; City dwellers worry about fires, but those who have them also know their sprinkler systems are far more likely to cause terrible damage.
Dark Moon Water doesn't make sense from a technical magic perspective. For lack of a better analogy, it's a double negative.
One ritual involves visualizing a dark circle at the heart. If a person is using this practice as a psychological self-help technique, it could be fine. From a different perspective, for anyone actively working with an a energetic body practice like Chakras or Tattwas or the Middle Pillar, this practice is arguably dangerous! Please don't do this one if you believe magic is more than just psychology or placebo effect.
Should a beginner book have to explain all these things? Do you need to know how a car works before you drive it? A little, yes, and the more, the better.
This book inspired me to develop some more personal practices, though I won't be using any from this book.
It wasn't all bad - I really liked the mind- mapping explanation as well as the explanation about what scrying can be like.
The one thing I can really get behind is that the dark moon, and its transition into the new moon, is an excellent time to be alone, and turn inward in one's spiritual work. One thing I'm grateful to this book for is giving me the opportunity to reflect on what those differences are and really appreciate the dark moon as an valuable part of a greater process.
June 24, 2022
I wanted to like this book because so many people recommended it. And I just didn't.
There were some cool spells and ritual suggestions. I think she gave a good, basic overview of bone-cleaning and blood safety.
Here were my problems:
-The idea that every witch with her salt has to do shadow work is just disgustingly false. Shadow work is NOT a witchy thing, it is a form of therapy stemming from Jungian psychology. If you want to do shadow work, get yourself a psychologist/therapist that specializes in this form of depth psychology. There are many different therapeutic techniques because there isn't one way that works for everybody. Shadow work may not even work for you.
-She talked about how darker deities are often demonized then proceeds to demonize them and pull her stuff from a Marvel fan page 🙄
-The victim blaming. Telling readers to have empathy for their abusers and that curses should only be used on an "overtly harmful, destructive beast of an abuser" but take a look in the mirror first cuz you might be the problem.
Overall, I wouldn't recommend this book.
There were some cool spells and ritual suggestions. I think she gave a good, basic overview of bone-cleaning and blood safety.
Here were my problems:
-The idea that every witch with her salt has to do shadow work is just disgustingly false. Shadow work is NOT a witchy thing, it is a form of therapy stemming from Jungian psychology. If you want to do shadow work, get yourself a psychologist/therapist that specializes in this form of depth psychology. There are many different therapeutic techniques because there isn't one way that works for everybody. Shadow work may not even work for you.
-She talked about how darker deities are often demonized then proceeds to demonize them and pull her stuff from a Marvel fan page 🙄
-The victim blaming. Telling readers to have empathy for their abusers and that curses should only be used on an "overtly harmful, destructive beast of an abuser" but take a look in the mirror first cuz you might be the problem.
Overall, I wouldn't recommend this book.
October 19, 2020
I found this one to be super interesting! Shadow magick isn't something I am overly familiar with, but I found that the author did a good job of giving clear instructions for spells , curses and hexes. As well as diving into some more unsavory aspects of magic. Quite an interesting read indeed!
*ARC provided by NetGalley*
*ARC provided by NetGalley*
August 1, 2023
El mejor libro de magia que he encontrado que te enseña el poder del lado oscuro de la luna y su belleza.
Cualquier bruja que quiera adentrarse al poder de su oscuridad debería de leer este libro.
Cualquier bruja que quiera adentrarse al poder de su oscuridad debería de leer este libro.
November 9, 2022
I did have issues with this book as someone who cleans bones and works with the dead for a living:
There's some inaccurate information in the cleaning process of the bones. Some of the steps provided don't do what they claim and are unnecessary and known to damage bones. Also, what's described is more time consuming and impractical for the average person. I actually shuddered at the idea of using a metal file on bones. HEALTH WARNING: Bone dust (filings) is not good! This is really bad for your lungs! Do not cut, file, or shave bones/antlers/horns without proper safety equipment and ventilation! And to suggest the average person should file and pick ("peeling and prying" as they called it) at the bones after chemically processing.... geeze. Seems very disrespect to the bones/animal to me tbh.
There is a lot of emphasis on safety for some things (that was sometimes overly cautious and unneeded) yet no warning for safety on things that really ought to have warnings (putting blood on porous surfaces like bone for example. The CDC would be very disappointed.)
I was glad that they mentioned to never boil or bleach bones, so at least there's that....But I'm not trying to give a whole bone cleaning lesson in a book review...
This book as a whole seems to be vaguely written without much research as many of the inaccuracies could be easily googled. I'm assuming this was geared towards a beginner who's at least read 1 other book?
There's mentioning of other practices and religions, but with no credit to the history or context of them. While I don't think it's the author's job to hold the reader's hand through everything, at some point you have to ask "Could my point have been made without including a vague reference to this practice/religion that I'm not prepared to explain to readers or maybe am not the best person to explain them?"
There's incorrect information about witchcraft elements as well. Familiars are not equivalent to a pet, for example. It has the distinct feel of an ex-Wiccan trying to go "dark" but still maintains the unfortunate issues of Wicca via appropriation without context.
There's a bunch of spells provided in this book. Which, honestly, might be about 40% of this book. Personally, not a fan of that, but I understand some people are.
I'm not saying the book was terrible, awful, and should be shunned. Just that it's to be taken more as maybe a source of inspiration? A "jumping off point", perhaps? But definitely do your own research, which you should be doing anyway.
There's some inaccurate information in the cleaning process of the bones. Some of the steps provided don't do what they claim and are unnecessary and known to damage bones. Also, what's described is more time consuming and impractical for the average person. I actually shuddered at the idea of using a metal file on bones. HEALTH WARNING: Bone dust (filings) is not good! This is really bad for your lungs! Do not cut, file, or shave bones/antlers/horns without proper safety equipment and ventilation! And to suggest the average person should file and pick ("peeling and prying" as they called it) at the bones after chemically processing.... geeze. Seems very disrespect to the bones/animal to me tbh.
There is a lot of emphasis on safety for some things (that was sometimes overly cautious and unneeded) yet no warning for safety on things that really ought to have warnings (putting blood on porous surfaces like bone for example. The CDC would be very disappointed.)
I was glad that they mentioned to never boil or bleach bones, so at least there's that....But I'm not trying to give a whole bone cleaning lesson in a book review...
This book as a whole seems to be vaguely written without much research as many of the inaccuracies could be easily googled. I'm assuming this was geared towards a beginner who's at least read 1 other book?
There's mentioning of other practices and religions, but with no credit to the history or context of them. While I don't think it's the author's job to hold the reader's hand through everything, at some point you have to ask "Could my point have been made without including a vague reference to this practice/religion that I'm not prepared to explain to readers or maybe am not the best person to explain them?"
There's incorrect information about witchcraft elements as well. Familiars are not equivalent to a pet, for example. It has the distinct feel of an ex-Wiccan trying to go "dark" but still maintains the unfortunate issues of Wicca via appropriation without context.
