All good things must come to an end, and thus it is with Jonathan Strahan's Infinity Project. The Infinity Project was (because it is now complete) a series of (relatively) hard science fiction themed anthologies, roughly following the human race from the cradle of Earth out to the edge of the Solar System and beyond. The penultimate volume, Infinity Wars, told tales of military conflict, although those stories were told with a very humanistic viewpoint in mind. Sure, it was military science fiction, but not the kind you may be used to reading.
The titles of the books in Infinity Project were meant to give the reader some hint as to what was contained in that volume. Infinity's End does not, as the title might lead the reader to believe, contain stories about the end of the universe. Instead, it is self-referential with regard to the Infinity Project. It is saying essentially, yep, this is it. We're done. To get an idea of what might be in this volume, Strahan says this is his Introduction: "I asked the writers creating new stories for
this book to try to open up the solar system, to look again at its vastness, its incredible scale, and at how humanity in different ways might fit successfully and happily into its nooks and crannies."
To that end, the stories in this volume vary greatly in the way they meet Strahan's objective. No two stories are alike in subject matter, tone, characters, or anything else you might think of. In getting that variety, Strahan succeeded. However, I feel that the quality of the stories in the volume is uneven. While any original themed anthology (or, I suppose collection of stories from a particular author) will have some stories that are better than others, the best stories in Infinity's End (in my opinion - remember, I'm a reviewer, not a critic - so your mileage may vary) are head and shoulders above the rest (I want to say "worst" stories, but there are no bad stories in this book, so worst is not the right word by any stretch of the imagination).
It should come as no suprise to anyone that among my favorite stories in this volume is Alastair Reynold's "Death's Door". It is, at its most basic, a tale of two friends trying to convince a third not to check out of this life. They attempt to do so by taking him on a tour of the solar system's most stunning and spectacular wonders. It as if Reynolds looked at Strahan's request and said, okay, I'll make this story a Grand Tour of the wonders of the solar system; now I'd better put a plot around
it. For someone that likes big scale sense of wonder stories, I ate this one up.
Stories regarding the manipulation of time have always fascinated me. Yes, I like time travel stories and all the weird things those can entail, but playing with time itself is an interesting topic to me. Fran Wilde's "The Synchronist" tells the story of Beneficence Sand, the "kit kid" of Galen Sand, a trader who seems to have a special relationship with time and who leaves his daughter behind with her mother while he goes on the run from The Consistency, time police of a sort. Beneficence enters a contest called the Synchronist's Challenge and makes some fascinating discoveries. It's not an easy story to explain, but a fun one to read.
I love the work of Peter Watts. It's dark, fascinating, and compelling. When I read Blindsight many years ago, I know that I wasn't really sure what I was reading, but I loved it nonetheless. "Kindred" is a story like that. I can sit here and tell you about the story, but I'd be scratching my head the whole time. I loved it.
In Naomi Kritzer's "Prophet of the Roads", the Solar System is in tatters. When it wasn't in tatters, it was run by the Engineer, which at some cataclysmic point was broken into pieces. Now the Engineer is trying to orchestrate the reunification of its fragments; the funny thing is that most people don't want to the Engineer to return. This is more a story of two people who are carrying fragments of the Engineer and how they relate to each other rather than a "let's find all the fragments and put them together story". I think the story we get is much better than that latter one.
In Nick Wolven's "Cloudsong", the inner Solar System is seriously lacking water. Anander Flyte is headed to the the outer portion of the system to talk to the Darklings, a race of beings who have agreed to help out with Project Snowflake, which is designed to send water to the inner system. Only now the Darklings are saying that the project cannot be done. The reason for that, and how the problem is solved, is fascinating.
Kristine Kathryn Rusch's "Once in a Blue Moon" is a well written tale of pirates trying to steal a weapon off a space ship and of a precocious girl who is being sent to Earth to a "school that can handle her" that foils the plan. Nothing particularly outstanding, but a solid story.
Seanan McGuire's "Swear Not by the Moon" is another solid story about a young girl from a wealthy and connected family who is kidnapped. The story is a tale of wealth, influence, and bored people who do things just because they have the money and can do them, even though those projects shouldn't succeed. It is also a tale of a family that, despite it's wealth, influence, and privilege, is still a family that loves each other, a family that is protective of each other, a family just like many others.
Other stories that I recommend are "Intervention" by Kelly Robson; "Nothing Ever Happens on Oberon", by Paul McAuley (a story in his Quiet War universe which while not extraordinary makes me want to read the Quiet War books); "Longing for Earth" by Linda Nagata; and "Talking to the Ghost at the Edge of the World" by Lavie Tidhar. I don't believe any of these stories are going to win awards, but they are good, solid, core science fiction.
Stories that I felt didn't quite live up to my expectations were "Foxy and Tiggs", by Justina Robson (oddly enough the lead off story in the anthology - since it's typical the the first story is supposed to be one of the better ones that reach out and grab the reader, I must be missing something); "Last Small Step" by Stephen Baxter (which seems like one long infodump, and certainly not up to the standards of much of his other work); and "A Portrait of Salai" by Hannu Rajaniemi (in which I was
lost from the beginning, which in turn may have something to do with all the time I was spending reading in the car during our drive to and from San Jose for Worldcon 76).
Again, as you read this book your mileage may vary. Overall, I didn't think the collection of stories in this volume matched the quality of stories in the other volumes I have read in the series (while preparing this review, I discovered much to my chagrin that I have not read two of the seven volumes - I think I'd better get on that as soon as I can). Still, I also don't believe you can go wrong with this book; there's likely something here for everyone that enjoys these kind of stories.