Over the summer of 1821, a cash-strapped John James Audubon worked as a tutor at Oakley Plantation in Louisiana's rural West Feliciana Parish. This move initiated a profound change in direction for the struggling artist. Oakley's woods teemed with life, galvanizing Audubon to undertake one of the most extraordinary endeavors in the annals of art: a comprehensive pictorial record of America's birds. That summer, Audubon began what would eventually become his four-volume opus, Birds of America.
In A Summer of Birds, Danny Heitman recounts the season that shaped Audubon's destiny, sorting facts from romance to give an intimate view of the world's most famous bird artist. A new preface marks the two--hundredth anniversary of that eventful interlude, reflecting on Audubon's enduring legacy among artists, aesthetes, and nature lovers in Louisiana and around the world.
Unfortunately too many people expect a biography of John James Audubon when they see the title of this book. This monograph most definitely is not one. It is an examination of a place and time that played a pivotal role in Audubon’s life and his development as a painter of birds.
The book consists of a short treatise framing Audubon’s sojourn at Oakley Plantation, where he was employed as a teacher, against the broader oeuvre of his work. It focuses upon how his art and life’s work on the Birds of America was influenced and impacted by the time that he spent at Oakley.
The treatise is accompanied by copies of the paintings definitively known to have been completed during his sojourn at Oakley, and others that may also have been completed, started or influenced by his time at Oakley.
This was my mistake as I saw a book with birds and a famous name on it and expected it to be about birds. But instead it was about a particular stay of Audubon in Louisiana where he got a lot of bird material for his later bird guide. It describes the property, family and circumstances of that Summer, guided by other sources and some speculation. There's very little about birding or birds, until the end where a number of Audubon's illustrations are presented. As I had no real interest in the character, I didn't find it very interesting.
There really wasn't much to this book. True, it did talk at the beginning of each section about some specific happening at Oakley House, but it was maybe two paragraphs, followed by 5 pages of tangents, and then tangents on those tangents. It is not poorly written, but at only 73 pages of reading, I would estimate maybe 18-20 pages actually were about anything having to do with Audubon's time at Oakley House. The gallery of bird prints that he worked on while there serve as a very nice appendix to the book.
Good book overall but I wanted more. More history, more about the birds and birding, more about the interactions. More about the forays into the wilderness.
This intriguing slice of international society of the early 19th century was a fascinating read. Mr. Heitman did an excellent job of researching life in the Louisiana territory, including all people, from slaves to high society. The changing flora and fauna was also interesting, attesting to the damage man has wrecked on wildlife in the past near two hundred years. The methods used by Audubon to get his realistic drawings were a revelation to me. It made me plan and make another trip to Oakley House.
I like biography, history, art and info about south Louisiana, so this fit the bill. It focuses on a small bit of Audubon's life and gives insight into how he worked. Enjoyable and informative without being too deep.