Apocalypse: An Anthology

by James Keery (Editor)

This first anthology of Apocalyptic, or neo-romantic poetry since the nineteen-forties, includes over 150 poets, many well known (Dylan Thomas, W.S. Graham), and others quite forgotten (Ernest Frost, Paul Potts). Over forty of the poets are women, of whom Edith Sitwell is among the most exuberant. Much of the contents has never previously been anthologised; many poems are reprinted for the first time since the 1940s. The poetry of the Second World War appears in a new context, as do early Tomlisnon and Hill. Here readers can enjoy an overview of the visionary-modernist British and Irish poetry of the mid-century, its antecedents and its aftermath. As a period style and as a body of work, Apocalyptic poetry will come as a revelation to most readers.

Genres: Poetry

320 pages, Paperback

Published August 27, 2020

Reviews

[Gavin Lightfoot · Rating 4 out of 5]

I found a lot of this book a challenge, the poetry was hard, but I was also introduced to a host of new and unknown poets to myself, who's work was a pleasure to read. The World War II poetry showed civilian views as well as military experiences from both men and women poets who lived through that time. Just a few of the poets I am pleased to have discovered are Alun Lewis, Lynette Roberts, Prunella Clough, Noel Welch and Ethne Wilkins to name but a few, and there were many more.
As for the hard poetry, at least for me, I will keep re-reading and if I don't always get it, there is still the beautiful use of language.
What really amazes me is how James Keery has found some of this body of work, looking on line you often won't find a "selected works" or even occasionally any individual poetry books, sometimes their work only appeared through various publication from years ago, so well done for bringing these poets to light.

[Jennifer · Rating 5 out of 5]

My Dad edited this anthology, and it was very thoughtful of the world to organise a real-life apocalypse as a PR stunt for its release.

I love this book because my Dad has lived, breathed and championed Apocalyptic poetry for decades. I also love it because it showcases some really wonderful all-but-forgotten poets (Gamel Woolsey is my favourite), as well as shedding new light on well-established writers.

It's not just daughterly bias either; The Guardian review said, 'Apocalypse redefines modern British poetry with exemplary panache.' I've never been more proud!