✨A rough draft indeed.✨
Read this review if a. you’re thinking about reading this book or b. if you read and despised this book and need someone to understand the tumultuous thing your soul turned into after reading it. Also please read this review because it took me one (1) Lord of the Rings movie to complete. Two DVDs worth. This book robbed me of all happiness. Alms for the poor. Please give me alms.
This review is split up into different sections based on what I think you’d want to know about this book before going in. Or parts that really pissed me off that I think also really pissed off others. (Basically what I’d have wanted to know and the reason I finished this book. If not, I’d have DNFed at 10% and would’ve been a lot happier with the quality of my life.) Hopefully this helps you decide if this is a book for you because let me say now, this book is not about what the summary makes you think it’s going to be about.
- What actually happens in this book
- Characters
- Cheating (?)
- Relationship
- Romance
- Steam
- Genre
- Flashbacks
- Story within a story
- Writing style
- Concluding thoughts (you can start here if you want a short review)
What actually happens in this book (not the summary provided by the publisher because it left out *a lot*):
- This book is about two writers who never actually dated in the past. They were “best friends” but even friends have chemistry. I felt no chemistry. He always noticed her bee-stung lips and slender hands. Whoopie.
- This book is about two people who were in other relationships for most of the book. Nathan was married during every flashback (sans the one he was merely engaged). Katrina was engaged during most of the present scenes. More notes on emotional cheating below. Spoiler alert, it was cringey and I had a terrible time.
- These two authors do not write romance. The book they are writing in the present is about divorce, while somehow mirroring their… relationship? The couple gets divorced at the end but it’s… “so romantic?”
- Katrina only agreed to write the book in the present because her fiancé coerced her because he needed the book profits.
- This fiancé was also Nathan and Kat’s agent (he’s still her present day agent) so as along as they write the book, even if Kat breaks up with him, he still wins and gets money (I hate this more than almost anything).
- Personally, this book was a love story not a romance. Emotional cheating, amongst other things, ruined this book for me.
- Kat and Nathan are divorce and infidelity (this is self-proclaimed by them) writers, experiencing divorce and infidelity in this book.
Characters:
Nathan: He reminded me of a random dude lurking on Twitter trying to be profound about his opinions on love, tweeting at people who never asked for his opinion. He wears grey cowl neck sweaters he can’t pull off, slicks back his wet hair to look cool, and stayed in a marriage far too long when he was in love with another woman. I consistently called him Jeremy throughout this review and had to change it because I could never remember his name. I also don’t think he’s a Nathan because I like the name Nathan too much. I could not tell you what this man looks like. If he was walking down the street… I wouldn’t know a thing. But if he was driving down the street, I’d know he’s the asshole who rented a Porsche while temporarily in Florida. He loved talking about it. That’s really all you need to know about him.
Katrina: I technically liked Kat better than Nathan, but the bar was lower than dirt. I thought Kat was a very weak character. I was always just like… why are you doing the things that you’re doing???? Her fiancé was so terrible and she stayed with him far too long, for the worst reasons. I couldn’t trust nor respect her character after 10% of the book because she didn’t breakup with him right there. She chose to write the book for him and to also make him money. It was… so bad. I have no real opinions on the name Katrina but I did mix it up 50% of the time with Kristina during this review. I think she has curly hair? Definitely slender hands and bee-stung lips. Nothing else is coming to me.
Chris: Making a character so bad that it’s okay to cheat on him is just so confusing. Nuance? Never met her. Conflict? Uh. All his character did was make me question the heroine intensely and my relationship with her was never repaired.
Cheating(?):
Right off the bat, I had zero interest in a book where both characters were in separate relationships for the whole time. It was too close to infidelity, even in the flashbacks. Maybe I could have handled one character, but both just really wears me out. I would have liked her if she dumped the fiancé and wrote the book for herself from the beginning. That way they would have both been single in the present.
There was intense emotional cheating throughout the entire book, even a little bit of present day physical cheating (grinding against each other, kiss).
This book tries to convince you that as soon as Nathan discovered his feelings for Kat, he asked for a divorce before anything untoward could happen. False. The man literally confessed love before even letting his wife get an inkling that he didn’t love her. He said numerous times (I can’t quote directly from an arc, which is very unfortunate and difficult to show you the extend of just how clear his feelings for Kat were for the two years he was married) how he was struggling with these emotions and how he wanted to kiss her and how special she was, way before he asked for that divorce.
There are numerous scenes where Kat recognizes that he’s writing his love for her into their second book (the bestseller and book they write in the flashbacks) going so far as to describe her and what she’s wearing via the manuscript. There’s a flashback scene where they almost kiss but stop, but then he writes a mirroring scene for the book where the man doesn’t stop. Nathan then writes Kat a note saying this is what he wanted to happen in real life. Still properly married. Still much too long before he asked his wife for a divorce.