There's a bunch of spells provided in this book. Which, honestly, might be about 40% of this book. Personally, not a fan of that, but I understand some people are.
I'm not saying the book was terrible, awful, and should be shunned. Just that it's to be taken more as maybe a source of inspiration? A "jumping off point", perhaps? But definitely do your own research, which you should be doing anyway.
September 13, 2020
Overall, this book does a great job of breaking down shadow magick and working with dark moon energy. However, I went into this book hoping to learn a lot about blood magick and thought based on the title I would definitely do so. There is a section on blood, as well as other bodily fluid, but it was far shorter than other sections, say on bones. This book is more of a survey of using this energy and type of magic in your practice, instead of a detailed resource on specific aspects of shadow magick.
July 4, 2020
A very good book on controversial topics within the craft. The author approaches the topics at hand in clear and honest ways. The book gives ways to perform hexes, bindings, and other maleficent types of magic, and also gives you recipes on how to make death oil, death candles, witch salt and all manner of other things to cast the spells and rituals in the book. History and ethics are both discussed, and the author makes a convincing argument for the use of such magic.
This book may not be for the squeamish, but is an excellent book on a topic that too few are willing to discuss openly and honestly. I would encourage adding this to your TBR.
This book may not be for the squeamish, but is an excellent book on a topic that too few are willing to discuss openly and honestly. I would encourage adding this to your TBR.
May 16, 2022
I appreciate that this author didn’t shy away from the shadow and dark, but wish it’d have gone a bit deeper on these topics. It’s definitely a keeper for my collection, I just feel that outside of a sprinkling of (very) few authors, most only dabble briefly with the darker aspects of the craft while ensuring page after page of disclaimers and “but you do you!” Are prevalent in their books.
March 16, 2021
This book came to me at a time when I am searching and exploring my shadow. It is wealth of information exploring the dark and the benefit of embracing all sides of yourself and your magick. There is a lot of information which I found overwhelming so it took me a while to get through but I know this one will live on my alter to dive back into as I need it. Highly recommend this book, and exploring what is believed to be taboo. Being vegan, I also love that there options with what can be used in the spells.
June 6, 2024
3/5
We definitely need more books on the topic.
This book includes a disclaimer for many things, most importantly to not use any of this in lieu of professional help. It also includes a section for recommended reading and a (quite small) bibliography.
I haven't read many books like this. None with this depth, most barely touch on shadow work/dark magic and are mostly on the love and light side. Balance is so necessary and I feel like there's a lot of fluff. This book isn't without it's own issues that are seen in many other books (including the love & light ones).
"If you're reading this book, chances are you're familiar with casting a circle prior to rituals or spells". This assumption is based on Wicca and goes on to explain that you cast a circle to keep yourself safe while working with the dark moon energies. But very rarely does Wicca touch on shadow work as the Three Fold Law clashes heavily with it. It's a big reason as to why practitioners leave. I believe Freuler is in the same boat, saying: "I started off with the rule of three and harm none ever-present in my mind, believing that everything I sent out through magick would return threefold. However, over time, as I got older . . ., I started to see that things were not so simple, that it was not all fairy dust and white light in magick, life, or nature." (page 2, Introduction). She also ends spells with "So mote it be." That's textbook Wicca, and that's normal reasoning for distancing yourself. But when your current practice takes from what you know (Wicca), you should just come out and say it. You're Wiccan or ex-Wiccan and how it frames your current work. Circle casting isn't necessary in folk magic or other practices. It's like assuming you know how a Catholic Mass works because you've spent time in America.
I'll say this loudly: Wiccans are witches but not all witches are Wiccan.
So yes, it's important to know if you're following folk witchcraft, Wiccan witchcraft, or any other way. That ends my rant on witchcraft books turning into a hidden book about Wicca. Nothing against Wicca, just against lack of transparency.
I found it interesting to read about "destructive forms" of elements. I never thought about it like that.
The small bibliography gives me pause. There's a whole section on poppets or "voodoo dolls" but lacks the mention of its importance to specific practices and whether or not they're closed. There's zero mention anywhere of closed practices. Wicca is heavily reliant on do whatever you want! pick and choose whatever you like! And that's caused a lot of cultural appropriation, so it's nice have books address that. This one does not.
If you make your own spells, you won't like this. There's a lot. They include the chants and ingredients and there's plenty of them. I appreciate that and obviously your own created spells are better, but you have to start somewhere.
There's a lot of information here. I liked the section on menstrual blood and a slight little history of how it was honoured and also demonized. The section about cleaning bones was weird when it said to pick, file, and peel and pry them to clean everything off. Do we really want to file down bones? Are we wearing proper PPE? I don't want bone shavings/dust/particles in my nose and lungs. But are we respecting the spirit, the animal, the being by treating it like this? I don't clean bones, but I have family who do and they've happily let nature takes its course to clean it or used beetles and haven't needed to peel, pry, pick, or file anything. Maybe it's for smaller animals? I don't know. I wouldn't handle them like that so it was weird to me.
I do believe Freuler is passionate about balance and isn't afraid to work in the dark. I admire that. I respect the topic and the need for books on this topic. I didn't really like her voice, it came off like any other book, I suppose it lacked character. But I'm glad this book exists. I hope it leads people to find similar books, while also be mindful of a Wiccan slant and of closed practices.
I would buy this, but it's also a great library book.
June 5, 2024
We definitely need more books on the topic.
This book includes a disclaimer for many things, most importantly to not use any of this in lieu of professional help. It also includes a section for recommended reading and a (quite small) bibliography.
I haven't read many books like this. None with this depth, most barely touch on shadow work/dark magic and are mostly on the love and light side. Balance is so necessary and I feel like there's a lot of fluff. This book isn't without it's own issues that are seen in many other books (including the love & light ones).
"If you're reading this book, chances are you're familiar with casting a circle prior to rituals or spells". This assumption is based on Wicca and goes on to explain that you cast a circle to keep yourself safe while working with the dark moon energies. But very rarely does Wicca touch on shadow work as the Three Fold Law clashes heavily with it. It's a big reason as to why practitioners leave. I believe Freuler is in the same boat, saying: "I started off with the rule of three and harm none ever-present in my mind, believing that everything I sent out through magick would return threefold. However, over time, as I got older . . ., I started to see that things were not so simple, that it was not all fairy dust and white light in magick, life, or nature." (page 2, Introduction). She also ends spells with "So mote it be." That's textbook Wicca, and that's normal reasoning for distancing yourself. But when your current practice takes from what you know (Wicca), you should just come out and say it. You're Wiccan or ex-Wiccan and how it frames your current work. Circle casting isn't necessary in folk magic or other practices. It's like assuming you know how a Catholic Mass works because you've spent time in America.
I'll say this loudly: Wiccans are witches but not all witches are Wiccan.
So yes, it's important to know if you're following folk witchcraft, Wiccan witchcraft, or any other way. That ends my rant on witchcraft books turning into a hidden book about Wicca. Nothing against Wicca, just against lack of transparency.
