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作家榜经典：三言二拍(200篇经典小说，写透奇人奇事奇遇！堪称小说版《清明上河图》，作家大冰推荐版) (大星作家榜经典文库)
1、 足本典藏·精校精排： 精选权威底本校勘，完整收录200篇传世经典。
2、 阅读轻松·新增注释： 对生僻字词添加注音注释，真正无障碍阅读。
3、 精美插画·赏心悦目： 突破性修复30幅明清版画，构图奇巧，配色鲜明。
4、 作家大冰·推荐版本： “于无常处知有情，于有情处知众生。”
“三言二拍”，是中国古代白话短篇小说大全集，包括明代文学大师冯梦龙编著的“三言”：《喻世明言》《警世通言》《醒世恒言》，小说大师凌濛初编著的“二拍”：《初刻拍案惊奇》《二刻拍案惊奇》。
“三言二拍”总共两百篇经典白话短篇小说，完整囊括了宋、元、明三代白话短篇小说精髓，书中的每一个故事，独立精彩又跌宕起伏，白娘子永镇雷峰塔、杜十娘怒沉百宝箱、俞伯牙摔琴谢知音等中国人耳熟能详的经典故事，均源自“三言二拍”；“不受苦中苦，难为人上人”“画龙画虎难画骨，知人知面不知心”等深刻影响中国人价值观的名言警句，同样源自“三言二拍”。
千百年俗世奇人奇事，尽在三言二拍；两百篇经典短篇小说，写透人间百态！
作家大冰，强烈推荐：“于无常处知有情，于有情处知众生。”
1、我对三言二拍的理解——于无常处知有情，于有情处知众生。这也是我自己写文章的发心。——作家大冰
2、在《三言二拍》中看到了欲望，欲望，欲望。——知乎读者
3、明清小说里的烟火气息与物欲爱情，太让人陶醉。——豆瓣读者
4、实是一出在道德上与心理上几乎完全协调的人间戏剧。——中国文学研究家夏志清
5、如果给古人颁发“诺贝尔文学奖”，冯梦龙定能获奖。——香港大学教授詹杭伦。
6、那一个个小故事每个都生活、形象，还有着作者当下的思考，很有意思。——话剧导演林兆华
冯梦龙（1574—1646）
明代文学大师、戏曲家，南直隶苏州府长洲县（今江苏省苏州市）人。
生于名门世家，少时博学多才，但科举屡次不中。长期生计艰难，混迹底层，熟知社会的真实面貌和人性的弱点。直到61岁时，考取福建寿宁县知县。
代表作有短篇白话小说集《喻世明言》《警世通言》《醒世恒言》，合称“三言”；笔记小品《智囊》《笑府》《情史》等；长篇历史小说《东周列国志》等均流传至今。
凌濛初（1580—1644）
明代小说大师、雕版印书家，湖州乌程（今浙江吴兴）人。
出身官宦世家，早年不得志，专以著作刻书为事。55岁出任上海县丞，63岁升为徐州通判，两年后被农民起义军围困，忧愤而亡。
一生著作丰富，代表作《初刻拍案惊奇》《二刻拍案惊奇》堪称经典中的经典，写尽生活、写透人性，与冯梦龙所编著的《喻世明言》《警世通言》《醒世恒言》合称“三言二拍”，是中国古典白话短篇小说的杰出代表。
2、 阅读轻松·新增注释： 对生僻字词添加注音注释，真正无障碍阅读。
3、 精美插画·赏心悦目： 突破性修复30幅明清版画，构图奇巧，配色鲜明。
4、 作家大冰·推荐版本： “于无常处知有情，于有情处知众生。”
“三言二拍”，是中国古代白话短篇小说大全集，包括明代文学大师冯梦龙编著的“三言”：《喻世明言》《警世通言》《醒世恒言》，小说大师凌濛初编著的“二拍”：《初刻拍案惊奇》《二刻拍案惊奇》。
“三言二拍”总共两百篇经典白话短篇小说，完整囊括了宋、元、明三代白话短篇小说精髓，书中的每一个故事，独立精彩又跌宕起伏，白娘子永镇雷峰塔、杜十娘怒沉百宝箱、俞伯牙摔琴谢知音等中国人耳熟能详的经典故事，均源自“三言二拍”；“不受苦中苦，难为人上人”“画龙画虎难画骨，知人知面不知心”等深刻影响中国人价值观的名言警句，同样源自“三言二拍”。
千百年俗世奇人奇事，尽在三言二拍；两百篇经典短篇小说，写透人间百态！
作家大冰，强烈推荐：“于无常处知有情，于有情处知众生。”
1、我对三言二拍的理解——于无常处知有情，于有情处知众生。这也是我自己写文章的发心。——作家大冰
2、在《三言二拍》中看到了欲望，欲望，欲望。——知乎读者
3、明清小说里的烟火气息与物欲爱情，太让人陶醉。——豆瓣读者
4、实是一出在道德上与心理上几乎完全协调的人间戏剧。——中国文学研究家夏志清
5、如果给古人颁发“诺贝尔文学奖”，冯梦龙定能获奖。——香港大学教授詹杭伦。
6、那一个个小故事每个都生活、形象，还有着作者当下的思考，很有意思。——话剧导演林兆华
冯梦龙（1574—1646）
明代文学大师、戏曲家，南直隶苏州府长洲县（今江苏省苏州市）人。
生于名门世家，少时博学多才，但科举屡次不中。长期生计艰难，混迹底层，熟知社会的真实面貌和人性的弱点。直到61岁时，考取福建寿宁县知县。
代表作有短篇白话小说集《喻世明言》《警世通言》《醒世恒言》，合称“三言”；笔记小品《智囊》《笑府》《情史》等；长篇历史小说《东周列国志》等均流传至今。
凌濛初（1580—1644）
明代小说大师、雕版印书家，湖州乌程（今浙江吴兴）人。
出身官宦世家，早年不得志，专以著作刻书为事。55岁出任上海县丞，63岁升为徐州通判，两年后被农民起义军围困，忧愤而亡。
一生著作丰富，代表作《初刻拍案惊奇》《二刻拍案惊奇》堪称经典中的经典，写尽生活、写透人性，与冯梦龙所编著的《喻世明言》《警世通言》《醒世恒言》合称“三言二拍”，是中国古典白话短篇小说的杰出代表。
2931 pages, Kindle Edition
Published October 1, 2018
About the author
冯梦龙 Feng Menglong
259 books20 followersFeng Menglong (1574–1646) was a Chinese vernacular writer and poet of the late Ming Dynasty.