In the present, Nathan is finally divorced but now Kat is engaged to an utter fuck face. Kat is having all sorts of feelings in the present and one can argue she’s had them for 6 years. Me; I argue. It gets to a point where she’s still engaged but says fuck it and grinds all up on Nathan for “research” and kisses him. Nathan was pissed because she was using him and claims it “wasn’t” a kiss because he didn’t kiss back. This isn’t middle school. He didn’t prevent it from initially happening. It was a conscious decision by both to dance and go to the club and to eventually allow the kiss.
*spoiler* Technically her fiancé, Chris, gave her permission to cheat if it helped her write the book, but this doesn’t help. It makes it worse because a. that “permission” happened at 10% through the book and b. it took her 60% more to actually break up with him and c. she only kissed Nathan using the “permission” to spite Chris, before even breaking up with him while d. there was only one obvious and acceptable action and that was e. breaking up with the motherfucker at 10% when he told her she could cheat and that he’d get a different fiancé if she didn’t write the book and f. it gets revealed later on that she only started dating Chris to spite Nathan (in a vague wishy washy revelation).
Relationship:
Jeremy and Kristina should not have ended up together. They should have been alone and okay with it. Divorce is so pretty right?
Romance:
Well, there wasn’t much. I had no connection to either character and never felt their chemistry. The scene with them writing a sex scene managed to make me uncomfortable, not horny. I liked him buying books for her, but I hated that was him buying books for her. I want another couple in a different book to do this.
Steam:
I bet you’re curious about the sex like I was. Well, take note from above about tempering your expectations because y’all it was also just as disappointing as you hoped it wouldn’t be. I’ll give credit where credit is due: there was at least more than there could have been. She did go on top for a few seconds, but on top of what? Beats me because very *very* few words were actually used to describe this thing we’ve all been reading this book for. It was very impressive how the only words mildly sexual were “breasts,” “shudders,” “hardness,” and touched her “lower down.”
“Lower down.” They made her vagina sound like the underworld in a fantasy novel 😭 like “oh no we’ve got to go to the Lower Down in order to get the weapon to defeat the giant evil muskrat king.” This book did that to me. It broke me. A broken person thinks like this.
The authors made Kat say she wouldn’t want foreplay when they were writing so they wouldn’t have to write the words pussy or cock. This is live footage of me screaming FADE TO BLACK INTO A FLASHBACK OF THEM BREAKING UP AND THEN IT FADES BACK IN FOR MORE VAGUE CLIMAX LANGUAGE into the void.
Genre:
This book basically said that it’s a love story but also literary and commercial because that’s what sells. It said that Kat and Nathan write in that genre (no surprise why I disliked their “profound” and so “deeply insightful” books we got glimpses of). That line (although not a direct quote because it’s from an arc) also reveals what the actual authors of this book were trying to attempt. A love story that’s better than a mere romance novel because it’s so *literary* and profound and insightful.
This book is not a romance. It’s literary and commercial, with an unsavory love story that ended with me wanting the characters to end up without an HEA. It is fine that the authors wanted to write contemporary fiction (women’s fiction I guess, although this woman did not like this piece of fiction) but please call it what it is. It’s clear this book was trying to target way more than the actual readers of the romance genre. But hey there’s a cute cover so all is forgiven.
This book is a mix between Beach Read and People We Meet On Vacation, neither of which did it for me completely as romances. I like Beach Read and was compelled by the story; I liked the relationship in it. Even more so than Beach Read though, People We Meet on Vacation is a clear comp. Emotional cheating is another. I didn’t like the flashbacks, the “big” fight, nor the emotional cheating. If you liked PWMOV, I could see you liking this one as a lot of people liked that book. As you can imagine, I am unwell at the prospect. Literary, commercial, absolutely not for me.
Flashbacks:
Like PWMOV, this book is structured with present day and flashback chapters. Flashbacks range from four to six years prior. Like PWMOV, this is a book where the characters are in separate relationships, not with each other. Like PWMOV, there was a *huge* fight in the past that the flashbacks are leading to and the present chapters keep mystically shrouding with vague comments. Like PWMOV, the *huge* fight was not so huge at all. In fact, all it was was a weird overreaction, miscommunication, and nothing more. You get to the point where you’re like… the fight wasn’t just… *that* was it? No, it can’t be… please don’t let it be. And then you get to the point when you realize the fight was indeed just *that* and you make this face: 🥴. Safe to say, whatever you think the fight will be, it is far less interesting. Think of the most simple thing for them to get in a misunderstanding about and *boom* you’ve got it.