I found it interesting to read about "destructive forms" of elements. I never thought about it like that.
The small bibliography gives me pause. There's a whole section on poppets or "voodoo dolls" but lacks the mention of its importance to specific practices and whether or not they're closed. There's zero mention anywhere of closed practices. Wicca is heavily reliant on do whatever you want! pick and choose whatever you like! And that's caused a lot of cultural appropriation, so it's nice have books address that. This one does not.
If you make your own spells, you won't like this. There's a lot. They include the chants and ingredients and there's plenty of them. I appreciate that and obviously your own created spells are better, but you have to start somewhere.
There's a lot of information here. I liked the section on menstrual blood and a slight little history of how it was honoured and also demonized. The section about cleaning bones was weird when it said to pick, file, and peel and pry them to clean everything off. Do we really want to file down bones? Are we wearing proper PPE? I don't want bone shavings/dust/particles in my nose and lungs. But are we respecting the spirit, the animal, the being by treating it like this? I don't clean bones, but I have family who do and they've happily let nature takes its course to clean it or used beetles and haven't needed to peel, pry, pick, or file anything. Maybe it's for smaller animals? I don't know. I wouldn't handle them like that so it was weird to me.
I do believe Freuler is passionate about balance and isn't afraid to work in the dark. I admire that. I respect the topic and the need for books on this topic. I didn't really like her voice, it came off like any other book, I suppose it lacked character. But I'm glad this book exists. I hope it leads people to find similar books, while also be mindful of a Wiccan slant and of closed practices.
I would buy this, but it's also a great library book.
June 5, 2024
October 7, 2024
It’s very well and written in my opinion especially when going into subjects of taboo. The spells are well thought out along with symbols. But I feel like there should’ve been more, Kate has a great Bilbography but it’s short and I think it’s more have to do with personal experience which isn’t a problem. It’s great book in cursing and taboo spellcrafting and materials like bodily fluids. For example mentsural cycle how it’s not suppose to be disgusted or resented that is empowering and natural how lunar energies can affect one’s cycle. I like how she explained the safety in how to draw blood, using ethics, seek medical care before performing some of these rituals, not advising anyone to substitute magic for legal matters, etc. which I am glad that she is responsible for what she is writing.
I read some reviews on lower ratings saying how she was “victim blaming” which I disagree personally but let me write why I disagree with those low ratings, Kate is not saying that you shouldn’t curse your abuser but rather take some consideration and time to think about the safety of yourself and others, is it worth to give your energy because cursing is exhausting and stressful at times. If you can’t leave or law enforcement cannot help you then yes cursing is an option. Again cursing as a last resort. I grew up with a emotional abusive father but he has no control over me as an adult and I made no contact with him, no magical workings just a simple block of his number. I understand there is women and people out there who aren’t in these situations must do something which I fully support. Emotions can run high and easily be blinded of who the target actual is the pent up anger and frustration will go into the curse but it can be extreme that potentially can backfire on you or other people. It can be written in a certain way for people to take it like blaming but I don’t read it like that from a reader.
Towards the end of the book talks about how to work with spirits, ancestors, departed loved ones and animals, but also how to counsel someone who is about to pass on.
NEGATIVE ASPECTS:
Now I describe what I had problems with the book, which is very small. But things I didn’t agree with or should have done better. On the premise of Shadow work. Shadow work is very important especially when in therapy and therapeutic work. Kate claims that Shadow Work is necessary for spiritual/magical growth and list how it can improve during one’s spell-craft like emotions, inner emotions, acceptance, connection to nature, etc. I don’t believe shadow work is necessary if a person doesn’t feel like it should be of importance. Shadow work involves therapy and psychology which not everyone will delve into. I am in therapy but I tend to separate my magical practice with my mental health workings, sometimes it can be quite helpful but if you feel as if shadow work won’t work in your practice than that’s fine you don’t have to delve into. Shadow work is NOT easy nor simple that one must really work into for a while in order to be successful. It can help but it’s not the only option to improve in your practice.
Another thing is about the topic of deities. I should say I like her talking about deity work and how to approach the deities respectfully and seriously. My problem is when she listed the deities in categories of which can help those to approach darker deities for dark moon work. Psychomps, Destruction and Change, War , and Rulers of the Underworld. Now there is a lot of deities associated with these list mostly Greco-Roman gods and goddesses. Three separate things I have a problem with was that Hekate is not in any of these categories which is strange because Hekate is a psychomp and associated with moon cycles especially with dark moon cycle. Kate mentioned Hekate in liminal spaces which I’m surprised that she didn’t mention her as an option to help during dark moon phase work. Now my other qualm is associating Artemis with War, in her headline it says it deals with revenge, victory, destruction, and competition and Artemis is listed which is strange because Artemis is not associated with war maybe destruction but that’s mostly Apollo, she is associated with healing and midwifery preventing death or injury. Maybe switch her with Aphrodite because historically she was referred to a war goddess as another aspect of her. Artemis doesn’t have a war epithet. Then a nitpick when she was talking about Athena and her cursing Medusa, that is a Roman retelling not even a myth it’s equivalent to fan-fiction.
My suggestion in this section to make a list of lunar goddesses and gods to work during the moon phrases and dark moon phases specifically. It just makes more sense in my opinion especially for a beginner.
June 14, 2022
Mainstream society in the West associated the witch with malfeasance for centuries. In the late 20th century, many were eager to rehabilitate this image. Witches, the books said, always “harm none,” and curses are never spoken.
While, no doubt, hearts were in the right place, this ultimately led to a surge in what we call “toxic positivity.” Toxic positivity ignores or suppresses undesirable and uncomfortable feelings, intuition, and characteristics.
Like a wound left untended, this prevents healing, the problem festers, and can overwhelm. This sort of spiritual bypassing does little to deepen our craft.
Secular therapists and psychologists tend to agree that one must face one’s own shadow - the uncomfortable, shameful, messy parts of oneself. In recent years, witches have begun to emphasize the importance of this shadow work.
Freuler speaks often of energy and vibration, two terms many associate with the “love and light” crowd, or, at very least, would consider “New Age.”
This book smashes that particular stereotype - Freuler frankly acknowledges that “negative energy” can be quite useful. She shows that the energy model, whether taken metaphorically or literally, needn’t limit a practitioner’s range of expression.
Freuler emphasizes adaptability in ritual. While there’s plenty of information about blood magic and similar topics, the author offers alternatives. In fact, Freuler recommends sacrificing live plants (such as flowers grown for the purpose). This shows extraordinary creativity and awareness, and I was happy to read it.
Kate Freuler displays unflinching social (and ethical) awareness. She’s a perfect guide for beginners starting shadow work. She draws a direct parallel between the individual’s trauma as microcosm and the greater macrocosmic landscape of societal inequality.
