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Lancaster's Luck #1
The Gilded Scarab
(Second Edition)
When Captain Rafe Lancaster is invalided out of the Britannic Imperium’s Aero Corps after crashing his aerofighter during the Second Boer War, his eyesight is damaged permanently, and his career as a fighter pilot is over. Returning to London in late November 1899, he’s lost the skies he loved, has no place in a society ruled by an elite oligarchy of powerful Houses, and is hard up, homeless, and in desperate need of a new direction in life.
Everything changes when he buys a coffeehouse near the Britannic Imperium Museum in Bloomsbury, the haunt of Aegyptologists. For the first time in years, Rafe is free to be himself. In a city powered by luminiferous aether and phlogiston, and where powerful men use House assassins to target their rivals, Rafe must navigate dangerous politics, deal with a jealous and possessive ex-lover, learn to make the best coffee in London, and fend off murder and kidnap attempts before he can find happiness with the man he loves.
When Captain Rafe Lancaster is invalided out of the Britannic Imperium’s Aero Corps after crashing his aerofighter during the Second Boer War, his eyesight is damaged permanently, and his career as a fighter pilot is over. Returning to London in late November 1899, he’s lost the skies he loved, has no place in a society ruled by an elite oligarchy of powerful Houses, and is hard up, homeless, and in desperate need of a new direction in life.
Everything changes when he buys a coffeehouse near the Britannic Imperium Museum in Bloomsbury, the haunt of Aegyptologists. For the first time in years, Rafe is free to be himself. In a city powered by luminiferous aether and phlogiston, and where powerful men use House assassins to target their rivals, Rafe must navigate dangerous politics, deal with a jealous and possessive ex-lover, learn to make the best coffee in London, and fend off murder and kidnap attempts before he can find happiness with the man he loves.
316 pages, Kindle Edition
First published February 15, 2015
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Displaying 1 - 30 of 172 reviews
February 24, 2015
I liked this very much. The writing is terrific, the descriptions vivid. Great story set-up. Rafe, the narrator, is strongly characterised and immensely likeable and funny. Fabulous political machinations and a well done setting. Loved the concept of the Houses.
I do wish it had had a better development edit, because there are several plot points and threats that are set up and then defused, or left dangling. They promised lots of lovely extra conflict and excitement and I'd have really liked to see those played out.
A good, well-written story that I really liked, and more books in this world would be very welcome.
I do wish it had had a better development edit, because there are several plot points and threats that are set up and then defused, or left dangling. They promised lots of lovely extra conflict and excitement and I'd have really liked to see those played out.
A good, well-written story that I really liked, and more books in this world would be very welcome.
July 3, 2019
4 Steampunk Stars!
Definitely understated but really, a great story that I found compelling and interesting.
The blurb truly says it all.
Picture a reimagining of Europe in 1899, full of political intrigue and where society is largely based on the many houses (major and minor) that influence status, as well as trade, government, and the royal crown. This story stars Rafe Lancaster, quasi outcast from his minor house of Stravaigor, eschewing rules and expectations, marching to the beat of his own drum. He’s lucky enough to have procured a military enlistment to be an aeronaut and has been blissfully detached from London for almost a decade doing what he does best, and that’s fly. However, a crash robs Rafe of his perfect sight, and he’s swiftly medically discharged, dumped right back in the thick of the political machinations he so purposely has avoided.
As Rafe reevaluates his life and licks his wounds, there’s a slow romantic development with another who has many facets and secrets, all of which makes things so much more complicated. Granted, this story took awhile to pick up speed, but it was still rich in world building, especially house “aristocracy” and how they live to gain favor and manipulate all, including Rafe, who has a few tricks up his sleeve to maintain his distance and come out ahead.
Overall, this was steampunk lite (and how I wish there were more MM out there with this particular setup) with the need to keep sexual proclivities a secret. It also had a nice slow burn, a good dash of action and suspense, and ultimately, a fulfilling sexy romance. Me reading the sequel is definitely on the horizon, and I hope this pans out to be more than just a two book series!
Definitely understated but really, a great story that I found compelling and interesting.
The blurb truly says it all.
Picture a reimagining of Europe in 1899, full of political intrigue and where society is largely based on the many houses (major and minor) that influence status, as well as trade, government, and the royal crown. This story stars Rafe Lancaster, quasi outcast from his minor house of Stravaigor, eschewing rules and expectations, marching to the beat of his own drum. He’s lucky enough to have procured a military enlistment to be an aeronaut and has been blissfully detached from London for almost a decade doing what he does best, and that’s fly. However, a crash robs Rafe of his perfect sight, and he’s swiftly medically discharged, dumped right back in the thick of the political machinations he so purposely has avoided.
As Rafe reevaluates his life and licks his wounds, there’s a slow romantic development with another who has many facets and secrets, all of which makes things so much more complicated. Granted, this story took awhile to pick up speed, but it was still rich in world building, especially house “aristocracy” and how they live to gain favor and manipulate all, including Rafe, who has a few tricks up his sleeve to maintain his distance and come out ahead.
Overall, this was steampunk lite (and how I wish there were more MM out there with this particular setup) with the need to keep sexual proclivities a secret. It also had a nice slow burn, a good dash of action and suspense, and ultimately, a fulfilling sexy romance. Me reading the sequel is definitely on the horizon, and I hope this pans out to be more than just a two book series!
March 30, 2015
This is a great read - a fun steampunk setting for a Victorianesque tale of love and intrigue, with a great main character. Rafe is an aviator in the Imperium's Aero Corps whose injuries after a crash force him into medical retirement. Rafe is very self-sufficient and determined to live on his own terms, These include finding like-minded men at local molly-houses, despite the risk, and finding a new occupation that doesn't put him under the thumb of the leaders of his House.
On his first visit to an establishment after leaving the forces, Rafe meets Edward. A night together forges a connection between them, but Edward is leaving the country for months, and Rafe relegates him to the "if only" category, while rebuilding his life. In the process he then meets Daniel, another attractive man with some common interests. But Daniel is moody and clingy, and then Edward returns from abroad. Rafe's retirement becomes complicated, as it turns out that people are not always who they seem, and the Great Houses are deeper in his life than he realized. His personal goals, Imperial issues, class, intrigue, and money, intersect in an action-filled climax.
This story is heavy on action and plot, but there are also effective moments of understated emotion on Rafe's part. There is a small amount of nicely-heated sex and some well-drawn-out tension, and although the end is HEA, I would dearly love to read more about these two men and this interesting society.
On his first visit to an establishment after leaving the forces, Rafe meets Edward. A night together forges a connection between them, but Edward is leaving the country for months, and Rafe relegates him to the "if only" category, while rebuilding his life. In the process he then meets Daniel, another attractive man with some common interests. But Daniel is moody and clingy, and then Edward returns from abroad. Rafe's retirement becomes complicated, as it turns out that people are not always who they seem, and the Great Houses are deeper in his life than he realized. His personal goals, Imperial issues, class, intrigue, and money, intersect in an action-filled climax.
This story is heavy on action and plot, but there are also effective moments of understated emotion on Rafe's part. There is a small amount of nicely-heated sex and some well-drawn-out tension, and although the end is HEA, I would dearly love to read more about these two men and this interesting society.
September 15, 2023
⛔️ spoilers.
There are a lot of things that bothered me about this book even though I enjoyed the hell out of it, starting with Daniel whom I found to be quite despicable. I don’t understand why the author gave him such protagonism and why in the end he was honored like a hero when he was an abusive, jealous, petty , controlling, criminal and murderer. Why did the author feel the need to make Ned grieve for him, to make Rafe ashamed and guilty for shooting him to save his own life . For a moment I felt that Ned would have preferred Rafe dead instead of him, I swear.. It wasn’t true but still, it bothered me to no end.
And I didn’t even understand how could both Ned and Rafe fall for that whiny slimy individual. It felt icky from the first moment Rafe met him. Something always felt off with him and the sex between him and Rafe made me uncomfortable.
Then we have a poorly developed world building.. It was so awesome that I wanted much more. More of the steampunk, more of that age and times…just more.
Also the beginning was veeery slow and on the surface nothing really happened in this book. It was all coffee and coffee shop and clients and drinking coffee. The fabulousness is in the amazing characters and the (although not 100% explored) world building. I would have liked to hear Ned’s voice too because maybe that way I wouldn’t have found him that innocent and quite gullible for such a rich and important heir.
I liked Rafe though, I liked him a lot but I couldn’t understand how he kept insisting he wants nothing to do with the Houses yet he went and asked for a lone in a blink of an eye. Like , dude, you didn’t even hesitate…
Despite ALLLL those complaints for some reason I LOVED this book. I devoured it because the writing is witty and fantastic. The setting/world was interesting (I’ve never read historical steampunk apart from the CS Poe’s one so maybe that’s why I found it fascinating) and I loved Rafe. I loved being in his head, I liked his character and personality..And I liked him with Ned. I think this was a good start of a tender and sweet relationship. It helps that Rafe is not a man prone to theatrics and undying love declarations. Ned’s bland and lukewarm personality suits him.
I’ve just started book two (35%) and even though the romance is a bit boring (I don’t find established couples stories particularly entertaining) I’m fascinated with the writing and with Rafe, of course. Ned is still bland and meh, sadly.
Thank you, Sarah for giving me the push to read it. It has been waiting on my tbr for quite some time.
There are a lot of things that bothered me about this book even though I enjoyed the hell out of it, starting with Daniel whom I found to be quite despicable. I don’t understand why the author gave him such protagonism and why in the end he was honored like a hero when he was an abusive, jealous, petty , controlling, criminal and murderer. Why did the author feel the need to make Ned grieve for him, to make Rafe ashamed and guilty for shooting him to save his own life . For a moment I felt that Ned would have preferred Rafe dead instead of him, I swear.. It wasn’t true but still, it bothered me to no end.
