Jellinek makes those far off events feel alive and relevant. Napoleon the Nephew’s panoptic ‘Liberal Empire’, with its police-spies, seething intelligentsia (or as Jellinek describes them ‘Declasse Mandarins’) and paltry but nonetheless real concessions granted to the novel phenomena of the nineteenth century, the industrial proletariat, acts as a presaging, in some respects, of the modernizing forces-of-order dictatorships headed by Mussolini, Primo De Riveria or Ataturk in the twentieth century.
The collapse of state-power and flight of the 'legal' government is told in vivid technicolor, aswell as the power squabble within the Commune, featuring many dubious on-the-make sorts (mainly of the military executive, such as Louis Rossel, etc...), as well as novel, honest elements (Jules Valles, Louise Michel, Eugene Varlin, etc...) who briefly fill the stage of history. The past is settled and the future is postponed. The shockingly gruesome deaths of the bonapartist General Clement-Thomas, and the socialist bookbinder Eugene Varlin are depicted as the opening and the closing chapter of the class struggle which carved out the Third Republic.
‘RESPECTABLE PEOPLE? WHAT BASTARDS!’ - Zola, Belly Of Paris.