An in-depth exploration of the latter in a magical context could fill many volumes. I’m glad to see Freuler, and others, recently, have made this connection and sought to understand it.
I found it extremely satisfying to read such a wide array of truly baneful workings in print. So many books that do share curses and hexes either frame them all as bindings or as “karma spells.”
While Freuler includes these options, she also shares actual hexes and curses. There are, for example, several spells to cause impotence included here. I personally can think of situations where they could be justified. Draw your own conclusions, and formulate your own ethics.
Please be aware that this book contains unsettling content, such as use of blood in ritual, dead insects, and animal parts. If you find that disturbing, skip this one.
There’s plenty in here that I’d never attempt, but that I found worthwhile to understand. Not everyone will find this enriching, though, and I realize that.
Freuler’s take on crystal and gemstone magic reads as much more grounded and researched than typical. The mere acknowledgement that some stones can be used to harm was great to see.
Definitely giving this book five out of five stars. Very pleased, and highly recommended. I will say I can’t recommend it to absolute beginners, though, but most seasoned practitioners will find it helpful.
While, no doubt, hearts were in the right place, this ultimately led to a surge in what we call “toxic positivity.” Toxic positivity ignores or suppresses undesirable and uncomfortable feelings, intuition, and characteristics.
Like a wound left untended, this prevents healing, the problem festers, and can overwhelm. This sort of spiritual bypassing does little to deepen our craft.
Secular therapists and psychologists tend to agree that one must face one’s own shadow - the uncomfortable, shameful, messy parts of oneself. In recent years, witches have begun to emphasize the importance of this shadow work.
Freuler speaks often of energy and vibration, two terms many associate with the “love and light” crowd, or, at very least, would consider “New Age.”
This book smashes that particular stereotype - Freuler frankly acknowledges that “negative energy” can be quite useful. She shows that the energy model, whether taken metaphorically or literally, needn’t limit a practitioner’s range of expression.
Freuler emphasizes adaptability in ritual. While there’s plenty of information about blood magic and similar topics, the author offers alternatives. In fact, Freuler recommends sacrificing live plants (such as flowers grown for the purpose). This shows extraordinary creativity and awareness, and I was happy to read it.
Kate Freuler displays unflinching social (and ethical) awareness. She’s a perfect guide for beginners starting shadow work. She draws a direct parallel between the individual’s trauma as microcosm and the greater macrocosmic landscape of societal inequality.
An in-depth exploration of the latter in a magical context could fill many volumes. I’m glad to see Freuler, and others, recently, have made this connection and sought to understand it.
I found it extremely satisfying to read such a wide array of truly baneful workings in print. So many books that do share curses and hexes either frame them all as bindings or as “karma spells.”
While Freuler includes these options, she also shares actual hexes and curses. There are, for example, several spells to cause impotence included here. I personally can think of situations where they could be justified. Draw your own conclusions, and formulate your own ethics.
Please be aware that this book contains unsettling content, such as use of blood in ritual, dead insects, and animal parts. If you find that disturbing, skip this one.
There’s plenty in here that I’d never attempt, but that I found worthwhile to understand. Not everyone will find this enriching, though, and I realize that.
Freuler’s take on crystal and gemstone magic reads as much more grounded and researched than typical. The mere acknowledgement that some stones can be used to harm was great to see.
Definitely giving this book five out of five stars. Very pleased, and highly recommended. I will say I can’t recommend it to absolute beginners, though, but most seasoned practitioners will find it helpful.
August 23, 2021
When I heard such good things about this book, my hopes were very high. To say the least after I read it, I wasn't very impressed. I'm knowledgeable on most subjects in this book besides the chapters on bones/animal remains, and the chapter on blood. Everything besides those chapters lacked a lot of information, had "interesting" information or concerning wording, or had misinformation. (Calling a pet a familiar, which isn't true.) The chapters on blood and bones/animal remains, were very good and had nice information. But the other chapters weren't as good, and it's very obvious the author didn't know as much information as she tries to show she does. (1 chapter was 54 pages, and another 12. Like, seriously?!) If you don't know much about the left hand path, it's an okay book to get and I'd get some more books to go along with this one (Utterly Wicked is a much better baneful book), but I recommend getting other books instead of this one if you know a lot of things in this book.
January 1, 2022
This was an amazing first book for the new book club I joined with fellow witches. It was voted on by everyone, and we picked this one - I am quite glad that we did! Of Blood and Bones is the best, and perhaps the only book that is like an intro to darker topics 101 books that I've personally read. Kate Freuler writes in an approachable manner, so even if the topic isn't something you want to personally do, you can still read it and learn about it. Topics included cover a wide range (enough to get your interest and then do more research and actually do the thing) including: working with the dark moon, creating a black moon altar, dark deities, dark moon water, scrying, graveyards, creating a junk oracle or casting bones too, using blood, bones, dirt, crystals in a dark way, creating poppets, lots of spells, rituals, and curses, too. As the author stated, "Eventually everything must go into the shadows, even you." Highly recommend.
November 15, 2023
Not bad but a little disappointing. A bit too Wicca centric for me, though it did pull some stuff from Hoodoo, Conjure, etc. without sufficient reference. It didn't do a great job at putting forth the underlying theories and explanations for the various aspects of the spells. If you want a long list of spells this might be a good idea, but the underlying cosmological conception here is a little weird and felt a bit new-agey. It can be a useful book as one input to learning about the darker sides of witchcraft, but I wouldn't take it as is. A large grain of salt and skepticism is needed I think.
September 11, 2025
I wasn't quite sure what to expect from this book given its title, but I was pleasantly surprised. While I may not be planning to source my own animal bones, I have gained many other ideas of what I can do in my practice. There were several rituals and spells that I plan on incorporating into my own practice. I especially enjoyed the chapter on working with your ancestors. This is something I've thought about doing for awhile and this gave me a good starting off point. All in all, this was a solid book.
February 7, 2021
Great for a novice or, perhaps a studios beginner. Not of much use to an adept and, not what I would call "dark". A decent work, nonetheless.
April 11, 2023
It is a good starting place for research into unusual topics and understanding ethical practice.
May 4, 2025
Book Review: Of Blood and Bones: Working with Shadow Magick & the Dark Moon by Kate Freuler
(A Woman’s Perspective on Reclaiming the Shadow in Witchcraft)
Kate Freuler’s Of Blood and Bones is a bold and unflinching exploration of shadow magick, offering women a transformative framework to engage with the darker, often stigmatized aspects of witchcraft. Unlike mainstream neo-pagan texts that prioritize harmony and light, Freuler centers blood, bones, death, and the dark moon as sacred forces—an approach that resonates deeply with women’s historical and embodied experiences of power, taboo, and resilience.
Key Themes and Strengths
The Sacredness of the Corporeal: Freuler dismantles patriarchal aversions to bodily fluids (menstrual blood, placental rites) and decay, reframing them as potent magical tools. Her chapters on bone divination and blood sigils validate women’s intimate relationship with cycles of life and death, reclaiming what culture often deems “unclean.”
