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犬夜叉 [Inuyasha ] #18
InuYasha - Wide Edition, Vol. 18
Naraku se aprovecha de la princesa Abi y su madre para abrirse camino hacia el otro mundo. Y no solo eso: todos los esfuerzos por encontrar la Shikon no Tama antes que él parecen inútiles, pues la voluntad de la propia esfera la llevó hasta ahí para evitar verse contaminada con la maldad de Naraku o de cualquier otro yokai. Mientras tanto, Sesshomaru busca la forma de atravesar el portal y sigue los consejos de Kagura. ¡Es entonces que Kagome encuentra el rastro que tanto buscaban! No obstante, el poderoso Housenki se encargará de que nadie se lleve de ese mundo su tesoro. ¡Aunque deba matar al mismísimo hijo del Jefe de los perros!
- GenresManga
354 pages, Paperback
Published January 1, 2020
About the author
Rumiko Takahashi
1,596 books2,201 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 10 of 10 reviews
June 22, 2026
4 estrellas
Para sorpresa de nadie, Kikyo sigue resolviendo
Para sorpresa de nadie, Kikyo sigue resolviendo
July 31, 2025
Okay, la situazione si sta facendo ancora più interessante, sono stra curiosa di sapere cosa succederà nel prossimo volume.
March 27, 2025
SERIE INUYASHA vol 18
Lettura di gruppo E&L
Questa parte non l'avevo ancora mai letta e mi sta intrigando. Sembra sempre che i nostri eri girino a caso e invece...
Mi dipsiace ma non posso stare a spoileravi tutte le volte. Dico solo leggetelo. *_*
Lettura di gruppo E&L
Questa parte non l'avevo ancora mai letta e mi sta intrigando. Sembra sempre che i nostri eri girino a caso e invece...
Mi dipsiace ma non posso stare a spoileravi tutte le volte. Dico solo leggetelo. *_*
July 10, 2020
En la primer parte van a donde la tumba del papa de Inuyasha para recuperar el pedazo de perla, guardian, pelea con NAraku, upgrade de espada, Seishumaru aparece, logran "vencer" a Naraku.
Tenemos despues un par de aventuras más en lo que buscan la pista de Naraku.
Tenemos despues un par de aventuras más en lo que buscan la pista de Naraku.
September 10, 2025
War wieder unglaublich spannend 🙈 Sesshomaru ist einfach eine Klasse für sich ❤️ Liebe ihn total 😍
October 30, 2024
Gdl con Edicola & Libreria: le nostre passioni...
https://www.goodreads.com/topic/show/...
Continuo ad adorare questa serie, la sto trovando emozionante, divertente e appassionate in ogni sua pagina.
Peccato che il finale di ogni volume ci lascia sempre sul più bello.
https://www.goodreads.com/topic/show/...
Continuo ad adorare questa serie, la sto trovando emozionante, divertente e appassionate in ogni sua pagina.
Peccato che il finale di ogni volume ci lascia sempre sul più bello.
December 29, 2024
3,5
Continua la caccia a quel fetente di Naraku. Caccia che si sposta anche nell'aldilà, dove si trova uno degli ultimi frammenti della sfera. In mezzo a combattimenti e avventure varie, due cose sono certe: 1) il corpo di Naraku può essere fatto a pezzi, ma finché non si trova il suo cuore (il neonato inquietante), sarà impossibile sbarazzarsi veramente di lui e di tutte le sue emanazioni; 2) ci sono almeno un paio di persone che sono coinvolte in un gioco pericoloso - sia Kagura che il giovane Kohaku non hanno più alcuna intenzione di stare dietro a Naraku e quindi sono alla disperata ricerca del cuore del demone, in modo da potersi liberare di lui prima che sia troppo tardi. Purtroppo la vedo difficile, e francamente la situazione non promette bene per nessuno dei due: Kohaku sta facendo finta di non aver ancora recuperato la memoria e quindi cerca di sembrare il solito sottoposto obbediente (cosa che lo porterà ad un altro doloroso scontro con la sorella Sango) in modo da non destare sospetti, ma Kagura non ci sta andando troppo per il sottile. Naraku ha già dei dubbi su di lei, ma la poverina sta facendo di tutto pur di riuscire a tagliare la corda. Per lei, la morte di Naraku è la chiave per ottenere la tanto agognata libertà, ma dubito che il fetente ci andrà giù leggero al momento della resa dei conti 🤔
Non mancano le comparsate delle somma Kikyo, che rimane una delle spine nel fianco per Naraku, visto che il suo potere spirituale la rende molto pericolosa. Sicuramente, prima o poi, arriverà la resa dei conti pure tra questi due.
P.s.: ogni volta che compare Sesshomaru, è sempre una delizia per gli occhi 😅🤭
Continua la caccia a quel fetente di Naraku. Caccia che si sposta anche nell'aldilà, dove si trova uno degli ultimi frammenti della sfera. In mezzo a combattimenti e avventure varie, due cose sono certe: 1) il corpo di Naraku può essere fatto a pezzi, ma finché non si trova il suo cuore (il neonato inquietante), sarà impossibile sbarazzarsi veramente di lui e di tutte le sue emanazioni; 2) ci sono almeno un paio di persone che sono coinvolte in un gioco pericoloso - sia Kagura che il giovane Kohaku non hanno più alcuna intenzione di stare dietro a Naraku e quindi sono alla disperata ricerca del cuore del demone, in modo da potersi liberare di lui prima che sia troppo tardi. Purtroppo la vedo difficile, e francamente la situazione non promette bene per nessuno dei due: Kohaku sta facendo finta di non aver ancora recuperato la memoria e quindi cerca di sembrare il solito sottoposto obbediente (cosa che lo porterà ad un altro doloroso scontro con la sorella Sango) in modo da non destare sospetti, ma Kagura non ci sta andando troppo per il sottile. Naraku ha già dei dubbi su di lei, ma la poverina sta facendo di tutto pur di riuscire a tagliare la corda. Per lei, la morte di Naraku è la chiave per ottenere la tanto agognata libertà, ma dubito che il fetente ci andrà giù leggero al momento della resa dei conti 🤔
Non mancano le comparsate delle somma Kikyo, che rimane una delle spine nel fianco per Naraku, visto che il suo potere spirituale la rende molto pericolosa. Sicuramente, prima o poi, arriverà la resa dei conti pure tra questi due.
P.s.: ogni volta che compare Sesshomaru, è sempre una delizia per gli occhi 😅🤭
December 13, 2023
That face will haunt me tho
August 1, 2026
5 per Hosenki e Sesshomaru, poi 4 per la sessione filler a smorfie di Shippo.
This entire review has been hidden because of spoilers.
May 26, 2022
Colmillo de acero tiene la habilidad de absorber cualidades muy específicas de ciertos demonios, digamos como que absorbe su poder así que para enfrentar a naraku debe mejorar las cualidades de sus espada onvatiendo con un demonio cullo cuerpo está echo de diamante pero es el diamante más duro que existe por así desirlo.
Al final lo logra y enfrenta a narako esperando acabar con el pero claro está lejos de lograrlo aún.
Al final lo logra y enfrenta a narako esperando acabar con el pero claro está lejos de lograrlo aún.
This entire review has been hidden because of spoilers.
Displaying 1 - 10 of 10 reviews