The Oxford Illustrated History of the Book collects scholarly essays on the human written record, from earliest archaeological finds to the latest e-readers. Since books are by nature visual media, many photographs illustrate the development of writing and publishing around the world.
Going into this, I was curious to see if developments in the non-western world were included. They were, in spades. Several chapters are wholly devoted to Asia: Medieval and Early Modern East Asia; South Asia (spanning ancient history to the modern period); Modern China, Japan, and Korea. Asian history shows up in the chapter on the ancient world, too, which covers the earliest extant examples around the world. There’s a chapter on the Islamic world, and of course that region overlaps with work on Byzantine books. While they don’t get devoted chapters, the continents of Africa and North and South America are present.
In an edited volume such as this, quality can vary widely from chapter to chapter. Yet, in this particular volume, I found a consistent enthusiasm for the subject, utter respect for historical books in the widest definition, and excellent attention to illustration. The lauded authors do not frown upon e-readers and the digitalization of reading (see quotation below, and a Goodreads shout out). Eleanor Robson broadens the definition of “book” to include khipu (systematized knotted records) and its antecedents, and the winter count on hides in North American Plains tribes. Due to my interest in church history, I was really pleased to learn about the Garima Gospels and medieval manuscript storage. Book piracy in Enlightenment Europe, Chinese bamboo concertina books, Victor Hugo’s role in international copyright law--it’s all here.
An invaluable volume to reference again and again, History of the Book will be useful to anyone about the history of books, writing, and reading around the world. Where this book fails, its works cited steps in. For any fantasy writers/worldbuilders out there, I recommend paging through History of the Book for inspiration regarding reading/publishing/writing practices. For historical writers of any stripe, History of the Book will help flesh out one’s historical setting. Material culture is essential to historical study, and what better place to begin than with books?
“What this volume shows, indeed, is how the book has been successively remodelled and reformed over time and in different parts of our world. The different chapters illuminate constants and residual forms, key moments of transition, and the coexistence of contrasting functions and materials over long periods.” (3)
“Vast virtual communities of readers assemble routinely on sites such as Goodreads.com to share opinions and suggested further readings. Buyer ratings systems encroach upon many of the functions once performed by critics and bestseller lists….Public interpretation, writing, annotation, and collaborative writing flourish. Digital authors have become active and accessible presences, with both local and global readerships….The very data trails created by this buzz of readerly and writerly activity become an integral feature of the lives of books, hovering about them in something that might be described as a socio-electrostatic field.” (390)