One of the best Canadian crime series in recent years has been the Stonechild and Rouleau mysteries, featuring an indigenous police detective, Kala Stonechild, and her boss, Sergeant Jacques Rouleau, and set latterly in Kingston, Ontario. Over the past six novels readers have learned of Kala’s troubled past, as she moved between foster homes and tried to navigate the sometimes convoluted world of urban white people. Her life is further complicated by a close friend who is in prison; Kala is determined to help her teenaged daughter, Dawn, mature into a confident and capable young woman.
Kala finds herself at a turning point in her life, and she is weighing the possibility of leaving Kingston and returning to the more familiar North woods, where she feels more at home. Complicating the decision is her close relationship with Gundersund, also a detective with the Kingston force. She also feels a close bond with her mentor, Staff Sergeant Jacques Rouleau, but he is considering retiring and joining his lover, Marci Stokes, as she takes on a new position in Paris. In a nutshell, then, everyone’s life plans are in turmoil, complicating Kala’s own thought processes.
To clear her mind, and also to expose Dawn to the delights of northern life, Kala arranges for the two of them and her dog Taiku to spend a few days at Pine Hollow Lodge near Algoma. But it seems she can’t leave her job behind her, and by the next day one of the servers at the lodge, goes missing. When her body is discovered it turns out she’s been murdered, and the nearest OPP officer, finding himself shorthanded, asks Kala to help with the case. But as she becomes further involved in the case Kala realizes that there are dark undercurrents of tension at the lodge. Kala’s dream getaway is rapidly turning into a nightmare.
It is sometimes said that setting is character, and Chapman deftly draws upon her extensive personal knowledge of Northern Ontario to set her tale. Her experience pays off in a richly atmospheric detail that convincingly portrays life in the isolated region.
But all good things must come to an end. The seventh novel of the series, Closing Time is also the last in the series, and for Chapman’s devoted readers it will be a bittersweet experience, reading the final chapter in what has proved to be one of the strongest and most interesting crime series to emerge in years. A skilled storyteller, Closing Time is a finely-drawn story, Chapman writing with an assured hand, confident that she’s nailed her subject – and she has. Closing Time is an evocative and compelling work, and a fitting end to the series; and while I regret reading the last of Stonechild and Rouleau, I look forward to the next step in Chapman’s impressive literary journey. I’m certain it will be equally special.
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Jim Napier is a novelist and crime-fiction reviewer based in Canada. Since 2005 his book reviews and author interviews have been featured in several Canadian newspapers and on multiple websites. His crime novel Legacy was published in April of 2017, and the second in the series, Ridley’s War, is scheduled for release in November of 2020. He can be reached at jnapier@deadlydiversions.com