And I didn’t even understand how could both Ned and Rafe fall for that whiny slimy individual. It felt icky from the first moment Rafe met him. Something always felt off with him and the sex between him and Rafe made me uncomfortable.
Then we have a poorly developed world building.. It was so awesome that I wanted much more. More of the steampunk, more of that age and times…just more.
Also the beginning was veeery slow and on the surface nothing really happened in this book. It was all coffee and coffee shop and clients and drinking coffee. The fabulousness is in the amazing characters and the (although not 100% explored) world building. I would have liked to hear Ned’s voice too because maybe that way I wouldn’t have found him that innocent and quite gullible for such a rich and important heir.
I liked Rafe though, I liked him a lot but I couldn’t understand how he kept insisting he wants nothing to do with the Houses yet he went and asked for a lone in a blink of an eye. Like , dude, you didn’t even hesitate…
Despite ALLLL those complaints for some reason I LOVED this book. I devoured it because the writing is witty and fantastic. The setting/world was interesting (I’ve never read historical steampunk apart from the CS Poe’s one so maybe that’s why I found it fascinating) and I loved Rafe. I loved being in his head, I liked his character and personality..And I liked him with Ned. I think this was a good start of a tender and sweet relationship. It helps that Rafe is not a man prone to theatrics and undying love declarations. Ned’s bland and lukewarm personality suits him.
I’ve just started book two (35%) and even though the romance is a bit boring (I don’t find established couples stories particularly entertaining) I’m fascinated with the writing and with Rafe, of course. Ned is still bland and meh, sadly.
Thank you, Sarah for giving me the push to read it. It has been waiting on my tbr for quite some time.
November 3, 2017
This was good...like really, really good...
While I really enjoy steampunk, I have to admit I'm kinda' picky about what I read. I've had this book for a while now and I kept doing that thing where I squirrel off to this and that but when I saw that a second book was being released I decided that it was time to buckle down and get it done and I am more than a little happy that I did.
'The Gilded Scarab' is my first time reading a book by this author and let me just say 'not only is this Ms. Butler's wheel house she is in the driver's seat' and before the end of the first chapter I was more than a little confused as to why I didn't read this sooner.
I was totally enamored with both the world building and the character development. The world building in this story was huge which can sometimes be an obstacle for me because I admit I can become bored in spite of the fact that world building especially in genres like scifi, fantasy or steampunk can be as crucial to the story as the characters and plot but Ms Butler has created a story here that perfectly mixes the development of plot, characters and world building both getting and keeping my attention no matter what the story focus was at the time.
Rafe Lancaster is the main character and the focus of much of this story and he's awesome. Rafe became a fighter pilot in an effort to remove himself from his families influence and basically because flying is his passion. Unfortunately the resulting injury from an accident forces Rafe out of the Aero Corps and into making some life changes...one of which is his return to Londinium.
Rafe's return to the place of his birth also brings him under closer scrutiny from his house...houses are the social system that this society functions under and their influence over the individual members is both considerable and unwanted by Rafe.
When Rafe takes his maiden journey back into society he meets one Ned Winters. It's just suppose to be casual, no attachments, an evenings dalliance. But as their evening progresses each man realizes that they want more than one night and how much they enjoy each others company...unfortunately Ned is an Aegyptologist and about to leave for Aegypt for a few months separating him and Rafe before things can really even start between them. Rafe's efforts to reintegrate himself into society and rebuild his life goes from challenging to more than a little complicated as new people enter his life and old friends re-emerge.
With Ned gone Rafe throws himself into rebuilding his life and becomes the owner of a coffee house...how can you not love a man who appreciates coffee? Personally I'm not even going to try and honestly I just like Rafe. He's someone I'd sit down and have coffee with. With the successful launch of his coffee house Rafe again ventures out into society looking for company and finding an entanglement that may be a whole lot more than he'd bargained for...especially once Ned returns. Things begin to get more than a little bit complicated and interesting as Rafe and Ned are reunited and realize that one night months ago was only a small sample of what they could have and despite the obstacles both men want more.
I was so enchanted with this story it's twist, turns and complexities drew me in and kept me both interested and wanting more. This is neither a simple nor easy story it's filled with twist, turns and complexities as the story unfolds while this story contains two plots the first one being an over all arc that begins with this book but continues, the second plotline is contained within this book but still connected to the overall story arc and the growing relationship between Rafe and Ned.
As the first book in Anna Butler's series "Lancaster's Luck"...'The Gilded Scarab' undertakes a big task setting the scene for a series that's filled with a diverse group of characters, it's own unique settings, social structure and story lines that take the reader to a different place and time, but it's a task that's been accomplished and has left this reader wanting more so I'm definitely on board for whatever comes next at the Lancaster's Luck Coffee House...anyone care to join me for a little adventure and a cuppa'?
While I really enjoy steampunk, I have to admit I'm kinda' picky about what I read. I've had this book for a while now and I kept doing that thing where I squirrel off to this and that but when I saw that a second book was being released I decided that it was time to buckle down and get it done and I am more than a little happy that I did.
'The Gilded Scarab' is my first time reading a book by this author and let me just say 'not only is this Ms. Butler's wheel house she is in the driver's seat' and before the end of the first chapter I was more than a little confused as to why I didn't read this sooner.
I was totally enamored with both the world building and the character development. The world building in this story was huge which can sometimes be an obstacle for me because I admit I can become bored in spite of the fact that world building especially in genres like scifi, fantasy or steampunk can be as crucial to the story as the characters and plot but Ms Butler has created a story here that perfectly mixes the development of plot, characters and world building both getting and keeping my attention no matter what the story focus was at the time.
Rafe Lancaster is the main character and the focus of much of this story and he's awesome. Rafe became a fighter pilot in an effort to remove himself from his families influence and basically because flying is his passion. Unfortunately the resulting injury from an accident forces Rafe out of the Aero Corps and into making some life changes...one of which is his return to Londinium.
Rafe's return to the place of his birth also brings him under closer scrutiny from his house...houses are the social system that this society functions under and their influence over the individual members is both considerable and unwanted by Rafe.
When Rafe takes his maiden journey back into society he meets one Ned Winters. It's just suppose to be casual, no attachments, an evenings dalliance. But as their evening progresses each man realizes that they want more than one night and how much they enjoy each others company...unfortunately Ned is an Aegyptologist and about to leave for Aegypt for a few months separating him and Rafe before things can really even start between them. Rafe's efforts to reintegrate himself into society and rebuild his life goes from challenging to more than a little complicated as new people enter his life and old friends re-emerge.
With Ned gone Rafe throws himself into rebuilding his life and becomes the owner of a coffee house...how can you not love a man who appreciates coffee? Personally I'm not even going to try and honestly I just like Rafe. He's someone I'd sit down and have coffee with. With the successful launch of his coffee house Rafe again ventures out into society looking for company and finding an entanglement that may be a whole lot more than he'd bargained for...especially once Ned returns. Things begin to get more than a little bit complicated and interesting as Rafe and Ned are reunited and realize that one night months ago was only a small sample of what they could have and despite the obstacles both men want more.
I was so enchanted with this story it's twist, turns and complexities drew me in and kept me both interested and wanting more. This is neither a simple nor easy story it's filled with twist, turns and complexities as the story unfolds while this story contains two plots the first one being an over all arc that begins with this book but continues, the second plotline is contained within this book but still connected to the overall story arc and the growing relationship between Rafe and Ned.
As the first book in Anna Butler's series "Lancaster's Luck"...'The Gilded Scarab' undertakes a big task setting the scene for a series that's filled with a diverse group of characters, it's own unique settings, social structure and story lines that take the reader to a different place and time, but it's a task that's been accomplished and has left this reader wanting more so I'm definitely on board for whatever comes next at the Lancaster's Luck Coffee House...anyone care to join me for a little adventure and a cuppa'?
November 25, 2015
I try not to grant five stars to books, but I finally gave in as I finished Anna Butler’s “The Gilded Scarab.” This was such fun, so deeply romantic, and so richly written. I can imagine that people who have no liking for Dickens or Trollope might find it tough sledding, because Butler meticulously creates a parallel world to ours in late Victorian London, and embellishes it with details that are historically accurate, even as she envelops her narrative in a savory steampunk fantasy that throws everything just a little bit off.
The aged Queen Victoria still lives, and rules a vast Imperium Britannicum without benefit of Parliament. Instead, her aristocracy is divided into corporate “houses” bound by blood and money, each of them somewhere between the family houses of the “Dune” novels and the mafia clans of “The Godfather” books. While the houses rule the empire largely through business and financial manipulation, there is rather more assassination going on than is strictly comforting. Londinium is still mostly recognizable, but for the fact that horses and other pre-technological notions have been replaced by cold fusion, phlogiston and aether as power sources. A nod to H.G. Wells reminds us of the setting and the author’s mindfulness of precisely what she is doing.
The central character, through whose damaged eyes we see Butler’s fantasy world, is Rafe Lancaster, black sheep of a cadet branch of a minor house. Bereft of the aerofighter career that had made his name in the Queen’s army, Lancaster quietly returns to Londinium (indeed the original Roman name for that city) and tries to build a new life for himself. Soon after his return, he spends one night with a beautiful man in an elegant Covent Garden molly house – a discreet place for men seeking male companionship – and then finds a haven in a run-down coffee house by the Museum Britannicum. The action of the book is surprisingly small in focus, and all of it derives from these two moments in Lancaster’s rebuilt life.