Shadow Work as Liberation: The book positions shadow magick not as malevolent but as necessary for wholeness. Rituals for ancestral trauma, hex justice, and dark moon introspection provide women with structured ways to confront systemic oppression, grief, and silenced rage—aligning with feminist therapeutic paradigms.
Ethical Nuance: Freuler avoids absolutism, discussing curses and baneful work with pragmatic ethics. Her “Threefold Reflection” practice (intent, impact, integrity) empowers women to navigate moral complexity without external dogma, honoring personal sovereignty.
Cyclical Embodiment: The dark moon is framed as a liminal space for women’s introspection and rebirth. Freuler’s rituals (e.g., “Mirror Scrying in Darkness”) tap into archetypes like the Crone and the Morrigan, offering counter-narratives to youth-obsessed femininity.
Accessible yet Profound: While rooted in traditional witchcraft, the book avoids elitism. Step-by-step exercises (bone cleansing, shadow familiars) balance esoteric depth with practicality, making shadow work approachable for beginners.
Critique
Freuler’s focus on physicality—while revolutionary—may unsettle readers uncomfortable with visceral practices. Additionally, the book’s Western-centric lens could benefit from integrating more cross-cultural perspectives on shadow work (e.g., Mexican death traditions, Balkan folk magic).
Conclusion
Of Blood and Bones is a manifesto for the witch who refuses to sanitize her craft. Freuler’s work is particularly vital for women seeking to reclaim their shadows as sites of wisdom and power. It bridges the primal and the scholarly, offering both a philosophical defense of darkness and a grimoire for its practice.
Rating: ★★★★☆ (4.5/5)
A necessary antidote to “light and love” spirituality—think Women Who Run With the Wolves meets The Black Toad, with a mortar and pestle in hand.
(A Woman’s Perspective on Reclaiming the Shadow in Witchcraft)
Kate Freuler’s Of Blood and Bones is a bold and unflinching exploration of shadow magick, offering women a transformative framework to engage with the darker, often stigmatized aspects of witchcraft. Unlike mainstream neo-pagan texts that prioritize harmony and light, Freuler centers blood, bones, death, and the dark moon as sacred forces—an approach that resonates deeply with women’s historical and embodied experiences of power, taboo, and resilience.
Key Themes and Strengths
The Sacredness of the Corporeal: Freuler dismantles patriarchal aversions to bodily fluids (menstrual blood, placental rites) and decay, reframing them as potent magical tools. Her chapters on bone divination and blood sigils validate women’s intimate relationship with cycles of life and death, reclaiming what culture often deems “unclean.”
Shadow Work as Liberation: The book positions shadow magick not as malevolent but as necessary for wholeness. Rituals for ancestral trauma, hex justice, and dark moon introspection provide women with structured ways to confront systemic oppression, grief, and silenced rage—aligning with feminist therapeutic paradigms.
Ethical Nuance: Freuler avoids absolutism, discussing curses and baneful work with pragmatic ethics. Her “Threefold Reflection” practice (intent, impact, integrity) empowers women to navigate moral complexity without external dogma, honoring personal sovereignty.
Cyclical Embodiment: The dark moon is framed as a liminal space for women’s introspection and rebirth. Freuler’s rituals (e.g., “Mirror Scrying in Darkness”) tap into archetypes like the Crone and the Morrigan, offering counter-narratives to youth-obsessed femininity.
Accessible yet Profound: While rooted in traditional witchcraft, the book avoids elitism. Step-by-step exercises (bone cleansing, shadow familiars) balance esoteric depth with practicality, making shadow work approachable for beginners.
Critique
Freuler’s focus on physicality—while revolutionary—may unsettle readers uncomfortable with visceral practices. Additionally, the book’s Western-centric lens could benefit from integrating more cross-cultural perspectives on shadow work (e.g., Mexican death traditions, Balkan folk magic).
Conclusion
Of Blood and Bones is a manifesto for the witch who refuses to sanitize her craft. Freuler’s work is particularly vital for women seeking to reclaim their shadows as sites of wisdom and power. It bridges the primal and the scholarly, offering both a philosophical defense of darkness and a grimoire for its practice.
Rating: ★★★★☆ (4.5/5)
A necessary antidote to “light and love” spirituality—think Women Who Run With the Wolves meets The Black Toad, with a mortar and pestle in hand.
February 9, 2021
I ordered a copy of this book from Rite of Ritual in Calgary. It arrived quickly, was beautifully packaged, and was accompanied by a lovely bookmark. I was quite eager to dig in, so I set aside the other two books I was reading and got started.
This book deals with hot button topics in the Pagan community, specifically hexing, cursing, and binding, as well as procuring, cleaning, and preserving animal parts to use in various aspects of your practice. If these subjects are something you wish to avoid or feel are “wrong”, this book is not for you. If, on the other hand, you are interested in cultivating a dark moon-centered practice or simply wish to embark (or continue) on a path that includes shadow work, you will certainly benefit from what you find here.
As always, I was hoping to find Baba Yaga included but wasn’t overly surprised by Her absence. For the sake of transparency, I would like to point out that the author writes about the Morrigan, using the Maiden, Mother, Crone analogy. Based on my research, as well as my experience, I do not agree. Author Morgan Daimler explains it best. When asked if the Morrigan is a triple Goddess, Morgan writes:
“My answer – In the modern neo-pagan sense of a maiden-mother-crone goddess no. In the older sense of a deity who appeared with two other deities then yes as we often see the Morrigan acting with two others, usually her two sisters Badb and Macha. When we see triple deities in Irish myth they are usually age equals and often siblings who either share a main purview or act together to accomplish a goal, so by that measure the Morrigan, Badb, and Macha would qualify.”
The book contains a great many spells for various circumstances, which can be used as-is, or expanded upon and modified quite easily to suit whatever you hope to accomplish. I found the section on “Creepy Crawlies” in Chapter 6 especially interesting, as I have yet to find another book that focuses on insects and their uses in magic. I also gleaned a lot of information and inspiration from the section dealing with graveyards. I personally have no interest in procuring/cleaning my own bones, so I appreciate the fact they were able to provide the reader with two reputable sources.
If you are serious about Shadow Work and in need of more ideas, information, and inspiration, this book is a great addition to your library.
This book deals with hot button topics in the Pagan community, specifically hexing, cursing, and binding, as well as procuring, cleaning, and preserving animal parts to use in various aspects of your practice. If these subjects are something you wish to avoid or feel are “wrong”, this book is not for you. If, on the other hand, you are interested in cultivating a dark moon-centered practice or simply wish to embark (or continue) on a path that includes shadow work, you will certainly benefit from what you find here.
