Les Écrits complets rassemble en un seul volume l’ensemble des écrits de Laure, parus depuis 1978 en différents volumes et dont certains sont désormais épuisés. Il s’agit de rendre à ces textes la place qui est la leur dans le paysage littéraire, en les redonnant à lire dans leur état le plus proche possible de l’original, afin de redonner à Laure la place qui est la sienne : celle d’un écrivain majeur du XXe siècle.
L’édition des Écrits complets de Laure est établie par deux spécialistes de l’œuvre de Laure : Marianne Berissi, agrégée de lettres modernes, et Anne Roche, agrégée de lettres classiques.
Colette Peignot (October 8, 1903 - November 7, 1938) was a French author who is most known by the pseudonym Laure, but also wrote under the name Claude Araxe.
She was profoundly affected by the deaths of her father, brothers and uncle during World War I. As a prominent member of Georges Bataille's secret society Acéphale, she had an intense affair with the author, whose Blue of Noon is based on events in their relationship. Indeed, she is known more as a biographical footnote; a volatile female personality amongst the inter war French avant-garde of literature and politics. Her works were published posthumously against the will of her brother, Charles Peignot, by her nephew, the poet Jérôme Peignot (who thought of Colette as a “diagonal mother”).
Amazing... if Bataille is the "shadow of post-structuralism", Laure is the shadow of Bataille. Of course, both are much more than this. But without Laure, would have become of Bataille's later works? The mutual influence on each other is clear, but to me it seems like Laure had a much stronger one on Bataille than vice versa. To discuss Laure in terms of Bataille is unfair to Laure, however, as she stands on her own - in fact, I actually think her short story "Story of a Little Girl" is better than any fiction Bataille ever wrote (and I love his fiction).
Her letters, notebooks, and fragments reveals a (quint)essentially Nietzschean outlook on life. Having been raised Catholic then abandoning it, and suffering from the disease that would later kill her (tuberculosis) all her life, she was still able to say "yes" to life, to affirm herself in the face of an ambiguous state of life and death. Despite her general pessimism towards politics (basically every side, though she did later state she was an anarchist - was she still this when she died? I have no idea) she still maintained an optimistic undertone. She says something along the lines of "many leftists are bad but without them fascism would win".
Her letters also reveal, what seems to me, a fundamentally anxious and highly self-critical viewpoint. This did more to humanize a very human person, her humanity bleeding through words.
She is like a mirror negative version of Bataille and Simone Weil put together, a "sovereign" individual (as Bataille calls her), completely different and apart yet totally enmeshed and together. Recommended to everyone - Laure is criminally underrated.
There are a lot of problems with this - how Laure is defined by her great romances, or in other words, by the men around her. I don't mean to discredit the importance that love and the relationships we have as not being central to our lives, but I feel like she is defined by those around her. This is problematic for her writings are about defining or separating herself from the world around her.
Regardless, it has been a while since I've had a dead French woman to obsess over.
It isn't difficult to see why Bataille was in love with Laure. She lived intensely and was at odds with her bourgeois and Catholic upbringing, but not without cost it seems. I sensed her desperation.
Laure is the literary grandmother of anyone who ever suspected female sexual subjectivity had something to do with the holy trinity of birth, life, and death. It's not incidental that the greatest philosophical works take place in the gutter.
They don't make little girls like Laure anymore. The fuel behind Georges Bataille finally gets her own collection of writings and it's a fascinating read. In fact she is sort of a walking and living Bataille novel. As a reader it's amazing to sit back and watch how certain individual react to their world, their time, and how the 20th Century unfold it with a great sense of erotica and adventure. As well as horror...
George Bataille has been a fascination of mine since I was a teenager. Colette Peignot has always been attached to his biography as his great muse. Laurie, a collection of her writings, turned her from a Batailleian biographical accessory to a three-dimensional person for me. Some really great work that helps situate her to the intellectual currents of the 1920s-1930s France, where she was an active member of the counter-culture movements around that time, from surrealism, libertinism, and Marxism to Anarchism.