Butler is as careful with language as she is with seemingly minor details. The names of the various houses smack of pre-modern England, suggesting their antiquity and their sources in the mists of history post-1066. This is a world where everyone speaks English, but in which street signs still use Latin. Butler gets the feel of the place and the time, right down to a visit to Garrard’s, the royal jewelers. This is not grandstanding; it roots the narrative in a kind of authenticity that makes the steampunk fantasy flow logically into the historical framework. There are times when the dialogue veers into more modern idiom, but the author is careful to maintain the tone of Sherlock Holmes (who does NOT appear anywhere here, because, after all, he was fictional) so as not to break the spell of her skillful world-building.
In the end, this is a romance. It is about Rafe Lancaster’s discovery of love in a way he never anticipated, in a world he is trying to re-learn. There is a very Victorian approach to love here, very old-fashioned and genteel – even in the context of molly houses and illegal homosexuality. And yet, through it all, Anna Butler gives her readers a very modern vision: a world where love will find a way and change a man’s life.
The aged Queen Victoria still lives, and rules a vast Imperium Britannicum without benefit of Parliament. Instead, her aristocracy is divided into corporate “houses” bound by blood and money, each of them somewhere between the family houses of the “Dune” novels and the mafia clans of “The Godfather” books. While the houses rule the empire largely through business and financial manipulation, there is rather more assassination going on than is strictly comforting. Londinium is still mostly recognizable, but for the fact that horses and other pre-technological notions have been replaced by cold fusion, phlogiston and aether as power sources. A nod to H.G. Wells reminds us of the setting and the author’s mindfulness of precisely what she is doing.
The central character, through whose damaged eyes we see Butler’s fantasy world, is Rafe Lancaster, black sheep of a cadet branch of a minor house. Bereft of the aerofighter career that had made his name in the Queen’s army, Lancaster quietly returns to Londinium (indeed the original Roman name for that city) and tries to build a new life for himself. Soon after his return, he spends one night with a beautiful man in an elegant Covent Garden molly house – a discreet place for men seeking male companionship – and then finds a haven in a run-down coffee house by the Museum Britannicum. The action of the book is surprisingly small in focus, and all of it derives from these two moments in Lancaster’s rebuilt life.
Butler is as careful with language as she is with seemingly minor details. The names of the various houses smack of pre-modern England, suggesting their antiquity and their sources in the mists of history post-1066. This is a world where everyone speaks English, but in which street signs still use Latin. Butler gets the feel of the place and the time, right down to a visit to Garrard’s, the royal jewelers. This is not grandstanding; it roots the narrative in a kind of authenticity that makes the steampunk fantasy flow logically into the historical framework. There are times when the dialogue veers into more modern idiom, but the author is careful to maintain the tone of Sherlock Holmes (who does NOT appear anywhere here, because, after all, he was fictional) so as not to break the spell of her skillful world-building.
In the end, this is a romance. It is about Rafe Lancaster’s discovery of love in a way he never anticipated, in a world he is trying to re-learn. There is a very Victorian approach to love here, very old-fashioned and genteel – even in the context of molly houses and illegal homosexuality. And yet, through it all, Anna Butler gives her readers a very modern vision: a world where love will find a way and change a man’s life.
April 21, 2021
I really liked this book. It was a fun steampunk caper about proper coffee set against an interesting alternative-universe Edwardian London. I liked it for the writing, sure, but also because it reminded me of one of my favourite places in Cape Town:
Truth Coffee. Super cool steampunk roastery. (A bit touristy now, but still worth the visit)
Anyway, it's an entertaining, sexy novel with a likeable protagonist and a satisfying ending. Give it a go if you're into that kind of thing.
Truth Coffee. Super cool steampunk roastery. (A bit touristy now, but still worth the visit)
Anyway, it's an entertaining, sexy novel with a likeable protagonist and a satisfying ending. Give it a go if you're into that kind of thing.
June 18, 2024
What a pleasant surprice this was 💙 This is the story of Rafe Lancaster. Ex military but now the owner of the coffee house Lancaster's Luck. Rafe is a charming caracter and this was a fun ride. Loved the victorian steam punk setting and the worldbuilding. Excellent narration by Gary Furlong This is the first in a series of three and I'm on to #2
February 1, 2020
A pretty good story, with the main character as the strongest point.
Rafe Lancaster is an interesting and fully formed character. I expected him to be a little bit more of a tortured hero, but he is not. Which doesn't bother me after all. The whole story is basically focused on him. We watch him from the moment he leaves the air force as a result of an accident that damaged his eyesight. Rafe is a hero who basically creates the whole story, since the other threads are not outstandingly developed.
It's a pity. Because this story has a lot of potential. The world created by the author is interesting although maybe not exceptionally different from the others we know in this genre. At times it seems to me a bit unfinished. But maybe that's just me. I think it looks somewhat hasty, perfunctory, not entirely connected to the plot. I recently read Witchmark and it amazed me how the world created by the author shaped the plot. That's what I lacked here. This story could have happened just as well in a completely different world with completely different laws. In fact, it might not even be steampunk world. This is an missed opportunity in my opinion.
I'm also a bit disappointed with the story. I didn't feel it at all when I read this book, which is great. But now that I finished it, I realize that there are basically no well-developed threads here. The suspense thread is actually rather small. The love thread is also not so extensive or full of events. Politics between the Houses does not take up much space either. I repeat, when you read a book it does not bother you, but after I can not tell what exactly this book was about. The main plot is Rafe's life after leaving the air force. It's his story. I was really counting on more, especially on some suspense, perhaps even related to the political intrigue. And although at the end we have a suggestion that there may be something more in all this, for me it is a bit too little too late.
This does not mean that I did not like the book. On the contrary, it's a well-written story that I definitely recommend. I am also adding the next book to my TBR list. It looks like we can see some political intrigue in it, finally.
Rafe Lancaster is an interesting and fully formed character. I expected him to be a little bit more of a tortured hero, but he is not. Which doesn't bother me after all. The whole story is basically focused on him. We watch him from the moment he leaves the air force as a result of an accident that damaged his eyesight. Rafe is a hero who basically creates the whole story, since the other threads are not outstandingly developed.
It's a pity. Because this story has a lot of potential. The world created by the author is interesting although maybe not exceptionally different from the others we know in this genre. At times it seems to me a bit unfinished. But maybe that's just me. I think it looks somewhat hasty, perfunctory, not entirely connected to the plot. I recently read Witchmark and it amazed me how the world created by the author shaped the plot. That's what I lacked here. This story could have happened just as well in a completely different world with completely different laws. In fact, it might not even be steampunk world. This is an missed opportunity in my opinion.
I'm also a bit disappointed with the story. I didn't feel it at all when I read this book, which is great. But now that I finished it, I realize that there are basically no well-developed threads here. The suspense thread is actually rather small. The love thread is also not so extensive or full of events. Politics between the Houses does not take up much space either. I repeat, when you read a book it does not bother you, but after I can not tell what exactly this book was about. The main plot is Rafe's life after leaving the air force. It's his story. I was really counting on more, especially on some suspense, perhaps even related to the political intrigue. And although at the end we have a suggestion that there may be something more in all this, for me it is a bit too little too late.
This does not mean that I did not like the book. On the contrary, it's a well-written story that I definitely recommend. I am also adding the next book to my TBR list. It looks like we can see some political intrigue in it, finally.
May 25, 2021
A rare full five stars. I might have had a couple of tiny niggles, but you’ll never know of them. One of the best books I’ve read in this genre. RTC
October 11, 2017
I really hope that this gets a sequel one day because I really loved it. The is an AU steampunk story that is set in an England that does not have a parliamentary monarchy, but an oligarchical monarchy (there is not a democracy with MPs and Prime Ministers, instead it is really run by a collection of Powerful Houses that control both the economy and the government in most aspects). It was a fascinating mixture of Victorian setting and morals, with modern technologies like datapads and burglar alarms. Instead of things being run by electricity they are run on aether and steam. And despite how weird a mixture, this book really worked. All the various aspects where mixed together perfectly so that you don't even notice that you are totally accepting that wireless communicators work in Victorian Londinium (London).
I found this story so much fun to read and despite the fact that the romance was a bit of a slow burn (after the initial meeting, that is) I didn't mind at all. The characters and setting really bring this story to life and I enjoyed every minute I was reading it.
I found this story so much fun to read and despite the fact that the romance was a bit of a slow burn (after the initial meeting, that is) I didn't mind at all. The characters and setting really bring this story to life and I enjoyed every minute I was reading it.
June 25, 2019
Utterly divine! This steampunk mystery-romance had me enthralled not only by its intriguing plot, but by it's complex and imperfect characters, fantastic world-building, and above par writing!
At the beginning I didn't much care for our MC, Rafe Lancaster. He was a conceited, proud, tactical, and irreverent pilot. Of course, his devil-may-care attitude was also extremely attractive. Unable to fly due to a head and eye injury in the war, he now finds himself back home in Londinuim with little money or prospects unless he kowtows to his House.
Our other MC, Ned Winters is very distrustful of strangers and especially Rafe when he meets him in Rafe's newly purchased coffeehouse.
I won't go into much more detail--there are several stellar reviews that properly do this book justice. Suffice it to say, that I loved this book. I am a fan of steampunk, and mystery, but above all I am a fan of excellent writing and, for me, this book had it all.
At the beginning I didn't much care for our MC, Rafe Lancaster. He was a conceited, proud, tactical, and irreverent pilot. Of course, his devil-may-care attitude was also extremely attractive. Unable to fly due to a head and eye injury in the war, he now finds himself back home in Londinuim with little money or prospects unless he kowtows to his House.
Our other MC, Ned Winters is very distrustful of strangers and especially Rafe when he meets him in Rafe's newly purchased coffeehouse.
