From the river Nile to the teeming streets of Cairo, from the indigenous, pre-Islamic Egyptian Coptic civilization to an America struggling with its fear of the Arab world, Shenoda’s poems recall the sacred traditions of an ancient, enduring culture as they widen the political conversation surrounding ethnicity, pan-Africanism and pan-Arabism. This notable collection spans generational, political and cultural divides, providing a nuanced perspective virtually unknown in the West. Matthew Shenoda is a Coptic poet influenced by jazz musicians and the writers of the Black Arts Movement. He teaches at San Francisco State University and works as a community and racial justice activist in the Bay Area. Widely anthologized, his articles, essays and poems have appeared in the San Francisco Chronicle , The Bloomsbury Review and Newsday .
Matthew Shenoda is a writer and educator whose poems and writings have appeared in a variety of newspapers, journals, radio programs and anthologies. He has been twice nominated for a Pushcart Prize and his work has been supported by the California Arts Council and the Lannan Foundation among others.
His debut collection of poems, Somewhere Else (Coffee House Press), was named one of 2005's debut books of the year by Poets & Writers Magazine and was winner of a 2006 American Book Award. He is also the author of Seasons of Lotus, Seasons of Bone (BOA Editions Ltd.), editor of Duppy Conqueror: New & Selected Poems by Kwame Dawes, and author of Tahrir Suite: Poems (forthcoming, TriQuarterly Books/Northwestern University Press).
Shenoda lectures widely and has taught extensively in the fields of ethnic studies and creative writing. The former Assistant Provost for Equity & Diversity and faculty in the School of Critical Studies at California Institute of the Arts, he is currently Associate Professor & Interim Chair of the Department of Creative Writing at Columbia College Chicago. Additionally, Shenoda has served on the Board of Directors of several arts and education organizations and is a founding editor of the African Poetry Book Series. He lives with his family in Chicago.
These poems focus mainly on the Egyptian Coptic Church and her people. They are powerful and intense to the point that is a bit shocking. Yet their raw nature makes them even more beautiful.
There is something inside each of us that scurries toward the past in our bodies a rooted history perhaps in the balls of our feet a microscopic yearning that floats inside that sphere yearning in a language we've forgotten.
History is too in our knees in the ball that pops & twists as we journey.
And for those of us blessed to be old & for those of us blessed to be young it lives inside the tiny ball of skin deep inside the belly button tickles recollections from our tongues stories of stories from then--
history lives in circles & spheres
floating
always suspended
Somewhere in the Eastern Sahara There Is a Wall Made of Skulls
Down from the shadow of Mount Sinai a couple of days from the Red Sea, list in the barren space between there is a place where monks carved culture's rock.
Like the hands of the sculptor dusty with imagination each sway of their arms shapes the desert.
We woke one day under the ancient Saharan sun.
We made our way to the inner desert to the quiet place.
Summoned and asked to witness what has never been seen before.
We began digging rock for a wall sixteen centuries old we found the skulls of the ancients.
Each sphere of bone a voice
A cage of warrior mind.
Hammering nails with rocks constructing pine boxes each skull was set in the wall's interior to watch those who approach by night.
Where eyes once shifted for fear a stiff-straight gaze appeared.
The way one human being can forgive another in that moment where shadows ascend and vanish somewhere in that silent understanding we lend ourselves to one another knowing survival would be impossible without it. waiting for release.