As always, I was hoping to find Baba Yaga included but wasn’t overly surprised by Her absence. For the sake of transparency, I would like to point out that the author writes about the Morrigan, using the Maiden, Mother, Crone analogy. Based on my research, as well as my experience, I do not agree. Author Morgan Daimler explains it best. When asked if the Morrigan is a triple Goddess, Morgan writes:
“My answer – In the modern neo-pagan sense of a maiden-mother-crone goddess no. In the older sense of a deity who appeared with two other deities then yes as we often see the Morrigan acting with two others, usually her two sisters Badb and Macha. When we see triple deities in Irish myth they are usually age equals and often siblings who either share a main purview or act together to accomplish a goal, so by that measure the Morrigan, Badb, and Macha would qualify.”
The book contains a great many spells for various circumstances, which can be used as-is, or expanded upon and modified quite easily to suit whatever you hope to accomplish. I found the section on “Creepy Crawlies” in Chapter 6 especially interesting, as I have yet to find another book that focuses on insects and their uses in magic. I also gleaned a lot of information and inspiration from the section dealing with graveyards. I personally have no interest in procuring/cleaning my own bones, so I appreciate the fact they were able to provide the reader with two reputable sources.
If you are serious about Shadow Work and in need of more ideas, information, and inspiration, this book is a great addition to your library.
October 6, 2024
Kate Freuler’s Of Blood and Bones dives fearlessly into the depths of shadow magick, offering a rare and thoughtful look at the practices that many shy away from. It’s not a book for the faint of heart—Freuler tackles subjects like blood magick, bones, hexing, and working with graveyard dirt in a way that’s both direct and nuanced. What makes it truly stand out is her emphasis on ethics and respect for the energies involved. The tone is serious but not sensationalized, making it clear that she approaches these practices with the reverence and care they require.
The sections on collecting and using animal parts, for example, are handled with sensitivity and a strong focus on sustainability and respect. Freuler makes it clear that shadow work isn’t about shock value—it’s about embracing the darker aspects of nature and magic with responsibility and purpose. I appreciated her thorough explanations and the way she addresses the potential risks and consequences of these practices, something often glossed over in books covering darker topics.
Freuler’s approach to working with the Dark Moon and shadow deities is another highlight. Her guidance on using this energy for protection, self-discovery, and even supporting loved ones at the end of life was thoughtful and unique. She really brings out the transformative potential of the darker aspects of the craft, showing how they can be used for growth and understanding rather than just as tools for baneful workings.
That said, the content can be a bit intense, and at times it felt like the book could have benefited from even more depth, especially when it comes to exploring the psychological aspects of shadow work. The rituals and spells are strong and evocative, but for those newer to this path, some sections might feel a little daunting without additional guidance on integrating these practices safely.
Still, Of Blood and Bones fills a much-needed niche. Freuler’s respect for the craft and her balanced, thoughtful voice make this a powerful resource for anyone looking to delve into shadow magick with eyes wide open. It’s a bold, unapologetic exploration of the parts of witchcraft that are often whispered about but rarely given the attention they deserve. If you’re ready to walk the darker paths with intention and respect, this book is a compelling guide.
The sections on collecting and using animal parts, for example, are handled with sensitivity and a strong focus on sustainability and respect. Freuler makes it clear that shadow work isn’t about shock value—it’s about embracing the darker aspects of nature and magic with responsibility and purpose. I appreciated her thorough explanations and the way she addresses the potential risks and consequences of these practices, something often glossed over in books covering darker topics.
Freuler’s approach to working with the Dark Moon and shadow deities is another highlight. Her guidance on using this energy for protection, self-discovery, and even supporting loved ones at the end of life was thoughtful and unique. She really brings out the transformative potential of the darker aspects of the craft, showing how they can be used for growth and understanding rather than just as tools for baneful workings.
That said, the content can be a bit intense, and at times it felt like the book could have benefited from even more depth, especially when it comes to exploring the psychological aspects of shadow work. The rituals and spells are strong and evocative, but for those newer to this path, some sections might feel a little daunting without additional guidance on integrating these practices safely.
Still, Of Blood and Bones fills a much-needed niche. Freuler’s respect for the craft and her balanced, thoughtful voice make this a powerful resource for anyone looking to delve into shadow magick with eyes wide open. It’s a bold, unapologetic exploration of the parts of witchcraft that are often whispered about but rarely given the attention they deserve. If you’re ready to walk the darker paths with intention and respect, this book is a compelling guide.
November 12, 2022
I have to admit that I'm disappointed. This book has been hyped so much and so many have recommended it that my expectations where very high.
Of Blood and Bones is a good book. It's well written and it has many interesting ideas and inspirations. There are lots of recipes, spells and rituals and many of them can be useful.
What I'm missing is depth. This book is written like a standard beginners book. We have lots of lists and like I said many prefabricated recipes, rituals aso. And even though I admit that this might be helpful for some beginners and maybe inspiring to advanced practitioners I have to say that I'm tired of this.
For example, I don't want a list of Gods and Goddesses that the author considers to be “dark”. I really don't wanna see those lists anymore. Insteat I would prefer a chapter about WHY some of them are seen as “dark”. What is it with these entities? Are they really “dark”? In which way do they differ from other Gods and Goddesses? Are they even different at all? Do those Gods and Goddesses who are considered to be “light” also have a “dark” side? And so on and so forth, you get the idea.
I want to know the Whys!
And there is one more thing. Many of the recipes and spells have to be used with caution. That's okay and Freuier reminds the reader regularly to be cautious. But there is this one spell/ritual that should have a Trigger Warning or something like that, cause it's a spell that ritualizes self-harm in a dangerous way. This could be very harmful.
All in all Of Blood and Bones is a nice book. I wish Kate Freuier would have left the lists out and told us more about the whys and had gone more into depth. I don't really know more about “Shadow Magick” or “Working with the Dark Moon” now, but it has been an interesting and inspirational read nonetheless.
I would recommend it with reservations to advanced beginners that are looking for inspiration for working with body fluids, animal corpses, insects and bones.
Of Blood and Bones is a good book. It's well written and it has many interesting ideas and inspirations. There are lots of recipes, spells and rituals and many of them can be useful.
What I'm missing is depth. This book is written like a standard beginners book. We have lots of lists and like I said many prefabricated recipes, rituals aso. And even though I admit that this might be helpful for some beginners and maybe inspiring to advanced practitioners I have to say that I'm tired of this.
For example, I don't want a list of Gods and Goddesses that the author considers to be “dark”. I really don't wanna see those lists anymore. Insteat I would prefer a chapter about WHY some of them are seen as “dark”. What is it with these entities? Are they really “dark”? In which way do they differ from other Gods and Goddesses? Are they even different at all? Do those Gods and Goddesses who are considered to be “light” also have a “dark” side? And so on and so forth, you get the idea.
I want to know the Whys!
And there is one more thing. Many of the recipes and spells have to be used with caution. That's okay and Freuier reminds the reader regularly to be cautious. But there is this one spell/ritual that should have a Trigger Warning or something like that, cause it's a spell that ritualizes self-harm in a dangerous way. This could be very harmful.