I won't go into much more detail--there are several stellar reviews that properly do this book justice. Suffice it to say, that I loved this book. I am a fan of steampunk, and mystery, but above all I am a fan of excellent writing and, for me, this book had it all.
March 6, 2024
03/06/2024 reread
OMG, the second time was even better. I love Rafe and Ned's love story. The world building is top notch and the side characters are absolutely marvelous. Sam Hawkins the bodyguard is the best.
******************
I loved it despite couple of small pet peeves. The humor was absolutely marvelous. The writing style was just smooth and the story flowing. Despite mostly steady pace the story sucked me in, I just couldn't stop reading till I finished. I enjoyed it immensely.
OMG, the second time was even better. I love Rafe and Ned's love story. The world building is top notch and the side characters are absolutely marvelous. Sam Hawkins the bodyguard is the best.
******************
I loved it despite couple of small pet peeves. The humor was absolutely marvelous. The writing style was just smooth and the story flowing. Despite mostly steady pace the story sucked me in, I just couldn't stop reading till I finished. I enjoyed it immensely.
November 11, 2020
Great fun. Imaginative steam-punky politics and an MC who's actually got a real character. Throw in a decent-ish romance and the coffee-shop competence porn I didn't know I needed, and you've got a very very acceptable yarn. The plot's a bit unhinged, but did I mind? Nope, I was off finding books 2 & 3.
Edited, to add the best line in the book:
"Best avoid the liver and onions, sir. The missus is a godsend in many ways, but she don't understand offal. Not the way offal should be understood, if you follow me."
Edited, to add the best line in the book:
"Best avoid the liver and onions, sir. The missus is a godsend in many ways, but she don't understand offal. Not the way offal should be understood, if you follow me."
Read
January 8, 2017Oh, that was fun. Great steampunk adventure. Our hero is a dashing aeronaut, forced to retire after an accident. Trying to make a fresh start, he takes over a coffee shop near the British museum, gets embroiled with one Aegyptologist (and falls for another), and ends up tangled up in shady political goings-on. A high note to start the year on. Recommended. :)
August 6, 2023
I've given this an A for narration and a B+ for content at AudioGals, so 4.5 stars rounded up.
Sad to say, but Anna Butler’s name wasn’t even on my radar when I saw The Gilded Scarab crop up at Audible, but Gary Furlong’s name on the cover together with a quick peek at the reviews on Goodreads convinced me to take a punt – and I’m glad I did. It’s the first book in a trilogy with a steampunk-y vibe set in an AU Victorian era and it’s full of excellent period detail (many of the historical events of the time are referenced), strong worldbuilding, and boasts a fully three-dimensional and thoroughly engaging lead character.
In this world, the Britannic Imperium is ruled, under the monarch, by eight Convocation Houses which hold all the political power. They divide government departments between them and staff them with members of their own Houses or of the Minor Houses allied to them. Captain Rafe Lancaster is a minor scion of one of those Minor Houses, who, instead of becoming an equally minor government official, decided to join the Aero Corps, much to the annoyance of his family. He’s become one of the Corps’ best – if not THE best – aeronauts; he’s well-liked and a bit of a dare-devil (sometimes a troublemaker) but when push comes to shove, he’s the man for whatever job the Corps wants to throw at him. When the book opens, he’s fighting in South Africa (in the equivalent of what we know as the Boer War) when the famous ‘Lancaster’s Luck’ finally runs out, and his aerofighter is shot down while on a mission. Rafe survives the crash with mostly cuts and bruises, but the head injury he sustains damages his optic nerve which means his vision is no longer fit for military service, and he is medically discharged.
Desolate at the loss of the life he’d loved, Rafe returns to Londinium to lodge in one of the hostels run for the single gentlemen belonging to his House. He has a little money to keep him going for now, although his pay out and meagre military pension won’t go far; he doesn’t want to become a mere drone in some office, subject to the dictates of his House, but he doesn’t yet know what he wants to do next. Feeling a bit down in the dumps, he decides to splash out on a visit to one of his favourite clubs, one where men who share his inclinations can go to find the conviviality of good food, fine wine and physical companionship, should they so desire. It’s a place Rafe used to patronise regularly back in the day, but now it’s something of a treat, and he’s determined to make the most of it. It’s there that he meets the handsome Aegyptologist Edward Fairfax, the intense attraction that ignites between them leading to a very satisfactory evening (and night and early morning). There’s not a lot of time to enjoy the afterglow however, because Edward has to leave before dawn – and he’ll be away for several months.
The disappointment Rafe feels at this news is unexpected – he’s never been interested in more than casual arrangements – but he chalks it into the ‘what might have been’ column and continues his search for a new direction in life.
This new direction appears quite unexpectedly when the elderly proprietor of what has become Rafe’s favourite coffee house – in Bloomsbury near the Britannic Imperium Museum – decides it’s time to retire. Rafe has found a second home – of sorts – there over the past few months, and decides to buy the place; it won’t be easy and he’ll need a loan from his House (he hates the idea of being beholden to them) but he’s determined to make it work. This time, it seems Lancaster’s Luck is on his side.
Rafe throws himself into the venture with gusto – much to the disapproval of his family and House, and of his new lover, Daniel – also an Aegyptologist – who, it has to be said, is a whiny snob. But Rafe has reckoned without his ability to attract trouble, and the quiet but satisfying life he’d envisaged, of a purveyor of coffee, enjoying his experiments with blends and flavour and roasting suddenly becomes much more complicated – and dangerous – than he could have imagined.
The writing here is excellent, the descriptions of the various locations are vivid and colourful, and I was really impressed at the way Anna Butler so skilfully peppers her AU with clearly recognisable and real historical detail while at the same time presenting listeners with a fully developed and very different world full of many of the concepts and conventions that will be familiar to devotees of steampunk. I loved the smaller details, such as the fact that the House names hearken back to a much earlier time of post-Roman Britain, that while everyone speaks modern English, the street names are in Latin… it’s a fascinating and meticulous melding of the real and the fictional, and I loved it.
Rafe is a terrific central character. He’s got a great sense of humour and a clear sense of self-awareness that combine to make him immensely likeable and relatable, and I really liked his pragmatic, slightly ironic voice. He’s determined to live life on his own terms, which includes living as authentically as he can in a society in which being queer is still something to be kept very much under-wraps.
I enjoyed the story very much, but it’s not without its flaws. Practically half of the book is set up; we witness Rafe’s accident and then there are several chapters which describe the aftermath, up to and including his medical discharge. Then we see his move to London, how he comes to be a regular at the coffee house, we learn a bit about House politics and where he stands on them… it’s all fascinating, but by the time I got about halfway, I’d started to want something more to happen. (Fortunately, just after that things pick up again). Most of the actual plot is contained in perhaps the last third of the story, so if you’re expecting something complex and full of intrigue, you may need to adjust those expectations. The romance, too, takes a while to get going – we witness Rafe’s passionate night with Edward, who then disappears for half the book – but when it does get going, it’s a bit of a slow burn and is nicely done.
If you’ve listened to Gary Furlong before then chances are that his name on the front cover of this audiobook will be enough to have you picking it up; if you haven’t, then you’re in for a treat. He’s one of my favourite performers and there seems to be very little he can’t do when put in front of a microphone! He’s technically very accomplished – his performances are well-paced and clearly enunciated – his voice is pleasant to listen to and he’s able to portray a large cast by means of a wide variety of tone and accent (especially accent – he’s very good at those!) and differentiate between them. He’s also one of the best voice actors around, able to really get into the heads of the characters he portrays and hit all the emotional beats within a story, no matter how small. There are quite a few secondary characters who appear frequently in this story, and Mr. Furlong finds distinctive vocal characterisations for all of them so there’s never any danger of not knowing who is speaking. Best of all, his interpretation of Rafe is a perfect fit;- he’s all raffish charm and gentle cynicism wrapped up in a cut-glass posh English accent. I did notice a small number of mispronunciations I wish had been corrected, but there aren’t many and are ‘things I noticed’ rather than ‘things that spoiled my enjoyment’.
Great writing, excellent worldbuilding, a bit of suspense, a touch of romance, an engaging central character and great narration all combine to make The Gilded Scarab a fun listen and one I’m more than happy to recommend. I definitely plan on listening to the other books in the series as soon as they’re available.
This review originally appeared at AudioGals.
Sad to say, but Anna Butler’s name wasn’t even on my radar when I saw The Gilded Scarab crop up at Audible, but Gary Furlong’s name on the cover together with a quick peek at the reviews on Goodreads convinced me to take a punt – and I’m glad I did. It’s the first book in a trilogy with a steampunk-y vibe set in an AU Victorian era and it’s full of excellent period detail (many of the historical events of the time are referenced), strong worldbuilding, and boasts a fully three-dimensional and thoroughly engaging lead character.
In this world, the Britannic Imperium is ruled, under the monarch, by eight Convocation Houses which hold all the political power. They divide government departments between them and staff them with members of their own Houses or of the Minor Houses allied to them. Captain Rafe Lancaster is a minor scion of one of those Minor Houses, who, instead of becoming an equally minor government official, decided to join the Aero Corps, much to the annoyance of his family. He’s become one of the Corps’ best – if not THE best – aeronauts; he’s well-liked and a bit of a dare-devil (sometimes a troublemaker) but when push comes to shove, he’s the man for whatever job the Corps wants to throw at him. When the book opens, he’s fighting in South Africa (in the equivalent of what we know as the Boer War) when the famous ‘Lancaster’s Luck’ finally runs out, and his aerofighter is shot down while on a mission. Rafe survives the crash with mostly cuts and bruises, but the head injury he sustains damages his optic nerve which means his vision is no longer fit for military service, and he is medically discharged.
