La presente edición chilena de algunos de mis textos es un acontecimiento muy importante para mí, un acontecimiento que, espero, abrirá la vía a numerosos intercambios. Para presentar al público latinoamericano mi trabajo sobre la plasticidad, empezaré por indicar que dicho trabajo se inscribe esencialmente como una respuesta a las críticas filosóficas de la forma, que no han dejado de desarrollarse desde la segunda mitad del siglo XX. Para los pensadores de la desconstrucción de la metafísica, en particular para Jacques Derrida, la forma ólo puede significar la presencia y por ello no hay ningún porvenirmás allá de la tradición filosófica hoy acabada. Con la plasticidad intento mostrar, por el contrario, que el concepto de forma, pensado como coincidencia entre el surgimiento y la explosión de la presencia,abre la vía para un nuevo materialismo y para una nueva destitución del sujeto, iniciativas aún más radicales que la desconstrucción de las que sin embargo son herederas.
Catherine Malabou (b. 1959) is a French philosopher. She is a professor of philosophy at The European Graduate School / EGS and professor of modern European philosophy at the Centre for Research in Modern European Philosophy (CRMEP) at Kingston University, London. She is known for her work on plasticity, a concept she culled from Hegel’s Phenomenology of Spirit, which has proved fertile within contemporary economic, political, and social discourses. Widely regarded as one of the most exciting figures in what has been called “The New French Philosophy,” Malabou’s research and writing covers a range of figures and issues, including the work of Hegel, Freud, Heidegger, and Derrida; the relationship between philosophy, neuroscience, and psychoanalysis; and concepts of essence and difference within feminism.
Born in Sidi Bel Abbès, Algeria, Catherine Malabou began her advanced studies at the Université Paris-Sorbonne before attending the prestigious École normale supérieure de Fontenay-Saint-Cloud, where, in 1994, she submitted her dissertation on G.W.F. Hegel under the direction of Jacques Derrida. Her thesis was published in 1996 under the title L’avenir de Hegel: Plasticité, temporalité, dialectique (The Future of Hegel: Plasticity, Temporality and Dialectic, 2005) with a long preface by Derrida, whom she would later co-author La Contre-allée (1999; Counterpath, 2004). Before arriving at Kingston University, Malabou became assistant professor at the Université Paris Ouest Nanterre in 1995 and, as a frequent lecturer in the USA, has taught at UC Berkeley, The New School in New York City, New York State University at Buffalo, the University of Wisconsin in Madison, UCLA, Johns Hopkins, and, most recently, UC Irvine.
Catherine Malabou’s philosophical work forges new connections and intellectual networks that imaginatively leap across existing synaptic gaps between, for example, continental philosophy and neuroscience; the philosophy of neuroscience and the critique of capitalism; neuroscience and psychoanalysis; and continental and analytic philosophy (notably Kant). As well, her work is explosive and iconoclastic, shattering perceived understandings of Hegel, feminism and gender, and the implications of post-structuralism.
Starting with her 2004 book, Que faire de notre cerveau? (What Should We Do With Our Brain?, 2009), Catherine Malabou has argued passionately and provocatively for a connection between continental philosophy and empirical neuroscience. She centers her argument on a highly original interpretation of the concept of plasticity, an interpretation that she first uncovered in her reading of Hegel’s dialectic. Plasticity refers to the capacity both to receive form and to give form. Although the concept of plasticity is central to neuroscience, Malabou’s work shows that neuroscientists and lay people often misunderstand the basic plasticity of the brain, succumbing to an ideology that focuses solely on its capacity to receive form, that is, the capacity of the brain to be shaped in and through its experience of the world to the exclusion of its creative, form-giving power. In other words, the reigning ideology that governs both the neuroscientific community and the broader culture substitutes flexibility for plasticity, and flexibility, Malabou warns us, “is plasticity minus its genius.” The emphasis on flexibility also fits all too neatly with the demands of capitalism under neoliberalism, which demands efficiency, flexibility, adaptability and versatility as conditions of employability in a post-Fordist economy. The creative, form-giving power of the brain—its genius—consists in its explosive capacity, a capacity that unleashes new possibilities, and herein also lies the capacity for resistance. In her conclusion, Catherine Malabou writes: “To ask ‘What should we do with our brain?’ is above all to visualize the possibility of saying no to an afflicting economic, political, and mediatic culture that celebrate
Muchos conceptos que me resuenan y seguramente tendré que volver a leer muchos otros que no he comprendido pero me ha gustado, aunque en momentos la escritura es bastante densa. Muy interesante el análisis sobre la plasticidad 🙂↕️
El pensamiento de Malabou es super potente, hay tantas imágenes y tantos desarrollos que se quedan cortos aquí. Necesito tres o cuatro veces este libro para adentrarme en sus ideas, que s emultiplican que me llaman y se escriben una y otra vez sobre tantas otras lecturas. Se agradece mucho una lectora de Derrida y Deleuze que no asuma como propios sus conceptos gastados de tanto uso y le de lustre a otros nuevos, mire de forma diferente lo ya visto. La idea de plasticidad es TAN potente, tentacular, tan relevante para el pensamiento de hoy. Me ha encantado adentrarme en Malabou con este librillo corto y conciso.