A valuable attempt to explain Native American culture to the dominant culture, using the the dominant culture's understanding of the Artist (as visionary individual) as a plank to bridge the conceptual gap. Highwater is sensitive to the varieties of individualism within Native cultures and between Native culture and the dominant culture. The book is slightly marred by too-facile generalizations about European culture (e.g., would we really want to classify Richard Wagner as a twentieth-century composer?), and in my mind it places to much weight on emerging convergence between modern art and Native art--not only because what was "emerging" in the late seventies now seems hopelessly dated, but also because in retrospect we can see that Highwater was grasping optimistically at a convergence that did not come to pass. What passes as Modern Art today, it seems to me, is more baubles for the leisure class than a cultural vanguard. Still, Highwater is right that many in the dominant culture seek, rightly, some knowledge of indigenous cultures to fix what is bankrupt in their own culture. Dialogue is valuable and necessary. There is a lot of wisdom in this small book.