Desolate at the loss of the life he’d loved, Rafe returns to Londinium to lodge in one of the hostels run for the single gentlemen belonging to his House. He has a little money to keep him going for now, although his pay out and meagre military pension won’t go far; he doesn’t want to become a mere drone in some office, subject to the dictates of his House, but he doesn’t yet know what he wants to do next. Feeling a bit down in the dumps, he decides to splash out on a visit to one of his favourite clubs, one where men who share his inclinations can go to find the conviviality of good food, fine wine and physical companionship, should they so desire. It’s a place Rafe used to patronise regularly back in the day, but now it’s something of a treat, and he’s determined to make the most of it. It’s there that he meets the handsome Aegyptologist Edward Fairfax, the intense attraction that ignites between them leading to a very satisfactory evening (and night and early morning). There’s not a lot of time to enjoy the afterglow however, because Edward has to leave before dawn – and he’ll be away for several months.
The disappointment Rafe feels at this news is unexpected – he’s never been interested in more than casual arrangements – but he chalks it into the ‘what might have been’ column and continues his search for a new direction in life.
This new direction appears quite unexpectedly when the elderly proprietor of what has become Rafe’s favourite coffee house – in Bloomsbury near the Britannic Imperium Museum – decides it’s time to retire. Rafe has found a second home – of sorts – there over the past few months, and decides to buy the place; it won’t be easy and he’ll need a loan from his House (he hates the idea of being beholden to them) but he’s determined to make it work. This time, it seems Lancaster’s Luck is on his side.
Rafe throws himself into the venture with gusto – much to the disapproval of his family and House, and of his new lover, Daniel – also an Aegyptologist – who, it has to be said, is a whiny snob. But Rafe has reckoned without his ability to attract trouble, and the quiet but satisfying life he’d envisaged, of a purveyor of coffee, enjoying his experiments with blends and flavour and roasting suddenly becomes much more complicated – and dangerous – than he could have imagined.
The writing here is excellent, the descriptions of the various locations are vivid and colourful, and I was really impressed at the way Anna Butler so skilfully peppers her AU with clearly recognisable and real historical detail while at the same time presenting listeners with a fully developed and very different world full of many of the concepts and conventions that will be familiar to devotees of steampunk. I loved the smaller details, such as the fact that the House names hearken back to a much earlier time of post-Roman Britain, that while everyone speaks modern English, the street names are in Latin… it’s a fascinating and meticulous melding of the real and the fictional, and I loved it.
Rafe is a terrific central character. He’s got a great sense of humour and a clear sense of self-awareness that combine to make him immensely likeable and relatable, and I really liked his pragmatic, slightly ironic voice. He’s determined to live life on his own terms, which includes living as authentically as he can in a society in which being queer is still something to be kept very much under-wraps.
I enjoyed the story very much, but it’s not without its flaws. Practically half of the book is set up; we witness Rafe’s accident and then there are several chapters which describe the aftermath, up to and including his medical discharge. Then we see his move to London, how he comes to be a regular at the coffee house, we learn a bit about House politics and where he stands on them… it’s all fascinating, but by the time I got about halfway, I’d started to want something more to happen. (Fortunately, just after that things pick up again). Most of the actual plot is contained in perhaps the last third of the story, so if you’re expecting something complex and full of intrigue, you may need to adjust those expectations. The romance, too, takes a while to get going – we witness Rafe’s passionate night with Edward, who then disappears for half the book – but when it does get going, it’s a bit of a slow burn and is nicely done.
If you’ve listened to Gary Furlong before then chances are that his name on the front cover of this audiobook will be enough to have you picking it up; if you haven’t, then you’re in for a treat. He’s one of my favourite performers and there seems to be very little he can’t do when put in front of a microphone! He’s technically very accomplished – his performances are well-paced and clearly enunciated – his voice is pleasant to listen to and he’s able to portray a large cast by means of a wide variety of tone and accent (especially accent – he’s very good at those!) and differentiate between them. He’s also one of the best voice actors around, able to really get into the heads of the characters he portrays and hit all the emotional beats within a story, no matter how small. There are quite a few secondary characters who appear frequently in this story, and Mr. Furlong finds distinctive vocal characterisations for all of them so there’s never any danger of not knowing who is speaking. Best of all, his interpretation of Rafe is a perfect fit;- he’s all raffish charm and gentle cynicism wrapped up in a cut-glass posh English accent. I did notice a small number of mispronunciations I wish had been corrected, but there aren’t many and are ‘things I noticed’ rather than ‘things that spoiled my enjoyment’.
Great writing, excellent worldbuilding, a bit of suspense, a touch of romance, an engaging central character and great narration all combine to make The Gilded Scarab a fun listen and one I’m more than happy to recommend. I definitely plan on listening to the other books in the series as soon as they’re available.
This review originally appeared at AudioGals.
April 7, 2022
mijn eerste 1-ster review van het jaar, here we goooo…!! ik heb nog nooit zo’n trainwreck gezien lol
ah wat een teleurstelling, ik had zo veel hoop maar hélaaaaasss. ken je dat gevoel dat je zo enthousiast bent over een boek zelf nog voordat je erin begint en dan na 2 hoofdstukken wil je het liefst je reet ermee afvegen…?? ja dat dus. alsof iemand me in zn busje heeft getrokken met de belofte op een leuk vermakelijk boekje met world building en steampunk dingetjes en een leuk stukje m/m romance dat toch niet te dominant is, nou ik was dus 100% in de val gelokt, oml wat een failure
oké dus om wel even positief te beginnen: ik vond de 1e zin tof, maar daarna ging t allemaal héél rap bergafwaarts. dus het hoofdpersonage dat, idk, toch echt de held van Het Verhaal moet zijn (toch…?? TÓCH…??!!) is eigenlijk gewoon best een irritante s.o.b. die totaal, maar dan ook echt TOTÁÁL niks aan t verhaal toevoegde. ik weet eigenlijk nog steeds niet wie ik meer haat, hem of de antagonist van t hele zooitje en dat zegt wel wat.
oh en de arc waar hij doorheen ging was eigenlijk best wel heel onlogisch en oppervlakkig en oml zelfs mijn theepot heeft meer persoonlijkheid. oh man wat een inconsistente zak aardappelen. misschíen had hier ff een proeflezer overheen gemoeten. eerst is ie nog claustrofobisch a.f. als ie zelfs maar aan een vaste relatie denkt, en dan aan t einde wil ie alleen nog maar de love interest voor de rest van zn leven. en ja i know, dat is ontwikkeling en zo bla bla, maar doe het dan goed. zorg dat het logisch is en niet te snel gaat; dit was een snelweg en ik wil gewoon een hobbelig rotpaadje waar je reet zeer van gaat doen. mensen houden niet van verandering, i tell you, en dit alles kwam gewoon nogal als een 180 degree turn uit de lucht vallen. nou ja.
o ja ik noemde net Het Verhaal, maar dat was er eeeigenlijk ook niet eens. of nou ja misschien gebeurde er wel iets, maar dat werd gewoon in de laatste 2 hoofdstukken gepropt en er was totaal geen goede aanloop naar, als die er al was. anyway, om even samen te vatten, dit gebeurde er zo ongeveer;
1 waarom doen we geen flashback van 3 hoofdstukken lang, wie the fuck heeft de auteur verteld dat dit een goed idee was
2 een heleboel random crap in het midden waaronder 3 sex scènes die absOLUUT NIET fade to black waren, y’all als ik porno wil lezen dan zoek ik daar op internet wel naar, thanx
3 en in die laatste paar hoofdstukken had de auteur zoiets van ‘OH KUT ik ben m’n vuurwerk & sparkles vergeten’ en probeert de hoofdpersoon alsnog de wereld te redden of zoiets, idk, ik zat toen allang niet meer op te letten
4 als bonus, laten we nog een sex scène toevoegen want die hadden we nog niet genoeg
en dan heb ik het meest irrelevante gedeelte nog niet eens gehad, want wtf doen die ‘Houses’ daar nou eigenlijk, is dit een harry potter fanfic of zo…??? ik heb die hele serie nooit gelezen #sorrynotsorry maar ik weet nog net dat er zoiets als Huizen bestaat daar. als dit een poging was om dat na te apen is het in elk geval geen goeie poging geweest. als je dan toch zoiets als een secondary bad guy erin wilt doen maak ze dan relevant en zorg dat ze fucking eng en onheilspellend zijn en dat ze (hear me out) iets toEVOEGEN, just sayin’
(ik ben bijna klaar met ranten ik zweer het)
over geloofwaardigheid gesproken, dit zou toch een steampunk zijn…??!! dat was juist wat me in het busje lokte, dammit!! het enige wat een beetje steampunkish was, waren die (totaal overbodige) airships in die ene (net zo overbodige) flashback, de rest… hmm, hoe ga ik dit vriendelijk zeggen… lasers?? oortjes en digitale comm systemen?? vingerafdruk scanners??!! oh hoe steampunk is dat :D *sad noises*
oké laatste puntje dan, want mn bloeddruk is serieus niet gezond meer. ik ben oprecht de tel kwijtgeraakt met hoe vaak ik met mn ogen rolde en ik denk echt dat mn buren dat op een gegeven moment gingen horen. ik zou bijna de e-reader tegen de muur hebben gegooid maar da’s zo zonde van mn kobo, dus dat heb ik maar niet gedaan. maar oml de neiging was GROOT. de schrijfstijl was saai, wel heel simpel af en toe, absOLUUT niet grappig (behalve die ene eerste zin) en de afsluitingen van hoofdstukken was zo repetitief dat ik spontaan in janken wilde uitbarsten na de 4e herhaling :D
maar er is nog wel een silver lining. nu is mijn standaard weer verlaagd voor mijn volgende boek, dus die kan onmogelijk tegenvallen hierna, halleluja…!! tis een beetje sad dat het zo moet, maar ja… zo gaan die dingen, weet je… dat is het leven nu eenmaal, i guess. misschien ben ik gewoon een beetje veeleisend, idk, maar t maakt me wel een beetje triest
anyway thanx dat je naar mijn ted talk kwam. please neem mijn lijden in acht en lees dit niet. ik ga een dokter zoeken voor mn onvermijdelijke aneurysma
(trouwens ik bedenk me net, zaten er eigenlijk wel vrouwen in dit verhaal..??)
