Poucos artistas renascentistas foram tão brilhantes e polêmicos quanto Leonardo Da Vinci. Mesmo assim, sua capacidade criadora só passou a ser melhor compreendida depois do lançamento de Kenneth Clark.
Publicado pela primeira vez em 1939, seu conteúdo mantêm-se igualmente vigoroso e atual nos dias de hoje. Ricamente ilustrado, habilmente redigido, o livro mudou a perspectiva da crítica de arte do seu tempo e continua sendo considerado uma leirura obrigatória para a introdução à vida e à obra do genial mestre da Renascença.
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Interesting, but so very dry and hard to sit and read from cover to cover. I'm possibly being unfair on the author here - Clarke has clearly done plenty of research and has plenty of knowledge to impart, but as a consequence of the density of the typesetting, the format requiring constant flipping from points in long blocks of text to a central section of photographic plates, and the subject being 'of interest' to me but not something I am massively compelled to learn about, it made for a limited read. I also found the black & white images only imparted some of the beauty of da Vinci's work, they were rather dark in places.
As a reference book, a useful addition to others on the subject, I'd expect, but as a casual reader curious about the artist this fell a little short of expectations.
This is only about Leonardo as an artist. Not as a scientist, little as a person, but as an artist. There are long parts of we-are-not-sure-who-painted-this and there-is-evidence-that-this-and-that-but that I really didn't care about. Interesting but not as much as I expected.
Parce que la peinture est une passion et que Léonard est le plus étonnant, créatif et génial des peintres. La bio que Clark lui consacre est devenu un livre de chevet et donc jamais achevé.
This engaging overview of Leonardo's work strikes a balance between a thorough discussion of most of his works, on the one hand, and a more general portrait of his outlook and life, on the other. We think of Leonardo as a painter—and it was in this area that he most excelled—but his output was not exactly prolific. I was amazed to learn that only one of his paintings can really be said to have come down to us in its original form: the unremarkable Ambrosiana Musician. The Mona Lisa has been muddied by time (where is the "rosy and tender" nose that Vasari writes of) and the Last Supper so extensively overpainting that nothing original remains. Leonardo was brilliant, thought big ideas in a variety of fields, and was fortunate that the world was ready to grasp onto those ideas and run with them. We may not have one surviving example of Leonardo's architecture, but Clark ascribes all of French chateau design to his influence. Same with his anatomy. Same with his equestrian statuary.
Yet, in the absence of evidence the imagination flourishes. It may be that if more of Leonardo's work had survived, we would not now see it as so seminally influential.
I am glad that I choose this one as first book to study about Leonardo. The author who is English but was working and living in Italy for a while and with wide background on art studying etc. he gave us a good view about Da Vinci's life, kind of his personality besides all the art works that he left behind. A bit hard to read through small letters on small yellow paper but I did enjoy it very much.
A comprehensive and enlightening survey of da Vinci’s art, well illustrated with his major works and many of his drawings and studies. Clark’s insights have stood the test of time remarkably well.
Leonardo has been mythologized and then de-mythologized many times. He is worshipped and he falls into disfavor. His greatness may not be as much as we (and he) want it to be, but his drawings still hold a power. Out there there are lots of lifelike works and yet they remain lifeless, but Leo's sketches, for me, always seem to be able to capture the very essence, the vivacity of their subjects.
This is an old book but it still serves well as a great introduction to Leo's artistic life. Clark states carefully that he does not aim to explore Leo's achievements as a scientist, but he does mention briefly what Leo was involved with and his ambitions as well as frustrations.
Martin Kemp's introduction is particularly valuable.
An incredibly readable, sensitive and intelligent overview of Leonardo's life and work. Very insightful and frank. Clark has the rare gift of bringing life and understanding to the facts without flying of into romantic speculation. Highly recommended.
Long, long book. But I like books about artists and alway wanted to know more about Leonardo and his inventions and his life. It was very interesting. I would like to read other works by Kenneth Clark.