All in all Of Blood and Bones is a nice book. I wish Kate Freuier would have left the lists out and told us more about the whys and had gone more into depth. I don't really know more about “Shadow Magick” or “Working with the Dark Moon” now, but it has been an interesting and inspirational read nonetheless.
I would recommend it with reservations to advanced beginners that are looking for inspiration for working with body fluids, animal corpses, insects and bones.
January 27, 2025
Kate Freuler has created a masterpiece for those who want to dive deep into shadow magick, the mysteries of the Dark Moon, and the raw, untamed essence of the Craft. Of Blood and Bones is not your average witchcraft book; it’s a gritty, honest, and beautifully written guide for practitioners who are ready to embrace the darker, primal aspects of magick.
Freuler’s approach is refreshingly grounded, blending practical advice, folklore, and personal experience to create a guide that feels both accessible and empowering. The book covers a wide range of topics, from baneful magic and spirit work to crafting tools and spellwork with bones, herbs, and other natural elements. It’s packed with detailed rituals, exercises, and suggestions for building your practice, all while encouraging deep introspection and respect for the energies you work with.
What stood out most to me was the focus on shadow work. Freuler masterfully explains how facing your fears, flaws, and inner darkness is not only transformative but necessary for true growth in the Craft. The sections on working with the Dark Moon are particularly powerful, providing insights into how this phase can be used for banishing, transformation, and self-discovery.
This book is unapologetically raw and honest, making it perfect for witches who are ready to step outside the more sanitized versions of magick often presented in mainstream books. It’s a valuable resource for those who want to connect with the darker, more primal energies of nature and themselves.
If you’re looking for a guide that’s as informative as it is transformative, Of Blood and Bones is a must-read. Freuler’s writing feels like sitting down with a wise mentor who’s unafraid to tell it like it is, and this book will leave a lasting impression on your practice. Highly recommended!
Freuler’s approach is refreshingly grounded, blending practical advice, folklore, and personal experience to create a guide that feels both accessible and empowering. The book covers a wide range of topics, from baneful magic and spirit work to crafting tools and spellwork with bones, herbs, and other natural elements. It’s packed with detailed rituals, exercises, and suggestions for building your practice, all while encouraging deep introspection and respect for the energies you work with.
What stood out most to me was the focus on shadow work. Freuler masterfully explains how facing your fears, flaws, and inner darkness is not only transformative but necessary for true growth in the Craft. The sections on working with the Dark Moon are particularly powerful, providing insights into how this phase can be used for banishing, transformation, and self-discovery.
This book is unapologetically raw and honest, making it perfect for witches who are ready to step outside the more sanitized versions of magick often presented in mainstream books. It’s a valuable resource for those who want to connect with the darker, more primal energies of nature and themselves.
If you’re looking for a guide that’s as informative as it is transformative, Of Blood and Bones is a must-read. Freuler’s writing feels like sitting down with a wise mentor who’s unafraid to tell it like it is, and this book will leave a lasting impression on your practice. Highly recommended!
December 16, 2023
This book has earned a commendable reputation, and it's well-deserved. The author has skillfully gathered information on various facets of what is often considered the more intense aspects of magic. But generally, I attribute the widespread fascination with this book to the growing disconnect of modern society from nature and its inherent rawness.
Now, let me be clear—the book should be praised for daring to delve into topics that have been deemed as black magic for centuries and considered inappropriate in New Age communities for decades. However, I view this as an excellent introductory book. It approaches the subject matter with care, maintaining an exceptionally politically correct tone. For instance, offering non-animal substitutes for spell ingredients in a book titled "Of Blood and Bones" seems somewhat counterintuitive. I have a strong sense that this title might not resonate with those seeking to use substitutes.
It's worth noting that my perspective may differ based on cultural backgrounds. Personally, I come from a culture where chickens and rabbits are raised for food in our backyard, and animal sacrifice is still practiced for seasonal feasts—an act involving slaughtering an animal for consumption in a ritual setting. Consequently, the notion of using bones and blood in magic isn't shocking to me at all.
That said, the book provides valuable spells and fundamental information for handling specific "dark" substances, a departure from what many other authors neglect. My favorite section delves into various methods of processing animal bones. If you're intrigued by the use of blood and bones in magic and have never delved deeper into the topic, this book serves as an excellent starting point.
Now, let me be clear—the book should be praised for daring to delve into topics that have been deemed as black magic for centuries and considered inappropriate in New Age communities for decades. However, I view this as an excellent introductory book. It approaches the subject matter with care, maintaining an exceptionally politically correct tone. For instance, offering non-animal substitutes for spell ingredients in a book titled "Of Blood and Bones" seems somewhat counterintuitive. I have a strong sense that this title might not resonate with those seeking to use substitutes.
It's worth noting that my perspective may differ based on cultural backgrounds. Personally, I come from a culture where chickens and rabbits are raised for food in our backyard, and animal sacrifice is still practiced for seasonal feasts—an act involving slaughtering an animal for consumption in a ritual setting. Consequently, the notion of using bones and blood in magic isn't shocking to me at all.
That said, the book provides valuable spells and fundamental information for handling specific "dark" substances, a departure from what many other authors neglect. My favorite section delves into various methods of processing animal bones. If you're intrigued by the use of blood and bones in magic and have never delved deeper into the topic, this book serves as an excellent starting point.
September 3, 2022
As a witch more inclined to the dark and solemn aspects of life, as i do have a 12th house sun and 8th house chart ruler I immediately felt compelled to jump into this book. Now this book did not disappoint, not even in the slightest.
Other magical instructionals shy away from using bones, blood, grime, disgust, and anger - but they miss out on these aspects all in the name of "love and light"
But not everything in life is love and light, you can't maintain a positive vibration, and leaving out power for a cottagecore aesthetic doesn't work.
This book is by far the most illuminating and inspiring work i've read on witchcraft so far; as it guides us with more correspondences, recipies and how-to's to include into your practices.
The author writes in a very homely and comforting way, and always leaves room for your practice in her suggestions. I am really happy i got the book, the price of 19€ is absolutely justified.
Contents:
I wouldn't recommend this book to an absolute beginner, more an intermediary to someone already advanced / with an established practice and knowledge of their path.
Other magical instructionals shy away from using bones, blood, grime, disgust, and anger - but they miss out on these aspects all in the name of "love and light"
But not everything in life is love and light, you can't maintain a positive vibration, and leaving out power for a cottagecore aesthetic doesn't work.
This book is by far the most illuminating and inspiring work i've read on witchcraft so far; as it guides us with more correspondences, recipies and how-to's to include into your practices.
The author writes in a very homely and comforting way, and always leaves room for your practice in her suggestions. I am really happy i got the book, the price of 19€ is absolutely justified.
Contents:
I wouldn't recommend this book to an absolute beginner, more an intermediary to someone already advanced / with an established practice and knowledge of their path.