Most of his literary work was in editing and compiling histories, almanacs and novels. Two of his noteworthy novels are Qing Shi and the shenmo work Pingyao Zhuan. In 1620 he published the Illustrious Words to Instruct the World (喻世明言 Yushi Mingyan), or Stories Old and New.
Feng was a proponent of the school of Li Zhi, which supported the importance of human feelings and behavior in literature. He is frequently associated with Ling Mengchu, author of Slapping the Table in Amazement.
Feng Menglong was in love with a famous prostitute when he was young. Unfortunately, Feng Menglong was not able to afford to redeem his lover out. At the end, his lover was redeemed by a merchant, and they had to leave each other. Feng Menglong suffered from pain and desperation due to the separation, and he expressed his sorrow through poems. This experience influenced the way he portrayed female characters in his stories. In fact, Feng Menglong was one of the few authors who portrayed female as being strong and intelligent; and this is different from other authors, where they tended to ignore the importance of female’s position. The female characters in Feng Menglong’s stories were portrayed as brave and bright when dealing with different situations. For instance, in his story Wan Xiuniang Takes Revenge Through Toy Pavilions from Jing Shi Tong Yan, Wan Xiuniang showed her braveness during her tough times, and she was able to escape using her intelligence. Other female characters, such as Miss Du Shi Niang and Qu Xiuxiu, are example to show Feng Menglong’s respect to female.
Feng Menglong expressed his attitudes towards the society through his works, and the reason was tightly related to his experience during his career. Feng Menglong became a local officer in Shouning in his sixties. He pursued justice and wished to build up his reputation by acting as an honest and upright official. Unfortunately, he was born in a time of corruption; bribery and extortion were common bureaucratic behaviors, and they opposed the principle of Feng Menglong. Realizing that atmosphere of corruption could not be easily changed, Feng Menglong conveyed his discontent and patriotism through words. Each character of his stories has strong and direct characteristics: there is a clear morality line drawn between “good” and “bad”. Moreover, the meaning behind the stories explores the social issues during Ming Dynasty. For instance, the story The White Maiden Locked for Eternity in Leifeng Pagoda and The Young Lady Gives the Young Man a Gift of Money from Jing Shi Tong Yan express the idea of how women pursue their freedom and happiness under a feudal society.
Most of his literary work was in editing and compiling histories, almanacs and novels. Two of his noteworthy novels are Qing Shi and the shenmo work Pingyao Zhuan. In 1620 he published the Illustrious Words to Instruct the World (喻世明言 Yushi Mingyan), or Stories Old and New.
Feng was a proponent of the school of Li Zhi, which supported the importance of human feelings and behavior in literature. He is frequently associated with Ling Mengchu, author of Slapping the Table in Amazement.
Feng Menglong was in love with a famous prostitute when he was young. Unfortunately, Feng Menglong was not able to afford to redeem his lover out. At the end, his lover was redeemed by a merchant, and they had to leave each other. Feng Menglong suffered from pain and desperation due to the separation, and he expressed his sorrow through poems. This experience influenced the way he portrayed female characters in his stories. In fact, Feng Menglong was one of the few authors who portrayed female as being strong and intelligent; and this is different from other authors, where they tended to ignore the importance of female’s position. The female characters in Feng Menglong’s stories were portrayed as brave and bright when dealing with different situations. For instance, in his story Wan Xiuniang Takes Revenge Through Toy Pavilions from Jing Shi Tong Yan, Wan Xiuniang showed her braveness during her tough times, and she was able to escape using her intelligence. Other female characters, such as Miss Du Shi Niang and Qu Xiuxiu, are example to show Feng Menglong’s respect to female.
Feng Menglong expressed his attitudes towards the society through his works, and the reason was tightly related to his experience during his career. Feng Menglong became a local officer in Shouning in his sixties. He pursued justice and wished to build up his reputation by acting as an honest and upright official. Unfortunately, he was born in a time of corruption; bribery and extortion were common bureaucratic behaviors, and they opposed the principle of Feng Menglong. Realizing that atmosphere of corruption could not be easily changed, Feng Menglong conveyed his discontent and patriotism through words. Each character of his stories has strong and direct characteristics: there is a clear morality line drawn between “good” and “bad”. Moreover, the meaning behind the stories explores the social issues during Ming Dynasty. For instance, the story The White Maiden Locked for Eternity in Leifeng Pagoda and The Young Lady Gives the Young Man a Gift of Money from Jing Shi Tong Yan express the idea of how women pursue their freedom and happiness under a feudal society.
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