Poetry. LGBTQIA Studies. DAY/BREAK, poet Gwen Benaway's fourth collection of work, explores the everyday poetics of the trans feminine body. Through intimate experiences and conceptualizations of trans life, DAY/BREAK asks what it means to be a trans woman, both within the text and out in the physical world. Shifting between theory and poetry, Benaway questions how gender, sexuality, and love intersect with the violence and transmisogyny of the nation state and established literary institutions. In beautiful lyric verse, DAY/BREAK reveals the often-unseen other worlds of trans life, where body, self, and sex are transformed, becoming more than fixed binary locations.
Gwen Benaway is a bisexual feminist Gemini trans girl of Anishinaabe and Métis descent. She has published three collections of poetry, Ceremonies for the Dead and Passage, and Holy Wild. Her fourth collection of poetry, Aperture, is forthcoming from Book*hug in Spring 2020. Her writing has been published in many national publications, including CBC Arts, Maclean’s Magazine, and the Globe and Mail. She is currently editing an anthology of Fantasy short stories by trans girl writers and writing a book of creative non-fiction, trans girl in love. She lives in Toronto, Ontario and is always open to auditioning new Queer polyam feminist lovers, as long as they believe in Astrology and are not a Taurus. She is currently a Ph.D student at the University of Toronto in the Women and Gender Studies Institute.
A very powerful and moving poetry collection from a trans woman (who also happens to be of Ashinaabe and Métis descent from Canada) about her experiences-at times quite difficult images but also very powerful with hints of light and hope and love.
This time I think I gulped the poems too quickly. Benaway is writing vivid and intensely personal poems that half match my own experiences, and then suddenly and sharply diverge — it’s almost disorienting, as if I keep forgetting that they aren’t actually about me. But it’s also valuable, I think, to be seeing more of Benaway as a result, and to see the poems more as poems.
Some really amazing sentiments in this collection. I think Gwen has some room to grow with regards to her ability to connect with the reader. I think developing a cohesion would compliment the work in future iterations. The subject matter is really well selected and will flourish with some structural improvements. Overall a very solid project.
Gorgeous and luminescent, like all of Gwen’s writing. But also difficult in the most important ways. Another winning book of poems that is certain to inspire other writers, but also readers of beautiful literature.
Mid - 2 - another White/Mixed poet doesn't understand women worked before she did Whiter. Most of the poems are relatably fine and about abuse in the bedroom, and then it turns into "I forgot my DEI section!!11!!1 #SyliveR #MarshieP" ...
I read this in a single sitting, and will return to it many times, I’m sure. Benaway’s use of space and text layout make this a flowing, mesmerizing book of poetry.
One of the most compelling collections of poems I’ve read in a long time. Benaway threads the connections between gender, death, sex, and loss in a way that philosophers could only dream of.
It has come to my attention that Gwen Benaway may be lying about being Indigenous so I have now cleared my rating as I'm not comfortable leaving it in case these allegations are true. Hoping she will one day address whether or not this is true but until then I will refrain from recommending her work.