Lily Morton’s books are a safe bet - banter, British humor, usually an evil ex and a third act breakup.
And this book delivered exactly that - nothing more, nothing less. It’s a fake boyfriend, grumpy/sunshine, age gap, boss/employee story. Zeb, the grumpy boss, needs a fake boyfriend for the wedding of his ex, Patrick (aka the handsome, spoiled and evil ex who has an evil homophobic family, too). Zeb owns an agency who - amongst other things - provides people with fake dates. So ofc he asks one of his employees to be his fake date, even though he’s not willing to admit that he ging’s said employee, Jesse, very attractive.
Jesse’s had a crush on Zeb for ages, and he jumps at the opportunity to spend time with him, even though he assumes that Zeb sees him as a kid, despite his very mature age of 24.
You kind of guess where it’s going. It’s predictable ofc, but I’ve been in the mood for a predictable, feel good book with only minor drama (thankfully, the breakup was just a short one), so I had a good time with it.
As most of this author’s books, the audiobook narration was done by Joel Leslie, whom - again- I know what I get into when I listen to him: his posh English is VERY posh, his older characters usually have a slightly deeper voice and are a bit out of breath, while his younger characters are flippant and animated. Again, I didn’t mind, it was exactly what I expected it to be, and sometimes all you need is a bit of a comfort book that’s not too taxing.
3.5 stars, rounded up because of this quote alone:
“It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.”