ah wat een teleurstelling, ik had zo veel hoop maar hélaaaaasss. ken je dat gevoel dat je zo enthousiast bent over een boek zelf nog voordat je erin begint en dan na 2 hoofdstukken wil je het liefst je reet ermee afvegen…?? ja dat dus. alsof iemand me in zn busje heeft getrokken met de belofte op een leuk vermakelijk boekje met world building en steampunk dingetjes en een leuk stukje m/m romance dat toch niet te dominant is, nou ik was dus 100% in de val gelokt, oml wat een failure
oké dus om wel even positief te beginnen: ik vond de 1e zin tof, maar daarna ging t allemaal héél rap bergafwaarts. dus het hoofdpersonage dat, idk, toch echt de held van Het Verhaal moet zijn (toch…?? TÓCH…??!!) is eigenlijk gewoon best een irritante s.o.b. die totaal, maar dan ook echt TOTÁÁL niks aan t verhaal toevoegde. ik weet eigenlijk nog steeds niet wie ik meer haat, hem of de antagonist van t hele zooitje en dat zegt wel wat.
oh en de arc waar hij doorheen ging was eigenlijk best wel heel onlogisch en oppervlakkig en oml zelfs mijn theepot heeft meer persoonlijkheid. oh man wat een inconsistente zak aardappelen. misschíen had hier ff een proeflezer overheen gemoeten. eerst is ie nog claustrofobisch a.f. als ie zelfs maar aan een vaste relatie denkt, en dan aan t einde wil ie alleen nog maar de love interest voor de rest van zn leven. en ja i know, dat is ontwikkeling en zo bla bla, maar doe het dan goed. zorg dat het logisch is en niet te snel gaat; dit was een snelweg en ik wil gewoon een hobbelig rotpaadje waar je reet zeer van gaat doen. mensen houden niet van verandering, i tell you, en dit alles kwam gewoon nogal als een 180 degree turn uit de lucht vallen. nou ja.
o ja ik noemde net Het Verhaal, maar dat was er eeeigenlijk ook niet eens. of nou ja misschien gebeurde er wel iets, maar dat werd gewoon in de laatste 2 hoofdstukken gepropt en er was totaal geen goede aanloop naar, als die er al was. anyway, om even samen te vatten, dit gebeurde er zo ongeveer;
1 waarom doen we geen flashback van 3 hoofdstukken lang, wie the fuck heeft de auteur verteld dat dit een goed idee was
2 een heleboel random crap in het midden waaronder 3 sex scènes die absOLUUT NIET fade to black waren, y’all als ik porno wil lezen dan zoek ik daar op internet wel naar, thanx
3 en in die laatste paar hoofdstukken had de auteur zoiets van ‘OH KUT ik ben m’n vuurwerk & sparkles vergeten’ en probeert de hoofdpersoon alsnog de wereld te redden of zoiets, idk, ik zat toen allang niet meer op te letten
4 als bonus, laten we nog een sex scène toevoegen want die hadden we nog niet genoeg
en dan heb ik het meest irrelevante gedeelte nog niet eens gehad, want wtf doen die ‘Houses’ daar nou eigenlijk, is dit een harry potter fanfic of zo…??? ik heb die hele serie nooit gelezen #sorrynotsorry maar ik weet nog net dat er zoiets als Huizen bestaat daar. als dit een poging was om dat na te apen is het in elk geval geen goeie poging geweest. als je dan toch zoiets als een secondary bad guy erin wilt doen maak ze dan relevant en zorg dat ze fucking eng en onheilspellend zijn en dat ze (hear me out) iets toEVOEGEN, just sayin’
(ik ben bijna klaar met ranten ik zweer het)
over geloofwaardigheid gesproken, dit zou toch een steampunk zijn…??!! dat was juist wat me in het busje lokte, dammit!! het enige wat een beetje steampunkish was, waren die (totaal overbodige) airships in die ene (net zo overbodige) flashback, de rest… hmm, hoe ga ik dit vriendelijk zeggen… lasers?? oortjes en digitale comm systemen?? vingerafdruk scanners??!! oh hoe steampunk is dat :D *sad noises*
oké laatste puntje dan, want mn bloeddruk is serieus niet gezond meer. ik ben oprecht de tel kwijtgeraakt met hoe vaak ik met mn ogen rolde en ik denk echt dat mn buren dat op een gegeven moment gingen horen. ik zou bijna de e-reader tegen de muur hebben gegooid maar da’s zo zonde van mn kobo, dus dat heb ik maar niet gedaan. maar oml de neiging was GROOT. de schrijfstijl was saai, wel heel simpel af en toe, absOLUUT niet grappig (behalve die ene eerste zin) en de afsluitingen van hoofdstukken was zo repetitief dat ik spontaan in janken wilde uitbarsten na de 4e herhaling :D
maar er is nog wel een silver lining. nu is mijn standaard weer verlaagd voor mijn volgende boek, dus die kan onmogelijk tegenvallen hierna, halleluja…!! tis een beetje sad dat het zo moet, maar ja… zo gaan die dingen, weet je… dat is het leven nu eenmaal, i guess. misschien ben ik gewoon een beetje veeleisend, idk, maar t maakt me wel een beetje triest
anyway thanx dat je naar mijn ted talk kwam. please neem mijn lijden in acht en lees dit niet. ik ga een dokter zoeken voor mn onvermijdelijke aneurysma
(trouwens ik bedenk me net, zaten er eigenlijk wel vrouwen in dit verhaal..??)
July 29, 2024
2022 Re-Read:
This book is amazing. The audio performance is amazing. If the rest of the series doesn't make it to audio I will be forever heartbroken.
2017 Re-Read:
This book made me think I loved Steampunk. But I've read other Steampunk stories since then and so I've had to decide that it's just Anna Butler's Steampunk that I love.
This book is amazing. The audio performance is amazing. If the rest of the series doesn't make it to audio I will be forever heartbroken.
2017 Re-Read:
This book made me think I loved Steampunk. But I've read other Steampunk stories since then and so I've had to decide that it's just Anna Butler's Steampunk that I love.
May 16, 2017
An Awful Disappointment
I picked up this book after breezily reading the plot summary and thought: "steampunk and Egyptology! How could it go wrong?" And the truth is, I still don't have an answer to that. This is one of those books that pretend to be something they are not. In this case the book pretends it has a plot, and that said plot has something to do with scarabs and steampunk. But, steampunk is a bit more than just giving modern tech a new and weirdly spelled name and saying "this all happens in a Victorian setting". And what little part the scarab played, was spoiled by the book's title. It would have been more apt to name the book "the gilded coffeehouse" (coffee and discussions of it plays a big part of the book).
I can't even say that this is a bad romantic/erotic novel that uses a steampunk façade to make it more memorable (or more likely - to lure unsuspecting readers, like me) nor can I pinpoint it to any other genres or shelves (other than LGBT, of course) because this book is really just about an annoying smug guy (that the readers are supposed to find super charming) who loses his beloved job, goes back to London, mopes a lot, then becomes the owner of a coffeehouse – which makes him go on and on enthusiastically and tediously about coffee.
The hero, Rafe, is the only (sort of) developed character in the book. We simply don't get enough of the others to make anything of them, especially since his narration colors everything. The world building is lazy – we keep hearing about the houses and how horrible Rafe thinks they are (which doesn't stop him from taking money from his house, and then complain that – shockingly - they expect things in return), but why do they exist? What purpose do they serve, that in this reality the houses came to be? How come the tech in this world is so different than the one in ours, but the history isn't?
There is hardly any plot, but the little there is gets crammed in the end of the book – it's like someone realized the book is about to end without anything actually happening in it and desperately and over enthusiastically tried to over- compensate. Sadly, that person didn't think "plot" needs to makes sense.
The book is a huge disappointment on every level and I have no idea why it got such good grades and good reviews here.
I picked up this book after breezily reading the plot summary and thought: "steampunk and Egyptology! How could it go wrong?" And the truth is, I still don't have an answer to that. This is one of those books that pretend to be something they are not. In this case the book pretends it has a plot, and that said plot has something to do with scarabs and steampunk. But, steampunk is a bit more than just giving modern tech a new and weirdly spelled name and saying "this all happens in a Victorian setting". And what little part the scarab played, was spoiled by the book's title. It would have been more apt to name the book "the gilded coffeehouse" (coffee and discussions of it plays a big part of the book).
I can't even say that this is a bad romantic/erotic novel that uses a steampunk façade to make it more memorable (or more likely - to lure unsuspecting readers, like me) nor can I pinpoint it to any other genres or shelves (other than LGBT, of course) because this book is really just about an annoying smug guy (that the readers are supposed to find super charming) who loses his beloved job, goes back to London, mopes a lot, then becomes the owner of a coffeehouse – which makes him go on and on enthusiastically and tediously about coffee.