March 29, 2022
I found this to be a good introduction to the subject of "darker" magic, although a lot of it was more focused on inner work than I feel a lot of people would expect/want. I have no issue with that, although I'm very familiar with that side of my work already. The new information I learned from it was interesting, although some areas didn't go into as much depth as I wanted-- time to find more specific books, I guess! There was definitely some questionable wording (pets aren't always familiars, which she presents) and for the most part, she doesn't go into specifics about how to do stuff on your own, although she provides quite a few specific spells. (Example: mentioning that intestines have been used for divination. Okay, but *how*? It's not something I plan to practice myself, but more than one or two sentences just mentioning its existence would be nice.)
Other reviews have mentioned that some practices may be appropriated from closed practices; at the very least, not many things are disclosed as to what practices they come from, so that's something to be wary of. I think there are a lot of things you can take from this book that don't even come close to closed practices, but I'd definitely encourage checking on a particular thing if you're unsure.
Overall, I found it to be a decent book for beginners of this type of magic (not for beginners to the craft in general, mind you) but if you're looking for a meaty (pardon the pun) book on the subject, this isn't the book for you.
Other reviews have mentioned that some practices may be appropriated from closed practices; at the very least, not many things are disclosed as to what practices they come from, so that's something to be wary of. I think there are a lot of things you can take from this book that don't even come close to closed practices, but I'd definitely encourage checking on a particular thing if you're unsure.
Overall, I found it to be a decent book for beginners of this type of magic (not for beginners to the craft in general, mind you) but if you're looking for a meaty (pardon the pun) book on the subject, this isn't the book for you.
February 25, 2025
There's a lot to like here. The information is easy to read, logically organized, and the author does a good job in explaining the reasoning behind things she recommends. The text comes off as very approachable, which I can see being extremely appealing for someone who has some apprehensions about the 'darker' side of magic. It covers a pretty wide variety of subjects, provides a nice bibliography, and some sourcing suggestions that were nice to include. It definitely feels like it was intended to be used as a jumping off point for additional research. While I had hoped for a little more in-depth exploration of the topics, I think the author got across exactly what she meant to with this. There are a lot of spells for people who like to work with premades, and they are well explained. There is an emphasis on safety and respect, which was also nice.
Like others have noted, this does seem to have a Wiccan angle to how ideas are presented, but I didn't find it too distracting. And while it has a careful, deliberate approach that seems like a beginner book, it isn't something I would necessarily recommend to anyone fresh to the craft; this definitely feels like something you approach once you've gotten some fundamental knowledge under your belt.
Overall, this is a pretty approachable primer. Check it out if you're looking to get a better idea of how some taboos (from an American perspective) can be utilized, why some people would choose to utilize them, and as a jumping off point for additional research.
Like others have noted, this does seem to have a Wiccan angle to how ideas are presented, but I didn't find it too distracting. And while it has a careful, deliberate approach that seems like a beginner book, it isn't something I would necessarily recommend to anyone fresh to the craft; this definitely feels like something you approach once you've gotten some fundamental knowledge under your belt.
Overall, this is a pretty approachable primer. Check it out if you're looking to get a better idea of how some taboos (from an American perspective) can be utilized, why some people would choose to utilize them, and as a jumping off point for additional research.
August 6, 2024
I really wanted to be more enthusiastic about Of Blood & Bones, as it is highly raved & recommended by many, however I found it somewhat lacking.
I did enjoy her take on the "dark" side of magic and her thought provoking views on topics we would consider sacrilegious with all the "love and light" movement lately. I also appreciated her discussing the ethical uses of blood and animal remains and other items that may seem repugnant such as graveyard dirt, saliva, urine, bone, ashes, and more. She also suggests alternatives if you're unable to get them or prefer not to. The book includes a myriad of hexes, bindings, revenge spells, recipes including death oil, and death candles, things I would not recommend a beginner to pick up.
My key criticism is despite the book's dark contents, she preaches having empathy for abusers and recommending lots of self-reflection to determine if you are the cause of the problems. While I appreciate having a neutral look at your situation and seeking out alternative solutions instead of whipping out curses at every moment, it felt incredibly condescending and victim-blaming. I also do not subscribe to the belief that pets are familiars.
Overall this is a book that's good for people seeking basic information on the darker path and if you are beyond beginner level and wish to expand your craft. But as always do not take a single author's work as gospel and read widely to form your own opinions and personal practices.
I did enjoy her take on the "dark" side of magic and her thought provoking views on topics we would consider sacrilegious with all the "love and light" movement lately. I also appreciated her discussing the ethical uses of blood and animal remains and other items that may seem repugnant such as graveyard dirt, saliva, urine, bone, ashes, and more. She also suggests alternatives if you're unable to get them or prefer not to. The book includes a myriad of hexes, bindings, revenge spells, recipes including death oil, and death candles, things I would not recommend a beginner to pick up.
My key criticism is despite the book's dark contents, she preaches having empathy for abusers and recommending lots of self-reflection to determine if you are the cause of the problems. While I appreciate having a neutral look at your situation and seeking out alternative solutions instead of whipping out curses at every moment, it felt incredibly condescending and victim-blaming. I also do not subscribe to the belief that pets are familiars.
Overall this is a book that's good for people seeking basic information on the darker path and if you are beyond beginner level and wish to expand your craft. But as always do not take a single author's work as gospel and read widely to form your own opinions and personal practices.
October 17, 2022
So I stumbled upon this book and decided to give it a read. Let me preface this by saying that while I am a beginner I do not think this is a beginner book, it could be if you are willing to understand that shadow work is good to do before you practice anything. I also don't think this is for everybody, this touches on the darker side of witchcraft, and while I am super open to death, life, and rebirth I don't think I am quite ready to perform the spells within this.
While reading this book I find it almost startling how much I resonated. I have a deep connection to animals bones (I know) and since I live on a farm in the middle of the woods they are in supply. While visiting an unmarked grave in the woods I stumbled upon a coyote skull that was really old, I must say I was startled. It was in my path for a reason so I put it on a tree so I know to come back to it. I also find alot of dead insects and have been collecting them, I can't tell you why but it felt right. I also have collected cut hair and fingernail clippings and saved them. I never really intended to use any of these but I felt like my guides were telling me to. Now I know what to do with them.
Currently I realize that I have alot of shadow work to do and I will focus on protection magick for the time being but if I feel the need for it this book is always there to help me.
While reading this book I find it almost startling how much I resonated. I have a deep connection to animals bones (I know) and since I live on a farm in the middle of the woods they are in supply. While visiting an unmarked grave in the woods I stumbled upon a coyote skull that was really old, I must say I was startled. It was in my path for a reason so I put it on a tree so I know to come back to it. I also find alot of dead insects and have been collecting them, I can't tell you why but it felt right. I also have collected cut hair and fingernail clippings and saved them. I never really intended to use any of these but I felt like my guides were telling me to. Now I know what to do with them.
Currently I realize that I have alot of shadow work to do and I will focus on protection magick for the time being but if I feel the need for it this book is always there to help me.
Displaying 1 - 30 of 103 reviews