This book also included a second mini *huge* fight with a side character, Harriet. I was also very intrigued as to what their rift was. Finally, we’re going to have drama! Unfortunately, no. I really can’t believe Katrina shunned Harriet for… that. No wonder she’s still acting like a baby four years later. No wonder she’s fine with Chris and fine with being fine. No wonder this book warned me from the start that I’d be precisely in this position on the couch, taking too long to write this review.
Seeing Nathan meet Katrina for the first time at the end did nothing for me. I was done with flashbacks at that point, as each angered me more than the last. Again, the dude was married. These two wouldn’t know proper decisions or chemistry if it sat on their face. Oh wait…we don’t do that kind of sex here.
*spoiler* Why would they include a flashback of her getting with Chris? At 90% through the book? We’d literally been told 99% of what that scene represented and we could definitely guess that she only started dating her fiancé to hurt Nathan. A nice long con. These people suck I hate it here. I also don’t want that reminder when I’m trying to be okay with their relationship.
Story within the story:
Kat and Nathan wrote a veeery prophetic and so deeply profound book about the beauty of divorce, with what I can guarantee to be shitty and grasping sex scenes. No more than two. No explicit language. No foreplay. I disliked watching them write this book that was obviously just a parallel of them which made it worse. Because I did not like… them. I also don’t find divorce all that romantic.
Writing style:
The writing was clunky and tried to be too philosophical and inspiring and metaphorical and it ended up just being wordy, confusing, and exhausting. This is how I imagine Nathan would write (we do see him write exactly like this and basically get a boner because he’s so smart and such a good writer.) The metaphors and characters feel like b-list literary fiction with a romance subplot starter pack.
I hated whenever Nathan talked about his superior writing. He sounded like a pompous, arrogant ass with a penis the size of a pen cap and an ego the size of Alaska. The line about Florida heat feeling like after sex sweat? In a GOOD way??? Wow, so inspired. Inspired to vomit. He describes everything like he’s writing it in an ironically bad book… which would be this book. Unironically.
I get we are supposed to understand his personality through the writing and how different the two are but it just makes them bad humans and cringey writers. I don’t care for how he talks about women (seeing them, being with them) it’s not necessarily *bad* but it’s not attractive. I guess it’s real? But I don’t want him to be a real man because I don’t like real men. When he described the poor woman as a volleyball player and imagined all the ways they’d have sex if he wasn’t *inconveniently* in love with Kat. Or when Kat’s one piece swimsuit was eating her tits? So hungry for them? Wow.
Concluding thoughts:
Overall, I’m giving this book 1 star. I was moving between 1 and 2 but once I realized how many words I wrote to describe just how ROUGH this book was, I quickly realized I had my answer. Not even them writing a sex scene was hot. It actually made me uncomfortable.
The only good ending would have been them not publishing this book. Chris deserved none of their success. I’d love if they were secretly writing a different manuscript in an unreliable narrator way so we didn’t know and scratched the other fucked up one and made Chris zero money. They could have gone to a different publisher. THAT would have been interesting.
The authors hoped we can just ignore 63% of emotional cheating, actual cheating at 64% (I don’t care that Chris gave permission what the fuck. She should have broken up with him at 10%), her and Chris’s breakup at 71% and more kissing between Kat and Nathan at 75%. At 77% we get the flashback of Nathan finally deciding to get a divorce in the past, about 100% too late for decency. You ask why I hate a book that has both characters in a relationship not with each other for a majority of the book? This. All 1000% of this. Maybe if I loved this book more I’d be able to talk about it 50% less. (At 80% they kiss again and she was like wow I get to do this now and I’m like??? Girl you apparently got to do it before 💀 *checks notes* at 64%.) (At 83% they have sex and Nathan “shucks” off his clothes so naturally all my mind could think about was corn. Not euphemism cobs. Nope just plain old corn. So sexy… shucksy? shuxy?)
This is a book about divorce and infidelity writers experiencing divorce and infidelity and that’s just not a journey I’d pay $16.00 for. Hell I don’t even want it for free in exchange for a review.
If you want to read a book about two authors trying to be profound, writing about two authors trying to be profound by writing a book that’s trying to be profound, you have (pro)found the book for you.
The Roughest Draft was ONLY written because of Emily Henry’s broad appeal and general success rate and no one can convince me otherwise. The parallels are too obvious. I hope you don’t fall for the Cute Cover Con.
The only romance was between me and the last page of this book. I loved that I was done with it.
Disclaimer: This review was written by a petty person 😔
⭐️/5 🌶/5 🤬🤬🤬🤬🤬*/5
*Because this book made me so mad my mom thinks reading is now unhealthy for me. Joke’s on her because she took me to the library every day as a kid.
Thank you to the publisher for this review copy. My opinions are honest and my own.