The hero, Rafe, is the only (sort of) developed character in the book. We simply don't get enough of the others to make anything of them, especially since his narration colors everything. The world building is lazy – we keep hearing about the houses and how horrible Rafe thinks they are (which doesn't stop him from taking money from his house, and then complain that – shockingly - they expect things in return), but why do they exist? What purpose do they serve, that in this reality the houses came to be? How come the tech in this world is so different than the one in ours, but the history isn't?
There is hardly any plot, but the little there is gets crammed in the end of the book – it's like someone realized the book is about to end without anything actually happening in it and desperately and over enthusiastically tried to over- compensate. Sadly, that person didn't think "plot" needs to makes sense.
The book is a huge disappointment on every level and I have no idea why it got such good grades and good reviews here.
May 19, 2020
I got this first volume of the series when it was free on KU. I read it, then left it sitting on my e-reader for a couple of weeks, thinking about the story and the characters. After that, I gave up :) and bought it, and the sequels.
A delightful, steampunk version of Victorian England where the Commons and Parliament are replaced with a series of Houses that run and control almost everything. As you might imagine, House politics are brutal.
Rafe isn't interested in being a pawn in House politics so when he's invalided out of the RAF, he ends up buying a coffeehouse.
And he meets a man. Edward. Sadly, after their one glorious night together, Edward confesses that he's about to leave England for several months, but Rafe has secret hopes that they can reconnect once they're both back in London.
After that, things get complicated. House politics have to be dealt with, jealous lovers have to be placated (or dumped), and envious business rivals have to be thwarted.
Good writing, a variety of interesting characters, novel world-building, an all-around good read.
The most enjoyable new series I've read in a while. I hope Anna Butler has more adventures in store for these characters!
A delightful, steampunk version of Victorian England where the Commons and Parliament are replaced with a series of Houses that run and control almost everything. As you might imagine, House politics are brutal.
Rafe isn't interested in being a pawn in House politics so when he's invalided out of the RAF, he ends up buying a coffeehouse.
And he meets a man. Edward. Sadly, after their one glorious night together, Edward confesses that he's about to leave England for several months, but Rafe has secret hopes that they can reconnect once they're both back in London.
After that, things get complicated. House politics have to be dealt with, jealous lovers have to be placated (or dumped), and envious business rivals have to be thwarted.
Good writing, a variety of interesting characters, novel world-building, an all-around good read.
The most enjoyable new series I've read in a while. I hope Anna Butler has more adventures in store for these characters!
Read
May 21, 2023Wow this book had been on my to read list for like 4 years! :o I almost dnf at the beginning, but I'm glad I decided to stick with it. It was a really really interesting read.
Steampunk, well sci-fi in general, kind of confuses me. It's really hard for me to visualize it, so I usually avoid those kind of books. That said, I liked the little elements of steampunk in this one.
I loved that Rafe bought a coffee house, and I literally felt like I was living my dream through him. I think what I really enjoyed about the book is the fact that it wasn't mainly centered on Rafe and the love interest. Like yes, we saw the (slow) evolution of their relation, but the Mcs had their own projects on the side too. I thought it was really refreshing.
The one thing I didn't like was the way Rafe talked about the women around him. It just seemed like he rarely had a nice word for them.
Anyway, I'm not sure if I'll read the next book. Honestly, I'm pretty ok with the way this book ended, but I guess we'll see.
Steampunk, well sci-fi in general, kind of confuses me. It's really hard for me to visualize it, so I usually avoid those kind of books. That said, I liked the little elements of steampunk in this one.
I loved that Rafe bought a coffee house, and I literally felt like I was living my dream through him. I think what I really enjoyed about the book is the fact that it wasn't mainly centered on Rafe and the love interest. Like yes, we saw the (slow) evolution of their relation, but the Mcs had their own projects on the side too. I thought it was really refreshing.
The one thing I didn't like was the way Rafe talked about the women around him. It just seemed like he rarely had a nice word for them.
Anyway, I'm not sure if I'll read the next book. Honestly, I'm pretty ok with the way this book ended, but I guess we'll see.
February 21, 2015
Exactly my type of book. This one pushed all my buttons for all kinds of reasons, so it's my recommendation for the week.
More here
I adore the whole steampunk vibe with shades of Rider Haggard stiff-upper-lippery, men of enormous personal bravery and magnificent whiskers and clothing with buttons and laces enough to slow the between the sheets action down to a delicate pavane before the frantic scramble of consummation. There are manners, there is politeness, there is what should be done and the heroes dance between the expectations of society, each other and necessity to try to achieve happiness.
More here
July 23, 2025
4.5 stars. Audiobook. Fantastic. Adventure, expedition, great world building, alternate London 1890s, steampunk vibes, alternate technology. Wonderful journey of a true playboy that finds his forever person in a world pitted against them and traditional Victorian sensibilities of men and women. Series of three books, follows same couple, must be read in order.
Narration is just right, Gary Furlong does an exceptional sexy British rogue, bringing a suave sensuality to the main character with his smooth, attractive voice. The quiet, tender earnestness just does it for me, especially in these formal Victorian era British tones. The way this man says “delicious” is everything. His narration likely elevated this book, which was full of difficult words from historical monument names, foreign character names and names of far off cities.
Book 2 is a wonderful change of scenery as we’re off to Egypt for an archeological expedition. The couple grows closer outside of the pressures from home and encounter interesting on-site issues including danger and superstitions. Book 3 is a lovely combination of at-home and foreign adventure, wonderful conclusion, wonderful writing, wonderful tenderness woven throughout. Wonderful times a billion plus two.
HEA, series, 3 books, ancient Egypt, steam punk, alternate Victorian London, archeologist, pilot, head of house, light politics, m/m, vers, mild spice.
Narration is just right, Gary Furlong does an exceptional sexy British rogue, bringing a suave sensuality to the main character with his smooth, attractive voice. The quiet, tender earnestness just does it for me, especially in these formal Victorian era British tones. The way this man says “delicious” is everything. His narration likely elevated this book, which was full of difficult words from historical monument names, foreign character names and names of far off cities.
Book 2 is a wonderful change of scenery as we’re off to Egypt for an archeological expedition. The couple grows closer outside of the pressures from home and encounter interesting on-site issues including danger and superstitions. Book 3 is a lovely combination of at-home and foreign adventure, wonderful conclusion, wonderful writing, wonderful tenderness woven throughout. Wonderful times a billion plus two.
HEA, series, 3 books, ancient Egypt, steam punk, alternate Victorian London, archeologist, pilot, head of house, light politics, m/m, vers, mild spice.
April 4, 2017
Lots of fun, in a late-Victorian steampunk Britain. ♥
October 31, 2017
I really liked this tale of Rafe Lancaster finding a new place for himself back in Londinium after he was invalided out of the Service following an accident which damaged his sight. This is a long book, which was wonderful because we get to see Rafe relearning how to live in the civilian world, finding new friends, a new career, and dealing with the various family members who have little use for him unless he can advance their interests. The writing flowed very smoothly and I found the initial setup interesting and fun, I think because of Rafe's ironic and somewhat humorous take on much of what was going on. As for his change in circumstances? Well, that never bothered Rafe at all, and the watering of his eyes occasionally--that was just a bit of dust in them, or a reaction to his new glasses, or the lighting...or something. *grin*
I am not very fond of the steampunk genre, but this book seemed more like an alternate universe to our own and I liked it immensely. Much of the new or altered technology needed little explanation, and most explanation was done quickly and seamlessly, with no unnecessary fanfare. The House system of families was probably the most different from our world. I didn't bother to puzzle over it too much, and I felt I understood what I needed to know to fully enjoy the story.
It does take a while to get into the romance in the book, though sex was on the table fairly early on. In many books I would probably have been impatient to get to "the good stuff," but I really enjoyed seeing Rafe's relationships with all the secondary characters. We get some foreshadowing that romance is in the air for our hero, but from his POV he doesn't really believe in "love" but rather the enjoyment of a companion and a friendly relationship. I eagerly anticipated his dilemma as he realized he was actually falling in love and tried to tell himself that it wasn't really so.
Minor spoiler:
This is such a well-developed world and I liked so many of the characters that I really do hope we see more books following this one. There was a bit of setup so we get an idea that Rafe could be involved in some dangerous and covert operations in the future. And I would love to see more of Rafe and Ned together, since dealing with the outside world will have to mean their relationship will not be an easy one. I really look forward to additional stories about them.
I am not very fond of the steampunk genre, but this book seemed more like an alternate universe to our own and I liked it immensely. Much of the new or altered technology needed little explanation, and most explanation was done quickly and seamlessly, with no unnecessary fanfare. The House system of families was probably the most different from our world. I didn't bother to puzzle over it too much, and I felt I understood what I needed to know to fully enjoy the story.
It does take a while to get into the romance in the book, though sex was on the table fairly early on. In many books I would probably have been impatient to get to "the good stuff," but I really enjoyed seeing Rafe's relationships with all the secondary characters. We get some foreshadowing that romance is in the air for our hero, but from his POV he doesn't really believe in "love" but rather the enjoyment of a companion and a friendly relationship. I eagerly anticipated his dilemma as he realized he was actually falling in love and tried to tell himself that it wasn't really so.
Minor spoiler:
This is such a well-developed world and I liked so many of the characters that I really do hope we see more books following this one. There was a bit of setup so we get an idea that Rafe could be involved in some dangerous and covert operations in the future. And I would love to see more of Rafe and Ned together, since dealing with the outside world will have to mean their relationship will not be an easy one. I really look forward to additional stories about them.
June 4, 2021
2.5 - Nice Historical Rom, but Steampunk Only In Its Adjectives.
This was not quite what I expected, but still an enjoyable steampunk-lite, rich kid gets independent semi-rich kid romance.
