What sounds from the book description like a dual timeline story is actually a triple, if not quadruple, timeline story although most of the first part of the book takes place either in WW2 Norwich or in Newfoundland in 2001. Some concentration is needed to keep track of the different storylines as the chapters switch frequently back and forth in time. However, it’s well worth the effort as you’re soon drawn into what is an increasingly multi-layered story.
In essence, all roads lead to the quaintly named Tippy’s Tickle in Newfoundland. Coincidence or fate? Ellen arrived there in 1946 as a war bride to join her husband, Thomas, and Sophie, Ellen’s niece, finds herself there when the plane in which she’s travelling to New York is rerouted to Newfoundland due to the 9/11 terror attacks. As to how Sophie ends up in Tippy’s Tickle, well, that’s less “of all the gin joints, in all the towns, in all the world, she walks into mine” from Casablanca as “of all the tea queues in all the world he ends up in mine”.
In dual time stories I sometimes find myself more invested in the story set in the past than in the present. This wasn’t the case with The English Wife. Not that the events that see young Ellen travelling across the world from her home in Norwich aren’t compelling, it’s just that the reader pretty much knows the trajectory of her story from the book description. Although, having said that, there are secrets to be discovered even there and the author keeps the reader waiting quite a while until these are revealed.
Sophie’s unplanned – and unwanted – stopover in Newfoundland in 2001 is an obstacle in her otherwise organised-to-the-last-detail life. (Her determination to get to New York for an interview reminded me of the wonderful 1945 film I Know Where I’m Going, in which Joan Webster, played by Wendy Hiller, is prevented by bad weather from making the crossing to the island of Kiloran.) Sophie soon falls under the spell of Tippy’s Tickle and who could blame her because there’s a lovely sense of community about the place and it is surrounded by beautiful, rugged landscape. Although outsiders are known as “Come-From-Aways”, its inhabitants are welcoming and hospitable as well as accepting of difference. It was good to see diverse characters playing such a part in the story. As it happens, Tippy’s Tickle isn’t the only thing to cast a spell on Sophie during her stay. However, sometimes things don’t work out the way you want.
Ten years later – to the day – Sophie is travelling back to Tippy’s Tickle on an assignment for the architectural practice for which she works. They are planning a lavish leisure development – hotel, golf course, the works. If you know the film Local Hero [Ed: that’s enough of the film references], you’ll have an idea that the plans may not be greeted with universal enthusiasm, especially as it affects people to whom Sophie has grown close. For some, it threatens their sense of security and a way of life that is all they have ever known; something they will do anything to prevent. How will Sophie negotiate this dilemma? You’ll need to read the book to find out.
I can’t finish this review without commenting on the fabulous insight into Newfoundland culture the book provides, including colloquialisms such as being “gut-foundered” (hungry).
The English Wife is a skilfully-crafted, multi-layered story about family secrets, missed opportunities, second chances and finding out what’s really important in life.