I liked the time period that Anna Butler put me in (1899), and what little there was of it, the steampunk and archeology. The first person worked well, as the MC narrated how he got from there to here, sprinkled with a good sense of humor. I got into the his Boer War experience as an aerofighter pilot, and then the Londinium coffeehouse, its look and its regular customers. I appreciated that Butler retained one aspect of the times, for gays "a period of keeping their heads well below the parapet," even referencing the Cleveland Street scandal and Oscar Wilde trial. And I appreciated the little details that put a smile on my face - like his drinking a scotch and soda as I do.
But there were disappointments, a main one, since I've read a lot of steampunk lately, was that this was steampunk-lite. A good AU was created, but it lacked much SP imagination. The rule of the Houses was a nice creation, but that is not SP, just AU, like Londinium. Mainly the SP consisted of just putting a mechanical sounding adjective in front of a more modern device without much about its workings. Just a few examples early on: aerofighter (just a couple decades before their real time), autocar, autohansom (cab), analytical engine (calculator), datareader (e-reader), datascope (laptop), Marconi (radio/receiver), kinetoscope camera (surveillance camera), photon globe (streetlight), and again, no explanation beyond just mentioning cold fusion powering a slow-drip coffee machine and guns. That's wordsmithing, not SP; items, but without any substance.
Another disappointment was that, for some reason, I was expecting more of an Egyptian or archeological adventure (probably mixed it up with book 2). Having cut my teeth on Indiana Jones adventures, my appetite was whet. Unfortunately, once it moved from the Boer War in the beginning, I never got away from Londinium. And as for the adventure, the plot was good enough, but I could see the villains a mile away. Still, it did have some good House intrigue and action scenes.
Same with the romance, I enjoyed it, but ... even for a "romance" this was a little too unrealistic about how two men are romantic, including the sex. The latter took a while too long, even for a slow burn, a little too convenient for the story at the end, and wasn't all that steamy. In those instances, the fantastical was jarring enough to take me out of the romance itself.
With all that, I still enjoyed the read, it just wasn't all I had hoped it would be.
This was not quite what I expected, but still an enjoyable steampunk-lite, rich kid gets independent semi-rich kid romance.
I liked the time period that Anna Butler put me in (1899), and what little there was of it, the steampunk and archeology. The first person worked well, as the MC narrated how he got from there to here, sprinkled with a good sense of humor. I got into the his Boer War experience as an aerofighter pilot, and then the Londinium coffeehouse, its look and its regular customers. I appreciated that Butler retained one aspect of the times, for gays "a period of keeping their heads well below the parapet," even referencing the Cleveland Street scandal and Oscar Wilde trial. And I appreciated the little details that put a smile on my face - like his drinking a scotch and soda as I do.
But there were disappointments, a main one, since I've read a lot of steampunk lately, was that this was steampunk-lite. A good AU was created, but it lacked much SP imagination. The rule of the Houses was a nice creation, but that is not SP, just AU, like Londinium. Mainly the SP consisted of just putting a mechanical sounding adjective in front of a more modern device without much about its workings. Just a few examples early on: aerofighter (just a couple decades before their real time), autocar, autohansom (cab), analytical engine (calculator), datareader (e-reader), datascope (laptop), Marconi (radio/receiver), kinetoscope camera (surveillance camera), photon globe (streetlight), and again, no explanation beyond just mentioning cold fusion powering a slow-drip coffee machine and guns. That's wordsmithing, not SP; items, but without any substance.
Another disappointment was that, for some reason, I was expecting more of an Egyptian or archeological adventure (probably mixed it up with book 2). Having cut my teeth on Indiana Jones adventures, my appetite was whet. Unfortunately, once it moved from the Boer War in the beginning, I never got away from Londinium. And as for the adventure, the plot was good enough, but I could see the villains a mile away. Still, it did have some good House intrigue and action scenes.
Same with the romance, I enjoyed it, but ... even for a "romance" this was a little too unrealistic about how two men are romantic, including the sex. The latter took a while too long, even for a slow burn, a little too convenient for the story at the end, and wasn't all that steamy. In those instances, the fantastical was jarring enough to take me out of the romance itself.
With all that, I still enjoyed the read, it just wasn't all I had hoped it would be.
October 10, 2022
I pause at 30 % and maybe will finish it later. I disliked how the first 20% is walking through London and just observing. There are some occurrences after that, but nothing that made me want to know what would happen next.
For a person not liking world building, this novel had just enough to be enjoyable.
=======
I took it up again and read until 45%. I still think it is a tedious experience. We get hints upon hints upon hints and nothing follows through. We know the first lover will become his true love. We know his House will manoeuvre him in a position he does not want. We know he will buy the coffee house. We know his second lover wil leave. We know there is something undisclosed about the purchased building. And we can suspect he knows the ex of his second lover.
I am sick of waiting for predictable plotlines to unfold.
For a person not liking world building, this novel had just enough to be enjoyable.
=======
I took it up again and read until 45%. I still think it is a tedious experience. We get hints upon hints upon hints and nothing follows through. We know the first lover will become his true love. We know his House will manoeuvre him in a position he does not want. We know he will buy the coffee house. We know his second lover wil leave. We know there is something undisclosed about the purchased building. And we can suspect he knows the ex of his second lover.
I am sick of waiting for predictable plotlines to unfold.
July 4, 2020
An interesting reading experience for me. I was impatient with this steampunk/a-u British Empire story's pace for quite awhile, then found myself on board. I didn't take to Rafe right away, but his self-deprecating humor and internal monologue revealing a strong moral compass gradually won me over. This feels like a longish story and takes awhile to focus on the nice bit of intrigue woven into it. I suspect the dangling threads and loose plot points noted by other readers may be there to leave room for a sequel or series. One can only hope.
February 4, 2016
All my friends (ie two) have suddenly reappeared on GR and so, in honour of the sudden onslaught of nostalgia, I decided to write a review.
And then I realised that I forgot how to write reviews.
And so I'm going to (weakly) dot point the shit out of this:
# overall a wonderfully well written steampunk romance that unfortunately suffers some interesting ... pacing and development issues let's say. It lingers too much in the beginning... speeds up for a little... and falters when they literally introduced the love interest, AND THEN DECIDED TO SEND HIM TO EGYPT FOR HALF THE BOOK (what were you thinking?)
# fresh and intriguing world building, especially in terms of the socio-political nuances --> political power plays, the society created etc.
#strong characterisation with endearing and well-fleshed out characters
# A+ romance... when it was present (again- development + pacing issues). In a weird roundabout sort of way, the absence of the love interest almost made the book stand out in some aspects... there was a sense of growing anticipation, and we allowed to watch the development of the main character without the focal point of romance. The balance of character development and romance was lovely, but maybe could have been achieved in a more satisfactory manner.
All in all, a lovely read that could have perhaps used some extra editing. Whatever. I'm still gagging for a re-read so I guess her job is done.
God reviewing is hard. I'm going to go in hiding again, after this.
I recommend for a light yet hearty read.
And then I realised that I forgot how to write reviews.
And so I'm going to (weakly) dot point the shit out of this:
# overall a wonderfully well written steampunk romance that unfortunately suffers some interesting ... pacing and development issues let's say. It lingers too much in the beginning... speeds up for a little... and falters when they literally introduced the love interest, AND THEN DECIDED TO SEND HIM TO EGYPT FOR HALF THE BOOK (what were you thinking?)
# fresh and intriguing world building, especially in terms of the socio-political nuances --> political power plays, the society created etc.
#strong characterisation with endearing and well-fleshed out characters
# A+ romance... when it was present (again- development + pacing issues). In a weird roundabout sort of way, the absence of the love interest almost made the book stand out in some aspects... there was a sense of growing anticipation, and we allowed to watch the development of the main character without the focal point of romance. The balance of character development and romance was lovely, but maybe could have been achieved in a more satisfactory manner.
All in all, a lovely read that could have perhaps used some extra editing. Whatever. I'm still gagging for a re-read so I guess her job is done.
God reviewing is hard. I'm going to go in hiding again, after this.
I recommend for a light yet hearty read.
February 15, 2016
This book was such a joy to read.
It was well, very well written, the language perfect for the time and place the story was set in.
Although it's decidedly unhurried on every front - the development, the romance (which actually doesn't play such a big role, just one more happy component), the world building, the politics, Rafe's development - I've had so much fun to simply read this that I didn't find myself impatient at all, something very rare these days. I just wanted to read on and on. I loved the characters. I loved the setting. Most of all though, I fell in love with Rafe. With his voice, with his straight-forward honesty, and with his mentality to just take on life whatever it may bring. With his propensity to mourn his losses, but then to go out again, and just start on over. Rafe was fantastic.
Yes, there are some plot strings very much unfinished - or just let loose at some point it seems. But I read that the author plans to write a sequel to get these taken care of, so I'll just hope for that. I really hope for that. Because this world? I plan to revisit it as often as I'm allowed to!
It was well, very well written, the language perfect for the time and place the story was set in.
Although it's decidedly unhurried on every front - the development, the romance (which actually doesn't play such a big role, just one more happy component), the world building, the politics, Rafe's development - I've had so much fun to simply read this that I didn't find myself impatient at all, something very rare these days. I just wanted to read on and on. I loved the characters. I loved the setting. Most of all though, I fell in love with Rafe. With his voice, with his straight-forward honesty, and with his mentality to just take on life whatever it may bring. With his propensity to mourn his losses, but then to go out again, and just start on over. Rafe was fantastic.
Yes, there are some plot strings very much unfinished - or just let loose at some point it seems. But I read that the author plans to write a sequel to get these taken care of, so I'll just hope for that. I really hope for that. Because this world? I plan to revisit it as often as I'm allowed to!
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